The Adventures of Huckleberry Finn
The Adventures of Huckleberry Finn
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Perma-Bound Edition ©1989--
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TOR Books
Just the Series: Perma-Bound Classics   

Series and Publisher: Perma-Bound Classics   

Annotation: Presents the classic nineteenth century American coming-of-age novel about a boy, Huck Finn, who runs away from home and, accompanied by Jim, a runaway slave, has numerous adventures on his trip down the Mississippi River.
 
Reviews: 4
Catalog Number: #3501
Format: Perma-Bound Edition
Teaching Materials: Search
Common Core/STEAM: Common Core Common Core
Publisher: TOR Books
Copyright Date: 1989
Edition Date: 1989 Release Date: 08/15/89
Pages: xvi, 300 pages
ISBN: Publisher: 0-8125-0422-4 Perma-Bound: 0-8479-0605-1
ISBN 13: Publisher: 978-0-8125-0422-4 Perma-Bound: 978-0-8479-0605-5
Dewey: Fic
Dimensions: 18 cm.
Language: English
Reviews:
Horn Book

These abridged editions retain some of the flavor of the original books while removing archaic or now offensive words and losing many of the details and vibrancy that make these works classics. With the glorified plot summaries as their introductions to literature, young readers may not want to read the originals. The black-and-white illustrations are also bland.

School Library Journal

Gr 4-6 These abridged versions of classic novels are designed to present the works for young readers, using an interesting format. Unfortunately, both books fall short of this goal. Instead of relating interesting stories, Kirwan simply tells readers what happened in short, choppy sentences. There is little dialogue among characters, and students will have a hard time understanding Jim's poorly written dialect. For instance, in Huckleberry Finn , he states, "'Nemmine 'bout a doctor.'" An error is evident in the same book when Jim describes the dead man in the timber house, telling Huck "He's deadben shot" and the illustration depicts a stabbing victim. Some paragraphs are so long that they take up an entire page, and indenting their first lines doesn't seem to be a rule. Poor writing, sketchy illustrations, and bad formatting will not inspire kids to read the original books. Notes at the end, which include a "Filling in the Spaces" section and character descriptions, are weak attempts to provide useful information. Cheryl Ashton, Amherst Public Library, OH

Word Count: 105,590
Reading Level: 6.6
Interest Level: 9-12
Accelerated Reader: reading level: 6.6 / points: 18.0 / quiz: 501 / grade: Middle Grades+
Reading Counts!: reading level:5.9 / points:24.0 / quiz:Q00121
Lexile: 990L
Guided Reading Level: Z
Fountas & Pinnell: Z
CHAPTER I
Discover Moses and the Bulrushers
 
 
You don’t know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain’t no matter. That book was made by Mr. Mark Twain, and he told the truth, mainly. There was things which he stretched, but mainly he told the truth. That is nothing. I never seen anybody but lied one time or another, without it was Aunt Polly, or the widow or maybe Mary. Aunt Polly—Tom’s Aunt Polly, she is—and Mary, and the Widow Douglas is all told about in that book, which is mostly a true book, with some stretchers as I said before.

Now the way that the book winds up is this: Tom and me found the money that the robbers hid in the cave, and it made us rich. We got six thousand dollars apiece—all gold. It was an awful sight of money when it was piled up. Well, Judge Thatcher he took it and put it out an interest, and it fetched us a dollar a day apiece all the year round—more than a body could tell what to do with. The Widow Douglas she took me for her son, and allowed she would sivilize me; but it was rough living in the house all the time, considering how dismal regular and decent the widow was in all her ways; and so when I couldn’t stand it no longer I lit out. I got into my old rags and my sugar-hogshead again, and was free and satisfied. But Tom Sawyer he hunted me up and said he was going to start a band of robbers, and I might join if I would go back to the widow and be respectable. So I went back.

The widow she cried over me, and called me a poor lost lamb, and she called me a lot of other names, too, but she never meant no harm by it. She put me in them new clothes again, and I couldn’t do nothing but sweat and sweat, and feel all cramped up. Well, then, the old thing commenced again. The widow rung a bell for supper, and you had to come to time. When you got to the table you couldn’t go right to eating, but you had to wait for the widow to tuck down her head and grumble a little over the victuals, though there warn’t really anything the matter with them—that is, nothing only everything was cooked by itself. In a barrel of odds and ends it is different; things get mixed up, and the juice kind of swaps around, and the things go better.

After supper she got out her book and learned me about Moses and the Bulrushers, and I was in a sweat to find out all about him; but by any by she let it out that Moses had been dead a considerable long time; so then I didn’t care no more about him, because I don’t take no stock in dead people.
Pretty soon I wanted to smoke, and asked the widow to let me. But she wouldn’t.
She said it was a mean practice and wasn’t clean, and I must try to not do it any more. That is just the way with some people. They get down on a thing when they don’t know nothing about it. Here she was a-bothering about Moses, which was no kin to her, and no use to anybody, being gone, you see, yet finding a power of fault with me for doing a thing that had some good in it. And she took snuff, too; of course that was all right, because she done it herself.

Her sister, Miss Watson, a tolerable slim old maid, with goggles on, had just come to live with her, and took a set at me now with a spelling-book. She worked me middling hard for about an hour, and then the widow made her ease up. I couldn’t stood it much longer. Then for an hour it was deadly dull, and I was fidgety. Miss Watson would say, “Don’t put your feet up there, Huckleberry”; and “Don’t scrunch up like that, Huckleberry—set up straight”; and pretty soon she would say, “Don’t gap and stretch like that, Huckleberry—why don’t you try to behave?” Then she told me all about the bad place, and I said I wished I was there. She got mad then, but I didn’t mean no harm. All I wanted was to go somewheres; all I wanted was a change, I warn’t particular. She said it was wicked to say what I said; said she wouldn’t say it for the whole world; she was going to live so as to go to the good place. Well, I couldn’t see no advantage in going where she was going, so I made up my mind I wouldn’t try for it. But I never said so, because it would only make trouble, and wouldn’t do no good.

Now she had got a start, and she went on and told me all about the good place. She said all a body would have to do there was to go around all day long with a harp and sing, forever and ever. I asked her if she reckoned Tom Sawyer would go there, and she said not by a considerable sight. I was glad about that, because I wanted him and me to be together.

Miss Watson she kept pecking at me, and it got tiresome and lonesome. By and by they fetched the niggers in and had prayers, and then everybody was off to bed. I went up to my room with a piece of candle, and put it on the table. Then I set down in a chair by the window and tried to think of something cheerful, but it warn’t no use. I felt so lonesome I most wished I was dead. The stars were shining, and the leaves rustled in the woods ever so mournful; and I heard an owl, away off, who-whooing about somebody that was dead, and a whippowill and a dog crying about somebody that was going to die; and the wind was trying to whisper something to me, and I couldn’t make out what it was, and so it made the cold shivers run over me. Then away out in the woods I heard that kind of a sound that a ghost makes when it wants to tell about something that’s on its mind and can’t rest easy in its grave, and has to go about that way every night grieving. I got so downhearted and scared I did wish I had some company. Pretty soon a spider went crawling up my shoulder, and I flipped it off and it lit in the candle; and before I could budge it was all shriveled up. I didn’t need anybody to tell me that that was an awful bad sign and would fetch me some bad luck, so I was scared and most shook the clothes off of me. I got up and turned around in my tracks three times and crossed my breast every time; and then I tied up a little lock of my hair with a thread to keep witches away. But I hadn’t no confidence. You do that when you’ve lost a horseshoe that you’ve found, instead of nailing it up over the door, but I hadn’t ever heard anybody say it was any way to keep off bad luck when you’d killed a spider.

I set down again, a-shaking all over, and got out my pipe for a smoke; for the house was all as still as death now, and so the widow wouldn’t know. Well, after a long time I heard the clock away off in the town go boom—boom—boom—twelve licks; and all still again—stiller than ever. Pretty soon I heard a twig snap down in the dark amongst the trees—something was a-stirring. I set still and listened. Directly I could just barely hear a “me-yow! me-yow!” down there. That was good! Says I, “me-yow! me-yoe!” as soft as I could, and then I out the light and scrambled out of the window on to the shed. Then I slipped down to the ground and crawled in among the trees, and, sure enough, there was Tom Sawyer waiting for me.

 
All new material in this edition is copyright © 1985 by Tom Doherty Associates, LLC.

Excerpted from The Adventures of Huckleberry Finn by Mark Twain
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Tor Classics are affordably-priced editions designed to attract the young reader. Original dynamic cover art enthusiastically represents the excitement of each story. Appropriate "reader friendly" type sizes have been chosen for each title--offering clear, accurate, and readable text. All editions are complete and unabridged, and feature Introductions and Afterwords. This edition of The Adventures of Huckleberry Finn includes a Preface, Biographical Note, and Afterword by Keith Neilson. Breezy, outrageous, thrilling from first page to last, Huckleberry Finn is the most widely read and universally loved work in American fiction. It is also the most imitated. "All modern American literature," according to Ernest Hemingway, "comes from one book by Mark Twain called Huckleberry Finn ."


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