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Folklore. Japan.
Tsunamis. Folklore.
Folklore. Japan. Juvenile literature.
Tsunamis. Folklore. Juvenile literature.
An earthquake, a fire, a tidal wave and selfless heroism, all packed into 32 pages, guarantee that this story will hold the attention of even the most restless listeners. Four hundred villagers are saved from death when Ojiisan, a wealthy old rice farmer on the mountainside, feels tremors, sees the ocean recede and realizes a tsunami is coming. Caldecott Medalist Young's (<EMPHASIS TYPE=""ITALIC"">Lon Po Po) collages—elaborate combinations of media ranging from cut and torn paper to photos of straw and bamboo—build steady tension as Ojiisan, disregarding his grandson's horror, sets his ripened rice fields alight in order to lure the villagers to higher ground. The double-page spread in which the monstrous, cresting black wave looms conveys real terror. Kajikawa's (<EMPHASIS TYPE=""ITALIC"">Yoshi's Feast) portrait of an old man who acts unhesitatingly against his own interests delivers a forceful message, and the moral does not get in the way of the action. Ages 3–5. <EMPHASIS TYPE=""ITALIC"">(Jan.)
Kirkus ReviewsThrough quick thinking and personal sacrifice, a wise old Japanese farmer saves the people of his village from a devastating tsunami in this simple yet striking story based on Lafcadio Hearn's "A Living God." Ojiisan lives in a cottage on a mountain overlooking the village and sea. One day, villagers gather to celebrate the rice harvest, but Ojiisan stays home thinking "something does not feel right." When the earth quakes and the sea darkens and runs away from the land, Ojiisan realizes a tsunami approaches. Fearing the oblivious villagers will be swept away, Ojiisan torches his rice fields to attract attention, and they respond, barely escaping the monster wave. Rendered in gouache, pastel and collage, Young's illustrations cleverly combine natural textures, bold colors and abstract shapes to convey compelling images of chaos and disaster as the rice fields burn and the wave rushes in. In one literally breathtaking double-page spread, an enormous wall of water engulfs the teeny seacoast village. A visually powerful and dramatic tribute to one man's willingness to sacrifice everything for others. (Picture book. 3-5)
School Library Journal Starred Review (Thu Jan 01 00:00:00 CST 2009)K-Gr 3 Wealthy Ojiisan suffers a feeling of foreboding as he watches colorful rice festival celebrations from his cottage high above his village by the sea. In his mountaintop home, he feels a spongy earthquake and observes bizarre movements in the sea: tsunami! How can Ojiisan alert the townspeople? Young uses a panoply of papers to create collages that tell the story of a sacrifice that saved hundreds of lives. Patterned and marbled papers, fibrous grass cloth, translucent rice paper and tissue, photographic magazine papers, and even corrugated cardboard are keenly cut, roughly torn, layered, wrinkled, mounted, and manipulated to produce images that range from dead calm to the sea-spittled tumult of a roiling vortex that promises to consume everything in its path. The art reflects the frenzy of the events and is a departure from the more serene, controlled, and balanced work we know of Young. Kajikawa has based the character of Ojiisan on Japanese hero Hamaguchi Gohei, who in 1854set his own rice-stack harvest ablaze, diverting the attention of revelers and drawing them away from impending disaster. A simple story of the power of a simple act. Kathy Krasniewicz, Perrot Library, Old Greenwich, CT
Horn Book (Sat Aug 01 00:00:00 CDT 2009)Following a mild earthquake, the sea withdraws and villagers run out to explore. But Japanese rice farmer Ojiisan remembers his grandfather's tsunami tales. Desperate to save everyone, he ignites his fields, and the villagers rush to his aid. In Kajikawa's simple adaptation of an 1897 story, the dramatic events carry the narrative gracefully, much abetted by Young's gorgeous multimedia collages.
ALA Booklist (Sat Nov 01 00:00:00 CDT 2008)In a coastal village in ancient Japan, Ojisan, a wise and wealthy village elder, and his grandson skip the seaside rice harvest festival, feeling something is not right. As the villagers celebrate on the shore, an earthquake, "a long, slow, spongy motion," hits. The worshippers are curious and unperturbed, and chase the sea, which is quickly rushing away from land. But Ojisan knows it will return, as a tsunami. When he can't make himself heard, he sets the rice fields, and his livelihood, on fire. The villagers rush back to put out the fire, narrowly escaping the "monster wave." Adapting a story by Lafcadio Hearn, Kajikawa imbues the story with a sense of nobility. Readers witness the events from Ojisan's point of view atop a hill and will appreciate his terrible realization and resourceful response. Young's rough, impressionistic collages of hand-painted papers, fabric, and organic material are dark and stirring, and they heighten the story's drama with dynamic compositions, then relax again as peace returns. This handsome book will enlighten and inspire young scientists and dreamers alike.
National Council For Social Studies Notable Children's Trade
Wilson's Children's Catalog
Starred Review for Publishers Weekly
Kirkus Reviews
ALA Notable Book For Children
Bulletin of the Center for Children's Books
School Library Journal Starred Review (Thu Jan 01 00:00:00 CST 2009)
Horn Book (Sat Aug 01 00:00:00 CDT 2009)
ALA Booklist (Sat Nov 01 00:00:00 CDT 2008)
Ojiisan, the oldest and wealthiest man in the village, doesn't join the others at the rice ceremony. Instead he watches from his balcony. He feels something is coming; something he can't describe. When he sees the monster wave pulling away from the beach, he knows. Tsunami! But the villagers below can't see the danger. Will Ojiisan risk everything he has to save them? Can he?
Illustrated in stunning collage by Caldecott winner Ed Young, here is the unforgettable story of how one man's simple sacrifice saved hundreds of lives. An extraordinary celebration of both the power of nature and the power each of us holds within.