Publisher's Hardcover ©2023 | -- |
Starred Review You've surely seen redacted documents, the ones with significant words blacked out. Ness uses this practice in his new, illustrated novella about four boys who have been friends forever: Ant, the narrator; Charlie, his homophobic best friend; Jack, who is gay; and sweet-spirited, football-playing Josh. In a meta way the four are aware that certain words in their conversations are being censored. "What are these [redacted] black boxes?" Charlie asks. "I shrug," Ant writes. "It's that kind of story." A story, that is, about sex and losing one's virginity. "Are there degrees of virginity?" Ant ponders after listing five increasingly intimate acts that he has done secretly with Charlie arlie who writes it all off as practice for having sex with girls and who draws the line at kissing Ant "because that would make us gay." Does that sort of denial erase the acts themselves? If so, is Ant still a virgin? Ness superbly blends Ant's philosophical musings with realistically voiced teen thoughts and dialogue, where expletives and sexual content are curtained by heavy black rectangles yet blatantly present. The near-melancholy tone is beautifully matched by Bendix's inspired artwork, composed of smudged pencil sketches and digital collage. Within this beautifully crafted package lies a poignant story of a boy reaching out in loneliness to another boy and grasping unvarnished truth.HIGH-DEMAND BACKSTORY: Ness counts two Carnegie Medals among his many awards, and his name always draws a crowd. Order up!
Starred Review for Kirkus Reviews (Tue Jan 03 00:00:00 CST 2023)Four friends grapple with their identities.This is a brief story about [blank], [blanks], and [blanking]. In a bold move that may irritate censorious adults, Ness puts what readers can only imagine are all kinds of curse words, slurs, and descriptions of sexual acts behind black boxes in the text that, in a fourth wallâbending move, all the characters are aware of. Ant Stephenson and his friend Charlie Shepton have been experimenting sexually for a long time, under the guise of just needing some release because neither of them have girlfriends yet, but Ant finds himself wanting to kiss his friend, something that is definitely against the rules-after all, wouldn't that mean they are gay? Meanwhile, when Mr. Bacon, their cool AP history teacher, reconfigures the classroom setup, seating Ant and Charlie together with genial football player Josh Smith and the boys' former friend, Jack Taylor, now a drama kid, the foursome have to deal with the fact that Jack is obviously gay, threatening Ant and Charlie's secret. Rough pencil sketches add to the heightened emotion, reflecting the jagged, difficult emotional realities of the apparently White boys who know that while queerness is technically OK, especially for certain girls and in more liberal cities, it's as taboo as it's ever been among the traditionally masculine boys of eastern Washington. The brevity of this story adds to its power, distilling the plot to its most necessary, brutal, loving elements.[Blanking] masterful. (Fiction. 14-18)
Horn Book (Tue May 09 00:00:00 CDT 2023)Ness's postmodern short story (a version of which was previously published in an anthology), intermittently illustrated with Bendix's striking pencil drawings and digital collage, candidly depicts the relationships among several teenage boys in eastern Washington. Narrator Ant's frank, earnest musings on masculinity, companionship, and the degree of his own virginity are tempered by his self-censorship, with literal black bars concealing nearly all instances of cursing and sexual activity (though homophobic slurs aren't censored -- a decision meta-commented on by the characters themselves). A key flashback reveals the clandestine sexual relationship between Ant and his friend Charlie, who publicly projects a homophobic persona and denies Ant the intimacy of a kiss. Conflict erupts after a joke from Jack, the subject of Charlie's homophobic bullying, inadvertently uncovers Ant and Charlie's secret, which leads to a violent outburst from an emotionally broken Charlie (illustrated across a double-page spread in monstrous detail). The lean narrative moves briskly with a focus on dialogue, dry humor, and Ant's wonderings -- feeling much like a stage play composed of only a handful of scenes. Ant's conclusion is uncertain and hopeful, neither storybook nor tragic. An honest, profound kiss from Jack ends up meaning more to Ant than anything he ever did with Charlie, leading Ant to accept that his virginity is not defined by others' rules and expectations, but rather "I think I'm the one who says." Patrick Gall
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)Four friends grapple with their identities.This is a brief story about [blank], [blanks], and [blanking]. In a bold move that may irritate censorious adults, Ness puts what readers can only imagine are all kinds of curse words, slurs, and descriptions of sexual acts behind black boxes in the text that, in a fourth wallâbending move, all the characters are aware of. Ant Stephenson and his friend Charlie Shepton have been experimenting sexually for a long time, under the guise of just needing some release because neither of them have girlfriends yet, but Ant finds himself wanting to kiss his friend, something that is definitely against the rules-after all, wouldn't that mean they are gay? Meanwhile, when Mr. Bacon, their cool AP history teacher, reconfigures the classroom setup, seating Ant and Charlie together with genial football player Josh Smith and the boys' former friend, Jack Taylor, now a drama kid, the foursome have to deal with the fact that Jack is obviously gay, threatening Ant and Charlie's secret. Rough pencil sketches add to the heightened emotion, reflecting the jagged, difficult emotional realities of the apparently White boys who know that while queerness is technically OK, especially for certain girls and in more liberal cities, it's as taboo as it's ever been among the traditionally masculine boys of eastern Washington. The brevity of this story adds to its power, distilling the plot to its most necessary, brutal, loving elements.[Blanking] masterful. (Fiction. 14-18)
Starred Review ALA Booklist (Tue Feb 28 00:00:00 CST 2023)
Starred Review for Kirkus Reviews (Tue Jan 03 00:00:00 CST 2023)
Starred Review for Publishers Weekly (Tue Feb 07 00:00:00 CST 2023)
Horn Book (Tue May 09 00:00:00 CDT 2023)
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)
All right then, if we're starting out honest, here's pretty much everything I've done (it's not as bad as it sounds):
I've __________ , of course. Everyone _________. They're lying if they say they don't, but ___________ doesn't count, obviously. You can't lose your virginity to yourself.
And leading on from that, I've been ______ by someone else, but who's been to a freshman year party and not gone home without doing that in the coat pile? It's only someone's hands.
Getting a bit heavier, I've ____ and ____. Still not really a shocker.
A bit more strangely, I've ________________________________________________________________________________________________________. (Okay, I'm not
allowed to even hint at the strange stuff. Not that kind of story. Fine.)
And of course we wouldn't be talking about this if I hadn't actually _____. You know, actually ______________________________ , which is pretty much the definition of losing your virginity if you're a boy.
And just so we're clear, it's not like I've done #5 once or twice either. I'm not one of those chess club virgins who goes into a closet and wonders if the real thing's happened. It has. Trust me. Although it doesn't really matter how many times you do it: you think it's going to make your life less lonely, but it never does.
I suppose my question, though, is where exactly on that list did I stop being a virgin?
Is it obviously #5? Or can it happen sooner, like on #3? Or even #2?
Are there degrees of virginity? Is there a points system? A league table?
And who gets to say?
Because maybe it's not as clear as all that, maybe there's more to it. Maybe there are people who'd still say I'm a virgin, even after doing numbers 1 through 5.
In fact, I might be one of those people.
WHERE IT STARTS
There are lots of places this story could start, but it might as well start on the first day of junior year, when Charlie and me are sitting in AP history, waiting for Mr. Bacon to get his seating plan finished.
"Well, this is taking ______ forever," Charlie says, then he blinks, surprised. "What the ____ just happened? What are these _______ black boxes?"
I shrug. "It's that kind of story. Certain words are necessary because this is real life, but you can't actually show 'em because we're too young to read about the stuff we actually do, right?"
"Teens swear in stories these days."
"Not anything like we do in reality," I say. "It's the difference between shooting a bullet and throwing it."
Charlie nods solemnly at the truth of this. Then he gets a smirk.
" _______________________ ," he says. His smile gets bigger. " ________________________________ __________." He nods again. "Cool."
And just as he says, "Cool," that's when Josh Smith walks in, which is where this all really starts.
"No ________ way," Charlie says.
We watch Josh check in with Mr. Bacon, who finds his name on the list and points him toward me and Charlie. Mr. Bacon's great new idea for this year has us sitting in "quads" rather than just boring rows. Four desks pushed together in little islands around the room. Says it's supposed to make learning "collaborative," but any fool could see he won't be able to control us like this.
The quads are alphabetical, so I - being Ant Stevenson - am sitting with Charlie Shepton, who I've sat by alphabetically since elementary school. And now here's Josh Smith, who Charlie and I were also alphabetical friends with from way back, too, before he left after fifth grade to move to Spokane with his dad.
"Charlie Shepton and Ant Stevenson," Josh Smith says, coming over to us, grinning.
"Josh _______ Smith!" Charlie says, standing up and punching Josh on the shoulder, even though Josh is now twice his size. Josh, in fact, is even bigger than me, not in any fat way, but like he just stepped off the Super Bowl plane to buy a pack of cigarettes. "Where the ____ have you been keeping yourself?" Charlie asks. "It's been _______ ages."
"Watch your language, Charlie," says Mr. Bacon from the front. "That's your first warning. Now, sit."
"But it's blacked out, sir," Charlie says. "It's like I'm not swearing at all. ____. See?"
"Sit," Mr. Bacon says.
"Mom and Dad got back together," Josh explains as we all sit down. "After seven years, if you can believe it." His eyes stray across the crowded classroom. "Hey, don't tell me the fourth is going to be little Jack Taylor."
"Aw, ____ ," Charlie says, as we see Jack Taylor already being directed over to our quad by Mr. Bacon.
"What?" Josh says to me, confused. "It'll be just like old times."
Because the thing you need to know is that the four of us, me and Charlie and Josh Smith and Jack Taylor, used to be inseparable. All through elementary, anyway. Besides always sitting next to each other because of our names, we lived on the same few streets, and for a while there, we were always together. Birthday parties and Little League teams and just plain old stupid hanging around.
Then Josh left and a few years later puberty hit and I suddenly got way bigger than everybody, like linebacker big, and Charlie got a foot taller without gaining any weight, and Jack, well, Jack didn't grow all that much, and though me and Charlie stayed friends, Jack kinda went his own way when we all went on to high school. And while Charlie and me just did the usual - soccer, skipping class, more soccer - Jack, well . . .
Jack got a little . . . dramatic, if I'm honest.
He joined drama club. And choir. And wrote opera reviews for the school newspaper. And he always picked Mark Ruffalo as best out of the Avengers, when, I mean, come on. Hemsworth is standing right there.
I don't mean any of that in a bad way, though.
Because you don't really notice when it happens over time, do you? Jack's your friend. You like him because you've always liked him. And maybe one day you think, yeah, okay, he's gone a bit pink, but so what? He's Jack. And most of the time, you don't even notice.
Unless you're Charlie, and one day, you start noticing. Even in this day and age. When we're all supposed to be beyond all that.
From about last Christmas, Charlie's started noticing. And he isn't handling it well.
"Jack's a little _______ homo now," he says as we watch Jack come over. "Hey, you can say homo without the box. That doesn't seem right."
Josh raises his eyebrows. "Jack turned out gay?"
"No," I say. "He went out with Georgina Harcourt all last year. He's just kinda flamboyant."
"He's _______ gay," Charlie says. "He was caught aivina head to a bunch of seniors last year."
"No, he wasn't," I say. "Claudia Templeton spread that
story to stop people from talking about how her boyfriend texted around all those pictures of her _____."
"Oh, yeah." Charlie laughs. "That was cool."
"If it isn't Josh Smith," Jack says, dropping his bag on the fourth desk in our quad.
"Hey, Jack," Josh says. "Heard you've gone all Neil Patrick Harris on us."
Jack shoots a glare at Charlie. "I see you've been talking to ______ here."
"Hey!" Charlie says. "What was behind the box?"
"Hey, Jack," I say, nodding a greeting.
"Hey, Ant." He nods back, a little carefully.
"Neil Patrick Harris is a rich man, Jack," Josh says, still smiling. "Nothing to be ashamed of."
"Please," Jack says. "He's shaped like a scarecrow. Plus, his face makes me angry." He gives Josh a look up and down. "And where've you been? Eating your way through eastern Washington?"
"Aw, hell, don't even start," Josh says. "I wasn't on school grounds five minutes this morning before the football coach grabbed me." He nods my way. "You've gotten pretty big yourself, Ant. You should try out for the team with me. Be nice to have an old friend around."
"We play soccer," Charlie says, before I can even answer.
"Quiet in the back," Mr. Bacon calls over to us, finally ready to start class.
"So who's this guy?" Josh says, lowering his voice.
I shrug. "Just Mr. Bacon."
Josh frowns. "He looks familiar."
"Nah," Jack says. "He just looks like if Eddie Redmayne was a serial killer."
"God, Jack," Josh says. "That's it exactly."
Despite ourselves, we all see it. You could totally picture your sister dating Mr. Bacon, but then you could totally see him strangling her, too. I'm about to say so, but then Charlie sneers, "You want to date him, Jack? You want him to ____ you right there on his desk?"
Jack looks fake surprised. "Are you flirting with me, Shepton?"
Josh snorts under his breath. I laugh a little, too.
And then I see Charlie giving me a look that could poison a whole tank of fish.
Excerpted from Different for Boys by Patrick Ness
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
Friendship, masculinity, sex—Anthony Stevenson has a lot of questions. Is it different for boys who like boys? A poignant and frank story filled with meta-humor by renowned author Patrick Ness.
Anthony “Ant” Stevenson isn’t sure when he stopped being a virgin. Or even if he has. The rules aren’t always very clear when it comes to boys who like boys. In fact, relationships of all kinds feel complicated, even with Ant’s oldest friends. There’s Charlie, who’s both virulently homophobic and in a secret physical relationship with Ant. Then there’s drama kid Jack, who may be gay and has become the target of Charlie’s rage. And, of course, there’s big, beautiful Freddie, who wants Ant to ditch soccer, Charlie’s sport, and try out for the rugby team instead. Ant’s story of loneliness and intimacy, of unexpected support and heart-ripping betrayal, is told forthrightly with tongue-in-cheek black-bar redactions over the language that teenagers would actually use if, you know, they weren’t in a story. Award-winning author Patrick Ness explores teen sexuality, friendship, and romance with a deft hand in this structurally daring, illustrated short novel.