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In which late-1970s Washington, D.C., is reimagined as an enchanted land populated by changelings, phantoms, seers, waking nightmares, and at least one haunted car.Yejidé follows up her debut, Time of the Locust (2014), with a deeper, broader, and more audacious immersion in magical realism. It is set in 1977, and the District of Columbia is here labeled "the capital" and is surrounded by the Kingdoms of Maryland and Virginia, which are in turn parts of the "united territories" presided over by a succession of elected kings. In the city's Anacostia section, "an isle of blood and desireâ¦where all things lived and died on the edges of time and space and meaning," Nephthys Kinwell operates a kind of supernatural jitney service, showing up, at times unbidden, in her rickety Plymouth Belvedere to take the community's lonely, wayward, or forsaken wherever they want to go. Even through the car's rattling, her passengers can hear the ghost of a White woman tapping or shifting around in the trunk. But apparently everybody living in this alternate universe is accustomed to dead people hanging around the neighborhood. Among the more restless of those spirits is Osiris, Nephthys' twin brother, pursuing revenge on the White racists who murdered him and dumped his body in the Anacostia River. He's worried about his daughter, Amber, who's visited by dreams of the near future and regularly submits her obliquely worded prophecies to the local Black newspaper. Meanwhile, Amber's young son, Dash, is also seeing things: a "make-believe man" by the river and, worse, a not-so-make-believe act of molestation he witnessed by accident in a school utility closet; he's sure he's spoken to the former while he's still not certain he saw the latter. But the molester, whose name is Mercy, is certain he saw Dash see him. Before long, both mystic visions and real-life horrors converge into a sequence of disquieting revelations from the past and alarming prospects for calamity in the future unless Nephthys and her own spiritual powers can set in motion the hard, necessary work of placating the dead and rescuing the living.Historic detail and mythic folklore forge a scary, thrilling vision of life along America's margins.
Kirkus Reviews (Mon Oct 07 00:00:00 CDT 2024)In which late-1970s Washington, D.C., is reimagined as an enchanted land populated by changelings, phantoms, seers, waking nightmares, and at least one haunted car.Yejidé follows up her debut, Time of the Locust (2014), with a deeper, broader, and more audacious immersion in magical realism. It is set in 1977, and the District of Columbia is here labeled "the capital" and is surrounded by the Kingdoms of Maryland and Virginia, which are in turn parts of the "united territories" presided over by a succession of elected kings. In the city's Anacostia section, "an isle of blood and desireâ¦where all things lived and died on the edges of time and space and meaning," Nephthys Kinwell operates a kind of supernatural jitney service, showing up, at times unbidden, in her rickety Plymouth Belvedere to take the community's lonely, wayward, or forsaken wherever they want to go. Even through the car's rattling, her passengers can hear the ghost of a White woman tapping or shifting around in the trunk. But apparently everybody living in this alternate universe is accustomed to dead people hanging around the neighborhood. Among the more restless of those spirits is Osiris, Nephthys' twin brother, pursuing revenge on the White racists who murdered him and dumped his body in the Anacostia River. He's worried about his daughter, Amber, who's visited by dreams of the near future and regularly submits her obliquely worded prophecies to the local Black newspaper. Meanwhile, Amber's young son, Dash, is also seeing things: a "make-believe man" by the river and, worse, a not-so-make-believe act of molestation he witnessed by accident in a school utility closet; he's sure he's spoken to the former while he's still not certain he saw the latter. But the molester, whose name is Mercy, is certain he saw Dash see him. Before long, both mystic visions and real-life horrors converge into a sequence of disquieting revelations from the past and alarming prospects for calamity in the future unless Nephthys and her own spiritual powers can set in motion the hard, necessary work of placating the dead and rescuing the living.Historic detail and mythic folklore forge a scary, thrilling vision of life along America's margins.
Publishers Weekly (Mon Oct 07 00:00:00 CDT 2024)A woman drives a haunted Plymouth through 1977 Washington, D.C., in Yejidé-s ambitious latest (after
Starred Review for Kirkus Reviews (Mon Oct 07 00:00:00 CDT 2024)
Kirkus Reviews (Mon Oct 07 00:00:00 CDT 2024)
Publishers Weekly (Mon Oct 07 00:00:00 CDT 2024)
With echoes of Toni Morrison's Beloved , Yejid 's novel explores a forgotten quadrant of Washington, DC, and the ghosts that haunt it. "In this beautifully written and gloriously conceived novel, Morowa Yejid reveals her mastery yet again. This book is both contemporary and ancient, frightening and stirring, playful and wise, an unforgettable blurring of reality and genres from its haunted Plymouth automobile to the mysteries in the fog in this alternate America and hidden Washington, DC. With its lyricism and bold imagination, Creatures of Passage is unlike anything you've ever read." -- Tananarive Due , author of Ghost Summer: Stories "Comparisons will be made to Toni Morrison and they will be well-founded, but Morowa Yejid is in a class of her own with Creatures of Passage , a mesmerizing tale about love, loss, revenge, death, and restoration that hovers close to the edge of fantasy yet is deeply grounded in history and in a reality easily recognizable in the contemporary world." -- Elizabeth Nunez , author of Even in Paradise "Although set in our recent past, Creatures of Passage is at heart a powerful ghost story about people haunted by the shadows of time and the shadows of blood. In the pages of this novel we discover a world that is fully recognizable, as concrete and real as Toni Morrison's Ohio, but also as fantastic and mythical as Gabriel Garc a M rquez's Macondo. That said, make no mistake: Morowa Yejid is a masterful storyteller in her own right, able to spin and sustain an inventive tale illuminated by a singular truth, that death is 'another form of living.'" -- Jeffery Renard Allen , author of Song of the Shank Nephthys Kinwell is a taxi driver of sorts in Washington, DC, ferrying passengers in a 1967 Plymouth Belvedere with a ghost in the trunk. Endless rides and alcohol help her manage her grief over the death of her twin brother, Osiris, who was murdered and dumped in the Anacostia River. Unknown to Nephthys when the novel opens in 1977, her estranged great-nephew, ten-year-old Dash, is finding himself drawn to the banks of that very same river. It is there that Dash--reeling from having witnessed an act of molestation at his school, but still questioning what and who he saw--has charmed conversations with a mysterious figure he calls the "River Man." When Dash arrives unexpectedly at Nephthys's door bearing a cryptic note about his unusual conversations with the River Man, Nephthys must face what frightens her most. Morowa Yejid 's deeply captivating novel shows us an unseen Washington filled with otherworldly landscapes, flawed super-humans, and reluctant ghosts, and brings together a community intent on saving one young boy in order to reclaim itself.