American Poetry: Melville to Stickney, American Indian Poetry, Folk Songs and Spirituals
American Poetry: Melville to Stickney, American Indian Poetry, Folk Songs and Spirituals
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Publisher's Trade ©1993--
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Penguin
Just the Series: Library of America Vol. 2   

Series and Publisher: Library of America   

Annotation: Included in the anthology are newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800-1900, and extensive notes.
Genre: [Poetry]
 
Reviews: 2
Catalog Number: #3426340
Format: Publisher's Trade
Common Core/STEAM: Common Core Common Core
Publisher: Penguin
Copyright Date: 1993
Edition Date: c1993 Release Date: 09/01/93
Pages: xxxii, 1049 p.
ISBN: 0-940450-78-X
ISBN 13: 978-0-940450-78-3
Dewey: 811
Dimensions: 21 cm.
Language: English
Reviews:
ALA Booklist (Fri Oct 01 00:00:00 CDT 1993)

After several years of valuable single-author compilations of classic American literature, the Library of America now gives us something new that is equally, maybe more, valuable. It has had poet and popular poetic pedagogue John Hollander, author of the best brief guide to English verse forms, Rhyme's Reason (rev. ed., 1989), compile and informatively, rather than critically, annotate a selection of nineteenth-century American verse so wonderfully catholic that it not just augments but supersedes every other similar collection for public libraries. Hollander has selected very generously from the great names of the period 0 pages of Whitman, 110 of Dickinson, 90 of Emerson, 80 of Longfellow, 45 (surely all one needs) of Poe d so adequately from such second-line bards as Bryant, Whittier, Lanier, and Stickney that his selection comprises virtually all that most would ever want to read by them. He has included plenty of even lesser names and authors better known for other accomplishments (for example, fiction writers Hawthorne, Twain, Howells, Jewett, and Wharton; painters Washington Allston and Thomas Cole; politicians John Quincy Adams, Abraham Lincoln, and John Hay). He has gathered plenty of popular verse and song lyrics, from Clement Moore's "Visit from St. Nicholas" and Francis Scott Key's "Defence of Fort McHenry" through Dan Emmett's "Dixie's Land" and four Stephen Foster lyrics (arguably too few) to "Casey at the Bat," the black-dialect poems of Paul Laurence Dunbar, and 68 pages of folk songs and spirituals. He also offers a few surprises: 36 pages of one Christopher Pearse Cranch (1813 92), a Unitarian minister with a considerable voice; 86 pages of Herman Melville, a major-poet-sized representation indicating the great recent interest in the verse of Moby Dick's author; and a 96-page section of "19th-Century Versions of American Indian Poetry." So the two fat volumes amount to an encyclopedic sampling of their subject, one that brings together high and low cultures, academic and popular literatures, and white, black, and Indian visions. Valuable? Invaluable.

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ALA Booklist (Fri Oct 01 00:00:00 CDT 1993)
Wilson's High School Catalog
Reading Level: 9.0
Interest Level: 9+

This second volume of The Library of America’s two-volume collection of nineteenth-century American poetry follows the evolution of American poetry from the monumental mid-century achievements of Herman Melville and Emily Dickinson to the modernist stirrings of Stephen Crane and Edwin Arlington Robinson. The cataclysm of the Civil War—reflected in fervent antislavery protests, in marching songs and poetic calls to arms, and in muted post-bellum expressions of grief and reconciliation—ushered in a period of accelerating change and widening regional perspectives.

Here too are the pioneering African-American poets (Frances Harper, Albery Allson Whitman, Paul Laurence Dunbar); popular humorists (James Whitcomb Riley, Eugene Field); writers embodying America’s newfound cosmopolitanism (Edith Wharton, George Santayana); and extravagant self-mythologizing figures who could have existed nowhere else, like the actress Adah Isaacs Menken and the frontier poet Joaquin Miller.

Parodies, dialect poems, song lyrics, and children’s verse evoke the liveliness of an era when poetry was accessible to all. Here are poems that played a crucial role in American public life, whether to arouse the national conscience (Edwin Markham’s “The Man with the Hoe”) or to memorialize the golden age of the national pastime (Ernest Lawrence Thayer’s “Casey at the Bat”).

An entire section of this volume is devoted to American Indian poetry in nineteenth-century versions, making available—some for the first time since their initial publication—an astonishing range of translations and adaptations: Ojibwa healing rituals, the songs of the Ghost Dance religion, Zuni mythological narratives, chants from the Kwakiutl Winter Ceremonial. Also included is a generous selection from America’s rich heritage of anonymous folk songs, ballads, and hymns.

Unprecedented in its textual authority, the anthology includes newly researched biographical sketches of each poet, a year-by-year chronology of poets and poetry from 1800 to 1900, and extensive notes.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.


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