Perma-Bound from Publisher's Hardcover ©2022 | -- |
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Autistic youth. Juvenile fiction.
Biological weapons. Juvenile fiction.
Cults. Juvenile fiction.
End of the world. Juvenile fiction.
Monsters. Juvenile fiction.
Survival. Juvenile fiction.
Transgender people. Juvenile fiction.
Autistic youth. Fiction.
Biological weapons. Fiction.
Cults. Fiction.
End of the world. Fiction.
Monsters. Fiction.
Survival. Fiction.
Transgender people. Fiction.
Starred Review This astounding and exhilarating debut follows 16-year-old trans boy Benji as he attempts to leave the life he knows and forge his own path, far from the apocalypse-obsessed cult in which he grew up. But the cult members, who calls themselves Angels and incited the apocalypse, won't let him go that easily; they're hell-bent on bringing him back into their radical fold and recovering the bioweapon they forced him to host. White's world building is eerie, haunting, and unforgettable in this terrifying end-of-days survival story that also holds tender coming-of-age moments as Benji finds allies in the local LGBTQ+ Center's members d even a love interest with whom he can share secrets. And Benji's biggest secret is a doozy: unless he can stop the process, the bioweapon from the Angels will transform him into a monster meant to exterminate all humankind. This fast-paced adventure is chaotic in the best way, featuring diverse and relatable characters whom readers will fall in love with, despite their flaws, and a heartrending love story that reminds us that humanity seeks comfort even in the most painful of times. But just as Benji finds a new family in the queer community that has taken him in, he must figure out if they can be trusted any more than the cult that exploited him for their own beliefs.
Starred Review for Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)In the aftermath of a plague, a furious transgender boy seeks to end the movement that plans to wield him for their genocide in the name of salvation.On Judgment Day, the Angels, a cult of White, Evangelical Christian eco-fascists, released the Flood upon the world-a plague to purge the unfaithful-but their work remains unfinished until they unleash their final weapon. Benji, a White trans boy, couldn't escape the Angels before they injected him with Seraph, a plague mutation engineered to transform him into an abomination in control of the Flood and all its monstrous creations. However, when he's ambushed by nonbelievers who present him with an opportunity, Benji joins forces with their resistance, determined to fight the Angels with whatever time he has left. This cinematically gory apocalyptic horror not only delivers high stakes, fast-paced action, and fraught romantic drama, it engages critically with the intertwining impacts of colonialism, capitalism, and White supremacy. The resistance truthfully depicts diversity within queerness while also holding White queer people accountable for gatekeeping and upholding White supremacy. The narrative focuses primarily on Benji's point of view but shifts strategically with shorter sections showing the perspectives of his two romantic interests, including Nick, a White, cisgender autistic boy who plays a significant role in the resistance. A restorative, hopeful resolution brings the story to a satisfying close without turning Benji into a savior.A gloriously ferocious and scorching blaze. (Dystopian/horror. 15-18)
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)In the aftermath of a plague, a furious transgender boy seeks to end the movement that plans to wield him for their genocide in the name of salvation.On Judgment Day, the Angels, a cult of White, Evangelical Christian eco-fascists, released the Flood upon the world-a plague to purge the unfaithful-but their work remains unfinished until they unleash their final weapon. Benji, a White trans boy, couldn't escape the Angels before they injected him with Seraph, a plague mutation engineered to transform him into an abomination in control of the Flood and all its monstrous creations. However, when he's ambushed by nonbelievers who present him with an opportunity, Benji joins forces with their resistance, determined to fight the Angels with whatever time he has left. This cinematically gory apocalyptic horror not only delivers high stakes, fast-paced action, and fraught romantic drama, it engages critically with the intertwining impacts of colonialism, capitalism, and White supremacy. The resistance truthfully depicts diversity within queerness while also holding White queer people accountable for gatekeeping and upholding White supremacy. The narrative focuses primarily on Benji's point of view but shifts strategically with shorter sections showing the perspectives of his two romantic interests, including Nick, a White, cisgender autistic boy who plays a significant role in the resistance. A restorative, hopeful resolution brings the story to a satisfying close without turning Benji into a savior.A gloriously ferocious and scorching blaze. (Dystopian/horror. 15-18)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)Billions are killed when the Angels, a majority-white ecofascist cult, “cleanse” the earth with a deadly virus in White’s gripping near-future dystopian debut. After creating the Flood, a fatal infection responsible for humankind’s decimation, the Angels force 16-year-old white trans boy Benjamin Woodside to become the perfected virus’s host, turning him into a living bioweapon. Having escaped the Angels’ experimentation and emotional abuse, which includes frequently misgendering him, Benji is rescued by white, autistic sharpshooter Nick and his ragtag band of queer rebels, who call Pennsylvania’s Acheson LGBTQ+ Center home. Together, Benji and the revolutionaries fight for survival amid crumbling infrastructure, even as Benji struggles to contain the virus as it mutates his body from the inside out. While told primarily from Benji’s perspective, brief chapters from supporting characters, including Nick, provide intriguing insight. Using evocative and visceral language, compact storytelling, and inventive worldbuilding, White delivers a transformative depiction of apocalypse through a queer lens. This debut is a moving and timely tale of queer perseverance, offering hope for those fighting for the right to exist without apology. Supporting characters are racially diverse and variously queer. Ages 14–up.
Gr 10 Up —A queer teen brings the full weight of trauma and rage to bear upon the fundamentalist cult that abused him in this gruesome, emotional debut. After The Angels, an ecoterrorist group, released "The Flood" upon humanity in a bid to cleanse the Earth of nonbelievers, the world was left ravaged and overrun by the slavering remains of the population now hideously warped by viral load. Benji, a white, transgender teen, was raised within the group but is now on the run after they subjected him to emotional and physical abuse and infected him with a strain of The Flood designed to slowly and painfully transform his body into that of a Seraph—a grotesque approximation of an angel meant to finish the cleansing. When his father is murdered, Benji finds safety and acceptance with the remaining members of the Acheson LGBTQ+ Center (ALC), including Nick, a white, neurodiverse teen who helps him to process and harness his fury against the cult and its leaders. Vivid descriptions of viscera and gory suffering appear on nearly every page, creating an intense reading experience that is sure to appeal to movie and body horror fans. However, readers may struggle to follow when intense descriptions of rotting organs, black vomit, and disintegrating skin are immediately followed by romance, which often feels discordant. While the members of the fundamentalist group are white, the ALC teens represent a large variety of gender identities, sexualities, races, and religions. VERDICT This authentic story of consuming fury and the power of found family to heal is an excellent choice for fans of Neal Shusterman's "Arc of a Scythe" series or Rick Yancey's The Monstrumologist .—Catherine Cote
Starred Review ALA Booklist (Thu Apr 28 00:00:00 CDT 2022)
Starred Review for Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)
Starred Review for Publishers Weekly
William C. Morris Award Winner (Tue Feb 07 00:00:00 CST 2023)
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal (Thu Dec 01 00:00:00 CST 2022)
Chapter 1
You will return to the earth for out of it you were taken; for from dust you were made and to dust you will return.
--Angel prayer
Here's the thing about being raised an Angel: You don't process grief.
Grief is a sin. Loss is God's design, and to mourn the dead is to insult His vision. To despair at His will is sacrilege. How dare you betray His plan by grieving what was always His to take? Unfaithful, disgusting heretic, you should be hung from the wall so the nonbelievers will know what's coming for them. Romans 6:23--for the wages of sin is death.
So the image of Dad's body burns into the folds of my brain, writes itself between the grooves of my fingerprints, and I swallow it down until I choke. Angels cut out the parts of us that remember how to cry until we can't. We learn to mask the grief, to pack it away for later, later, later, until eventually we just die.
The way I see it, I don't have to worry. If the Angels get their way, all this grief will be His problem soon enough. And if they don't--
God, please don't--
I'm running. Dad's blood is in my mouth. Brother Hutch shot him once in the chest to stop him and once in the head to kill him. Brother Hutch calls for me, "We can do this the easy way, we really can!" The other Angels sweep the riverfront, shining white in the blazing February sun, moving slow and sure through the streets. They don't have to be quick. They know they'll catch me eventually.
One sixteen-year-old boy against a death squad of Angels? I'm doomed.
I crash to a stop behind a stone pillar by the riverbank and double over to gasp for air. My hair sticks to my forehead in a slurry of sweat and blood--Dad's blood--drying on my face and hands. My lungs burn. I can't tell if the roaring in my ears is my heartbeat or the river.
Dad's gone. He's dead, he's dead, he's dead.
"Please, God," I whisper before I can stop myself. What makes me think He's going to answer me now? "Please give me something, anything--"
"Sister Woodside!" Brother Hutch cries. "Your mother is worried about you! She wants her daughter to come home."
The first thing Dad told me--when Mom said I'd see the Lord's plan for my womanhood eventually, that she'd carve it into me if she had to--he told me I'm a man, and I fought for it, and nobody can take that from me.
Open your eyes. Breathe. Pull it together, Benji, pull it together.
The death squads haven't gotten me yet.
I can finish what Dad started.
I can get out of Acheson, Pennsylvania.
I peek from behind the pillar to look down the street. The riverfront district was probably beautiful before Judgment Day. Before the Flood hit. Now, ivy climbs up glass skyscrapers and cars rust in parking-lot graveyards. Lawns and gardens have gone wild, smothering everything they can reach. Flowers bloom in February. It's one of the few good months for flowers. They'll die of thirst by April.
But I don't see any Angels. Not yet.
Brother Hutch shouts to the heavens, "We don't want to hurt you, we don't."
The only way in or out of southern Acheson is the bridge--the one bridge the Angels didn't destroy on Judgment Day. It's just half a block from me. With the death squads closing in and the bridge guards called away to join the hunt, this is my only shot.
I was supposed to do this with Dad. We were supposed to leave Acheson together. We were supposed to make it to Acresfield County together. Now he's a corpse in the lawn of a crumbling hotel, brains soaking into the dirt, returning to earth for out of it he was taken.
I can't finish what we started if I stand here begging God for things to be different. It won't bring him back.
Breathe.
Run.
I've been running for days but not like this. Not with my legs screaming and my sneakers pounding the sidewalk in time with my heartbeat. I pretend Dad is right behind me, that I can't hear him because I'm breathing too hard, that I can mistake him for a blur in the windows across the street.
I make it to the mouth of the bridge. I don't stop, just dive between the wreckage of cars choking the entrance. The bridge shines silver, suspension towers dangling thick metal wires from bank to bank. It belongs to the Angels now. A banner flutters high above me: GOD LOVES YOU. Corpses dangle from the wires, yellow-pink organs hanging from their stomachs to obscure their nakedness, like Adam and Eve ashamed of their bodies.
One of the bodies is twisted, the leg held at a broken angle, and I can't tell if the Angels did that or the Flood did. The Flood is cruel. It'll do some terrible things to a body.
Not that I need another reminder.
This is a long bridge. I can almost convince myself that Dad is waiting on the other side, holding our backpacks, demanding, What took you so long? I'll crash into him, and we'll run until we're away from Acheson, so far away from every Angel camp and colony that they'll never find us again. Dad and I memorized a map of every outpost in the surrounding states and every major stronghold in North America. We'll be okay. We'll be okay.
"There!"
I shouldn't look, I shouldn't.
I do.
I know the Angel behind me is Brother Hutch because his robes are splattered with Dad's blood. His rifle hangs from a strap over his shoulder. He's close enough that I can make out the bruises on his knuckles, the stains on his face mask.
Masks keep the Flood out, but I haven't worn one for a while. I can't get infected twice.
"Sister Woodside," Brother Hutch says, and the other Angels emerge from the shadows, the ruins, the back-streets, and I don't stand still a moment longer.
The second thing Dad told me--when we finally escaped, listening for the scream of monsters and the beat of boots against the ground--was that if the Angels want to get their hands on me, I have to make them suffer for it.
I still taste his blood.
I vault the Jersey barriers at the Angel checkpoint and hit the ground hard on the other side. There are lawn chairs back here, a Bible, and a few bottles of water. The road is full of broken glass. The bodies sway.
Run.
I dreamed about what it would be like on the other side of the bridge. Dad and I could head north and find a place to make it through the summer. Sure, there would be Angels, because there would always be Angels until the last nonbeliever was dead, but we would have all the earth to avoid them. Maybe we would meet someone: a handsome nonbeliever who would fall for me when I soaked his hands in warm water and bandaged his wounds. He would be sweet and a little brash and queer as hell, and he wouldn't mess up my pronouns when he saw my chest for the first time. Sometimes he was blond, like my fiancé. Most of the time, he wasn't.
Stop. Don't think about him. Don't think about Theo. None of it matters anyway, because none of it will ever happen. The Flood will break me like it breaks everything else, and I need to keep the monster away from the Angels. I need to get out, I need to get away, I need to--
An Angel whistles, and the whistle is met with a scream.
Between the cars ahead of me, a tangle of limbs unfolds, and it shrieks and howls with all the pain of Hell, the weeping and gnashing of teeth. A creature made of corpses and the Flood--sharpened ribs lining its back in a row of spines, eyeballs blinking between sinew, muscles so swollen they split the skin--rises from the wreckage. Claws the size of arm bones curl around a truck cab and crumple it.
I stop running. No. No, no, no. NO.
Not a Grace. Not when I'm so close.
What had once been a person's face opens from the bottom of its jaw, up between the eyes and back to the nape of its neck, showing teeth smeared black with Flood rot. I faintly register the sound of boots and shouting, but that doesn't matter. The only thing that matters is the monster towering above me, dripping decay and blocking the only way out.
The third thing Dad told me--when he realized what I could do, when I reached out to a Grace and begged it to kill every Angel it could find; when I stood in a sea of gore, a beast curled around me.
He told me to be good.
To never become the monster the Angels want me to be, for evil begets evil begets evil.
The sound of boots slows and stops. My legs fail me. I stumble to the ground, pressing my palms to the burning road.
Be good. Make them suffer. Being good means being quiet, obedient, turning away from the virus's power the same way Eve should have turned away from the apple. Making them suffer means seizing the Grace and taking the Angels down with me in a blaze of flesh and fury.
I could stop this. I could whisper across this street and make the Angels regret ever laying their hands on me.
I almost reach out for the Grace.
But.
Dad died holding my face--his blood smeared down my tongue, across my cheeks, matted in my hair--and begging me to be good.
He's not waiting for me. I can't keep running like this. I am so, so tired.
Good wins out.
"I'll be good. I'll be good, I'll be good." I say it out loud like that will make failure feel any better, as if my insides aren't screaming to burn the Angels in hellfire, as if there's any way I could obey all of Dad's words at once. "I'll be good, O Lord, lend me Your strength, lead and guide me--"
Hot liquid trickles over my chin, and I wipe my mouth. My fingers come away black and red.
A pair of heavy boots appears in the corner of my vision, wreathed by stained white robes. I stare at my hand, the horizon, the rising sun.
Is this really what He wants? Is this really His plan?
Brother Hutch says, "I'm sorry," and he almost sounds like he means it.
I make an awful keening sound deep in my throat. It's the closest I've come to crying in years. Past Brother Hutch and past the Grace, the river rushes, perfect blue and clear and clean; the mountains of Acresfield County shine with green and gold; the black wings of carrion birds glimmer in the morning sun.
I pretend Dad is out there. I tell him I was good and to go on without me. I tell him I'll meet up with him eventually, one day, maybe, I promise.
Brother Hutch says, "It's time to come home."
Excerpted from Hell Followed with Us by Andrew Joseph White
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
INSTANT NEW YORK TIMES BESTSELLER
A furious, queer debut novel about embracing the monster within and unleashing its power against your oppressors.
"A long, sustained scream to the various strains of anti-transgender legislation multiplying around the world like, well, a virus." —The New York Times
Sixteen-year-old trans boy Benji is on the run from the cult that raised him—the fundamentalist sect that unleashed Armageddon and decimated the world’s population. Desperately, he searches for a place where the cult can’t get their hands on him, or more importantly, on the bioweapon they infected him with.
But when cornered by monsters born from the destruction, Benji is rescued by a group of teens from the local Acheson LGBTQ+ Center, affectionately known as the ALC. The ALC’s leader, Nick, is gorgeous, autistic, and a deadly shot, and he knows Benji’s darkest secret: the cult’s bioweapon is mutating him into a monster deadly enough to wipe humanity from the earth once and for all.
Still, Nick offers Benji shelter among his ragtag group of queer teens, as long as Benji can control the monster and use its power to defend the ALC. Eager to belong, Benji accepts Nick’s terms…until he discovers the ALC’s mysterious leader has a hidden agenda, and more than a few secrets of his own. Perfect for fans of Gideon the Ninth and Annihilation.
A New York Public Library Best Book of the Year
A William C. Morris Award Finalist
A Publishers Weekly Best Book of the Year
A YAVA Award Nominee!
A Booklist Editors' Choice Selection
A BCCB Blue Ribbon Book
Named to the ALA Rainbow Roundtable's Rainbow Book List