Starred Review for Kirkus Reviews (Wed Nov 30 00:00:00 CST 2022)

Climbing aboard a "train" to a better life, third grader Thelma joins other African American children on the walk to school.Again drawing on family history, the author of Black-Eyed Peas and Hoghead Cheese (2022), illustrated by Steffi Walthall, reframes her mother Thelma's childhood as a series of imagined train rides-first to a one-room school, then, in class, further on to dazzling destinations like Oz and Treasure Island and back in time to hear about Harriet Tubman and other heroes. On the way, Thelma learns that "Mr. Jim Crow" isn't a mean man who has driven her aunt and uncle away from their Louisiana town to California but a set of discriminatory laws and customs. "Just keep riding that schooltrain," her father says. But Thelma has one more train to board, the kind with wheels, when her father loses his job. On the platform, her teacher calms her worries about going to a new school in Los Angeles by handing her a book: "You have your ticket." Morris uses tissue collage and digital finishing to create richly hued scenes of brown-skinned, actively posed adults and children in small-town settings with, often, train tracks visible in the background. In a long afterword well stocked with personal photos, Armand retraces both the metaphorical and actual journeys, filling in details about Jim Crow as well as the Great Migration and her family's experience of them. (This book was reviewed digitally.)A vivid evocation of place and era rolling solidly on a bed of timeless values. (Historical picture book. 7-9)

Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)

Climbing aboard a "train" to a better life, third grader Thelma joins other African American children on the walk to school.Again drawing on family history, the author of Black-Eyed Peas and Hoghead Cheese (2022), illustrated by Steffi Walthall, reframes her mother Thelma's childhood as a series of imagined train rides-first to a one-room school, then, in class, further on to dazzling destinations like Oz and Treasure Island and back in time to hear about Harriet Tubman and other heroes. On the way, Thelma learns that "Mr. Jim Crow" isn't a mean man who has driven her aunt and uncle away from their Louisiana town to California but a set of discriminatory laws and customs. "Just keep riding that schooltrain," her father says. But Thelma has one more train to board, the kind with wheels, when her father loses his job. On the platform, her teacher calms her worries about going to a new school in Los Angeles by handing her a book: "You have your ticket." Morris uses tissue collage and digital finishing to create richly hued scenes of brown-skinned, actively posed adults and children in small-town settings with, often, train tracks visible in the background. In a long afterword well stocked with personal photos, Armand retraces both the metaphorical and actual journeys, filling in details about Jim Crow as well as the Great Migration and her family's experience of them. (This book was reviewed digitally.)A vivid evocation of place and era rolling solidly on a bed of timeless values. (Historical picture book. 7-9)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

This child’s view of the Great Migration begins with Thelma, a Black third grader living in Vacherie, La., watching trains pass by. One train, the Sunset Limited, is headed for California, where the child’s uncle fled when “a man named Jim Crow had made trouble.” Soon, Thelma joins a train of her own: the schooltrain, a line formed by Black kids of all ages to travel together to school. At school, the kids ride an imaginary train through history, courtesy of their teacher, who says that though slavery has ended, “We are still fighting for our rights.” When “Mr. Jim Crow” and his unjust laws come for her father, Thelma rides one more train—the Sunset Limited—when her family relocates in search of a better life. Morris’s digitally collaged tissue paper illustrations foreground figures and wide-open landscapes, and Armand, who draws on personal history, lends the meandering feel of family stories to this portrait of a historical moment. Back matter includes an author’s note and additional material. Ages 4–8. (Jan.)