PreS-Gr 1 A narrator invites the onlookers of these pages to close their eyes and "Imagine a wolf." What does the wolf look like? Platt's unnamed wolf does not embody stereotypes. In fact, the exclamations of people passing ("What big teeth!" "What big ears!") pain the wolf and bring tears to its eyes. Platt's wolf, wearing a dress and wedge sandals, would rather knit cozy, colorful sweaters for shivering sheep than prey upon them. This title could spur conversations with children about looking beyond the surface and reexamining preconceived ideas. Though the message is substantial, Platt's oil, pen, ink, and colored pencil illustrations are a mixed bag. The close-up illustrations of the wolf are the strongest, especially the spread highlighting the contrast of its emerald green eyes and intricately painted soft fur with razor-sharp teeth. However, the illustrations in between these examinations are not as striking and are at times difficult to decipher. Although the concept is robust, it's handled better in Morag Hood's recent Brenda Is a Sheep . VERDICT A strong beginning tugs at the heartstrings, but the story trails off and then abruptly ends, making this an additional purchase at best.Emily Brush, Novi P.L., MI

A wolf speaks directly to readers about preconceptions.On an abstract black-and–dark-gray spread, white text makes a request: "Close your eyes and imagine a wolf." Two spreads later, a wolf shows up and asks, "Am I what you imagined?" This wolf sits cross-legged and slope-shouldered, holding a knitting project. An apron and high-heeled slides with cork soles complete the harmless impression. The wolf's gentle eyes are painted with complex irises and shifting colors. This is no fairy-tale predator-but other characters don't notice that. On the sidewalk, pigs (three, natch) clutch one another in fear; in the yarn store, humans (one in a red knit cap) whisper and stare. A passing skateboarder screams "WOOOLF!"-terrifying the poor yarn-carrying wolf enough to cause a stumble and fall into the street. This wolf does have sharp teeth-an intense close-up leaves no doubt-but uses them only to "hold the wool while my paw spins the wheel." The knitting project? Sweaters for chilly sheep. Part of Platt's compassionate message is crystal clear: This kind wolf doesn't deserve street harassment or being brought to tears by prejudice. However, this wolf's tender inner character is symbolized by outward appearance: Readers see from first glimpse that this wolf isn't dangerous, which undermines the attempted decoupling of appearance from morality. Human characters' skin is the background paper's creamy white.Very dear, but the message's delivery is only partially successful. (Picture book. 4-8)

"Close your eyes and imagine a wolf," begins the story, narrated by a wolf who feels hurt because she's regarded with terror. She's certainly not the "big, bad" sort that impersonates grannies and preys on little pigs. She bursts into tears when townsfolk see her and yell "Wolf!" because she's different. Yes, she has sharp claws (for holding wool while spinning). Yes, she has big eyes (for enjoying colors). But when her big ears hear the cries of cold sheep in the distance, this wolf hops into her car, drives to their field, and delivers hand-knit sweaters for them all. She suggests again that viewers imagine a wolf and then asks, "Am I what you imagined?" Created with pen-and-ink, oil paint, and colored pencil, the illustrations are distinctive and expressive. While delivering a timely lesson about regarding everyone as an individual rather than making judgments based on preconceptions, this picture book also entertains with familiar nursery tale references, the wolf's aggrieved point of view, and questions that call for imaginative responses. A thought-provoking choice for reading aloud.