Starred Review for Publishers Weekly
(Tue Jan 03 00:00:00 CST 2023)
Audio reviews reflect <EMPHASIS TYPE=""ITALIC"">PW's assessment of the audio adaptation of a book and should be quoted only in reference to the audio version.
Fiction<REVIEW PUBLISHER=""Reed Business Information-US"" AUTHNAME=""Staff"" RELEASEDATE=""12/02/2002"" LANGUAGE=""EN"" SECRIGHTS=""YES"" PUBLICATION=""Publishers Weekly"" PUBDATE=""12/02/2002"" VOLUME=""249"" ISSUE=""48"" PAGE=""21"" CONTENTTYPE=""Review"" SECTION=""Audio"" SUBSECTION=""Reviews"" STARRED=""YES"">
THE GREAT GATSBYF. Scott Fitzgerald, read by Tim Robbins. Caedmon Audio, unabridged, six cassettes, 7 hrs., $27.95 ISBN 0-06-009890-2Readers in that sizeable group of people who think <EMPHASIS TYPE=""ITALIC"">The Great Gatsby is the Great American Novel will be delighted with Robbins's subtle, brainy and immensely touching new reading. There have been audio versions of <EMPHASIS TYPE=""ITALIC"">Gatsby before this—by Alexander Scourby and Christopher Reeve, to name two—but actor/director Robbins brings a fresh and bracing vision that makes the story gleam. From the jaunty irony of the title page quote ("Lover, gold-hatted, high-bouncing lover, I must have you!") to the poetry of Fitzgerald's ending about "the dark fields of the republic" and "boats against the current, borne back ceaselessly into the past," Robbins conjures up a sublime portrait of a lost world. And as a bonus, the excellent audio actor Robert Sean Leonard reads a selection of Fitzgerald's letters to editors, agents and friends which focus on the writing and selling of the novel. Listeners will revel in learning random factoids, e.g., in 1924, Scott and Zelda were living in a Rome hotel that cost just over $500 a month, and he was respectfully suggesting that his agent Harold Ober ask $15,000 from <EMPHASIS TYPE=""ITALIC"">Liberty magazine for the serial rights to Gatsby. <EMPHASIS TYPE=""ITALIC"">(Oct.)
ALA Booklist
(Tue Jan 03 00:00:00 CST 2023)
Robbins' reading of The Great Gatsby resonates with moral disgust as he portrays narrator Nick Carraway, who hates the wealthy but shows respect for Jay Gatsby, who is never able to capture the one thing he wants, elusive Daisy Buchanan. Another reader, Robert Sean Leonard, presents Fitzgerald's correspondence in a matter-of-fact manner that echoes the contents of the letters.