These Fleeting Shadows
These Fleeting Shadows
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Publisher's Hardcover ©2022--
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Penguin
Annotation: The Haunting of Hill House meets Knives Out in a bid for an inheritance that will leave Helen Vaughan either rich...or d... more
Genre: [Mystery fiction]
 
Reviews: 3
Catalog Number: #321069
Format: Publisher's Hardcover
Publisher: Penguin
Copyright Date: 2022
Edition Date: 2022 Release Date: 08/09/22
Pages: 359 pages
ISBN: 0-593-40511-0
ISBN 13: 978-0-593-40511-6
Dewey: Fic
LCCN: 2022289719
Dimensions: 22 cm
Language: English
Reviews:
ALA Booklist (Fri Sep 16 00:00:00 CDT 2022)

Helen Vaughan has been haunted by dreams of her mother's ancestral home, Harrowstone Hall, ever since they fled 10 years ago, but Helen has no idea why her mother left or why the house is calling to her. Then her grandfather dies, leaving Harrow (the house) to her, provided she lives there for a year and is accepted by the house, which is so much more than it seems. That promise serves as an excellent ticking clock as Helen plumbs the house for its secrets, learning that it's less that she has to live there and more that she must survive there. In this creepy, atmospheric page-turner, readers will find themselves eager to unravel the dark secrets of Harrow, the Vaughan family, and Helen herself. The sometimes-confusing plot works well as it mirrors Helen's sense of disorientation at Harrow. A queer (female/female), somewhat-forbidden romance provides a bit of levity to the heavier themes of family, belonging, and what it means to be a monster. Highly recommended for readers who love supernatural horror with a touch of mystery.

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Helen Vaughan, 17, doesn’t know why people instinctively dislike her, nor why she’s plagued by peculiar dreams of her family’s ancestral home, in Marshall’s (Our Last Echoes) pulse-pounding horror novel. Helen also can’t remember why she and her mother fled Harrowstone Hall (dubbed “Harrow”), their family’s historic estate, when Helen was seven, but she suspects the issues interrelate. Her mother hasn’t spoken with Helen’s grandparents in a decade, so it’s a shock when, upon her grandfather’s death, he leaves both Harrow and his $40 million estate to Helen. To inherit it, however, she must live in Harrow for one year. Determined to learn why the house haunts her dreams, Helen, aided by her cousins and an enigmatic “Harrow Witch,” agrees, but when she starts falling ill, losing time, and seeing monsters that inexplicably disappear, she worries she may not live long enough to find out. While Harrow’s mythos is muddled, complex plotting, nightmarish imagery, and haunting prose, coupled with Helen’s equal parts anxious and driven first-person narrative, buoy Marshall’s mystifying tale. One Vaughan cousin is Black; all other characters cue as white. Ages 14–up. Agent: Lauren Spieller, Triada US. (Aug.)

School Library Journal (Thu Dec 01 00:00:00 CST 2022)

Gr 8 Up —An eerie story of family secrets, murder, curses, and the un-living. Seventeen-year-old Helen Vaughan is different: she has never had a friend, is homeschooled, and was accused of attacking a child when she was young. There's a "darkness" to her that people are repelled by. When her estranged grandfather dies, Helen has to travel back to the Harrowstone Hall estate where she was born, along with her mother and her mother's boyfriend, to attend the funeral. Her family's striking mansion is eerie, and Helen is immediately uncomfortable, but meeting the teenage cousins she hasn't seen in years brings her spirits up. More surprisingly, her grandfather has left all his assets to her—she is now the Mistress of Harrowstone—which enrages the rest of the family. There are chilling things happening all around her, and even the resident "witch" (just the groundskeeper's daughter) can't understand why Helen is suffering debilitating headaches and is communicating with the undead. Is there a curse in the mansion? She needs to find out soon, before she becomes undead herself. This novel is well paced and truly spooky. There is a queer relationship between the two main characters, and they are very relatable. The mystery is slowly revealed, and the mounting tension will keep teens engaged. Readers will root for Helen from page one in this unnerving story. VERDICT Recommended for collections where horror and supernatural books circulate well.—Carol Youssif

Reviewing Agencies: - Find Other Reviewed Titles
ALA Booklist (Fri Sep 16 00:00:00 CDT 2022)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal (Thu Dec 01 00:00:00 CST 2022)
Word Count: 89,962
Reading Level: 4.7
Interest Level: 9-12
Accelerated Reader: reading level: 4.7 / points: 13.0 / quiz: 551686 / grade: Upper Grades
Lexile: HL620L

At that moment, the engine sputtered and died. Mom swore. She turned the key in the ignition but got nothing-not even a whine of the car attempting to start. She threw her door open and got out. Simon and I followed.

 

"What's wrong with it?" I asked.

 

"Well, according to my extensive automotive knowledge, the problem is that the go part isn't going," Simon said, hands on his hips.

 

Mom pulled her phone out of her pocket. "Let me call Caleb. We can borrow a car, or . . . Damn it. I forgot-there's never any signal out here. We'll have to walk back to the house."

 

"It's not that far," I said, trying to sound upbeat in the face of Mom's distress.

 

She looked at me, face a wreck of worry. "I'll go. You stay here," she said. "I don't want you going back there. Simon, you stay with her."

 

I wasn't really eager to go back to that strange house. But I definitely didn't want her going alone. "I'll be fine by myself. The gates are right there. I can always make a run for it," I joked. Twenty feet to freedom.

 

Mom agreed reluctantly. "Stay put," she ordered, giving me a quick hug before the two of them headed back. I watched as they made their way down the narrow lane, vanishing swiftly behind the trees as it bent.

 

The wind stirred the branches, making leaves shiver and branches rasp. I shifted from foot to foot, then started to pace back and forth. I almost didn't see it-that slip of white among the trees. My gaze snagged on it as I turned, and I paused, trying to work out what it was.

 

A person.

 

The girl was about seven or eight years old, blond, wearing a simple white dress and no shoes. She crouched down just off the lane, her back to me. She seemed to be looking at something on the ground.

 

"Hey," I called, frozen at the edge of the lane. She didn't look up. Her shoulders moved, and I realized she wasn't just looking at something-she was digging at the ground in front of her. "Hey, are you okay?" I called again and drew closer, uneasiness prickling at my skin.

 

The girl scraped up handfuls of dirt from the ground and shoved them aside, moving with frantic efficiency. I approached cautiously, a hard lump in my throat. The ground was stiff with frost, and yet she kept digging, her hands red and chapped, one nail torn and bleeding.

 

"Your hands!" I said, reaching for her. She turned, and I balked.

 

She had no face-none that I could see. There was only the crazed distortion of an ocular migraine, like a jagged crack in glass shot through with strobing light.

 

"We're not safe here," she said. Her voice was distorted, too, like I was hearing it underwater. "Please. You have to find me." She sprang to her feet and dashed away along a deer track that shot through the trees.

 

"Wait!" I called, and without thinking or hesitating, I plunged after her. The path snaked ahead of me. A flicker of white flashed around a bend in the narrow trail, out of sight. "Stop!"

 

"Find me," the girl said-and her voice was a whisper, but it echoed through the trees. I ran after her. "Hurry."

 

I spilled out onto a wider path, this one lined with gravel that crunched under my heels. White bell-shaped flowers were scattered here and there. I caught glimpses of the girl flickering away at each bend in the path, but no matter how much speed I put on, she kept darting out of sight.

 

I came around a bend and halted abruptly. I was standing at the edge of the cemetery. My grandfather's grave was a rectangle of brown earth among the green.

 

A young woman stood with her back to me, beside a worn headstone that was covered with clumps of moss. She wore a long gray dress and had a leather satchel at her hip. Her hair fell in waves around her shoulders, dark as the shadows among the trees. With a small hooked knife, she scraped some of the moss into a little glass jar before tucking it into her bag.

 

She twisted, looking over her shoulder, and spotted me. She scowled. Her face was sharp, almost fox-like. Not a comfortable face to look at for long, even from this distance. My heart beat fast in my chest, but I couldn't tell if it was fear or something altogether different.

 

I drew forward, step by faltering step, and stopped short of the gate. "Hi," I said weakly.

 

She arched an eyebrow. "What do you want?" she asked.

 

"Sorry. I didn't mean to-there was this girl," I said. "Blond, maybe seven or eight? I think she might be lost, so I was following her, but . . ." Except I hadn't really thought she'd been lost, had I? Why had I run after her? I couldn't remember now, and that sent a cold shiver of dread down my spine.

 

"It's not a good idea to follow strange things into the woods," she replied.

 

"She's a girl, not a thing," I snapped.

 

The young woman gave me an appraising look. "She's not lost. She's not dangerous, but it's still not a good idea to let her lead you around," she said, as if this clarified things.

 

"She's . . ." I took a deep breath and dropped my voice to a whisper. "Is she a ghost?"

 

She gave a sharp startling laugh, like a bark. "No. There are no ghosts at Harrow."

 

I flushed. "Right. Ghosts aren't real. Obviously."

 

"That's not what I said," she replied with exaggerated patience, as if I were a small child or a dimwitted pug. There are no ghosts at Harrow. My mother had said that, too. The girl sighed. "Haven't they told you anything?"

 

"I'm just-my name is Helen. I'm here because-I'm Leopold Vaughan's granddaughter? And there was a funeral, and . . ." I wasn't sure exactly what it was I was trying to explain.

 

"Yes. I know. You're Helen Vaughan, Mistress of Harrow. Waltzing in and claiming what you think is yours, just like the rest of your family."

 

I blinked. "I'm sorry, what? Who told you that? I didn't-who are you?"

 

She peered at me. "They should have told you that, too," she said with a frown.

 

"Well, they didn't. And I'm not Mistress of Harrow. I'm not mistress of anything. I turned it down. I'm leaving," I told her with more confidence than I felt.

 

She studied me, considering. "It's got a hold on you already," she murmured. "You've got that look. If you walk away now, maybe it lets you go. But I doubt it." She seemed to come to some conclusion. She reached into her bag and pulled out a small leather pouch bound with twine. She held it out over the iron gate. "Here. Take this. It's not much, but it might help."

 

When I hesitated, she shook the pouch impatiently. I drew forward and stretched out my hand. She set the little pouch in it, and as she drew her hand away, her fingertips brushed mine. A shock went through me, quick and sharp, and I drew in a hiss of breath. It felt-

 

I wasn't sure. It had been so quick I couldn't tell if it had hurt.

 

"Don't run. It won't do any good," she advised, then turned away, done with me.

 

"Wait," I said. She looked back, annoyed. Repulsion, disgust, and instinctive anger I was used to, but annoyed was new. And I had no idea what I'd done to earn it. "Did I do something to offend you?"

 

"Not yet, but give it time," she said. With that, she turned on her heel and strode away, head held high, dark hair flung out behind her on the wind.



Excerpted from These Fleeting Shadows by Kate Alice Marshall
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

The Haunting of Hill House meets Knives Out in a bid for an inheritance that will leave Helen Vaughan either rich...or dead.

Helen Vaughan doesn't know why she and her mother left their ancestral home at Harrowstone Hall, called Harrow, or why they haven't spoken to their extended family since. So when her grandfather dies, she's shocked to learn that he has left everything—the house, the grounds, and the money—to her. The inheritance comes with one condition: she must stay on the grounds of Harrow for one full year, or she'll be left with nothing.

There is more at stake than money. For as long as she can remember, Harrow has haunted Helen's dreams—and now those dreams have become a waking nightmare. Helen knows that if she is going to survive the year, she needs to uncover the secrets of Harrow. Why is the house built like a labyrinth? What is digging the holes that appear in the woods each night?And why does the house itself seem to be making her sick?

With each twisted revelation, Helen questions what she knows about Harrow, her family, and even herself. She no longer wonders if she wants to leave…but if she can.


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