Publisher's Hardcover ©2023 | -- |
Paperback ©2025 | -- |
Fathers and daughters. Fiction.
Vietnamese Americans. Fiction.
Refugees. Fiction.
Boat people. Vietnam.
Gr 9 Up —A dual-narrative, compelling read about family, intergenerational trauma, and immigration. The first voice is that of 17-year-old Jane, born in California to Vietnamese refugees who escaped the war. It's 1999, and her mom abandoned the family years ago. Jane is helping raise her younger brother, Paul, as well as working in the family business, a liquor store. Jane is hiding a secret: she was accepted to UCLA but worries about leaving her young brother with their unstable, often violent dad. The second voice belongs to Ph&0;c, who is 12 in 1975, and his small southern Vietnam village is experiencing the wrath of the Vietcong. When he manages to escape on a small vessel with other desperate people, the worst is yet to come. Ph&0;c is Jane and Paul's father, and each alternating chapter tells the story of the boy shaped by war who went on to become a parent while dealing with the trauma of war. Jane struggles with her Vietnamese identity, and often distances herself from whom she calls "fobs" or "fresh off the boat" new students in her school. As we learn more about Ph&0;c's upbringing, and Jane becomes aware of more pieces of her family history, the two start making sense of each other, and a shimmer of healing seems to be on the horizon. This novel tells the harrowing realities of war, and how the horrific things that people have had to endure present as poor mental health, displaced violence, and grief. There are also mentions of rape and physical abuse. VERDICT An important book, highly recommended for high school and public libraries.—Carol Youssif
Horn Book (Thu Sep 07 00:00:00 CDT 2023)In this unflinching dual-perspective coming-of-age story, a California teen who at first loathes being Vietnamese gains pride in her heritage while also coming to terms with her emotionally distant, physically abusive refugee father. It's the summer of 1999, and Jane V, seventeen, is about to leave San Jose to attend UCLA. She is excited about college but worries about leaving her seven-year-old brother with their single father, Phuc. In lyrically written chapters that alternate with Jane's narrative, readers follow Phuc's traumatic youth in war-torn Vietnam, including acts of love and of violence within his family, and his harrowing escape by boat on the Pacific Ocean. He survives attacks by Thai pirates and starvation only to lose his final shred of innocence with the titular panda-killing. The twin tales of complicated family love come together when Jane gains sympathy for her father after she learns more about his experiences from cousins at a family reunion, and then later while visiting her grandparents in a Nng. Hoang does a skillful job in capturing multigenerational trauma with Jane's teenage angst and Phuc's damaging voyage. Pair with the adult graphic memoirs Vietnamerica by G. B. Tran and The Best We Could Do by Thi Bui (illustrator of A Different Pond, rev. 9/17). Michelle Lee
Kirkus ReviewsA Vietnamese father and daughter wrestle with intergenerational trauma in San Jose.It's the summer of 1999, and 17-year-old Jane VuÌ is resentful: Her mom left three years ago, and Jane wakes up before dawn to open her family's convenience store, where she has worked the register since age 11. Jane and Paul, the 7-year-old brother she's taken care of since he was a baby, are routinely beaten by their abusive father, Phúc. Despite all this, she got into UCLA, her ticket to a better life. But now Jane is struggling to tell Paul she'll be leaving. Before she goes, she has a story to tell him, one that follows a 13-year-old Phúc in 1975 as he attempts to escape Vietnam during the war. Leaving his hometown of Äà Nẵng, Phúc encounters pirates, sharks, and other horrors on his way to the United States. The two narratives alternate, offering parallels between the harsh realities faced by a war refugee and his daughter. A sharp, introspective lead, Jane works to reconcile her father's love with his cruelty and is bitingly candid on the subjects of Vietnamese stereotypes, culture, and people-including her parents. The painfully raw depictions of Phúc's brutality are arduous to read, but even so, Hoang successfully makes the case for offering empathy over judgment.A gripping and difficult story of a family surviving abuse. (glossary of characters) (Fiction. 15-adult)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)A Vietnamese American teenager in 1999 struggles to unpack her abusive father’s traumatic upbringing in Hoang’s dual-narrative, series-starting debut. Ever since their mother left three years prior, 17-year-old Jane Vũ has been the primary caretaker for her seven-year-old brother Paul. She often shields Paul from their father’s physical abuse and reasons that his violent tendencies stem from his childhood in postwar Vietnam. As Jane readies to leave San Jose to attend UCLA on scholarship, she worries what her father might do to Paul in her absence. Hoping to prepare Paul, Jane tells him the story of the past their father never discusses. In an alternating first-person POV that follows Jane’s present and third-person telling of her then-13-year-old father’s harrowing escape from Vietnam in 1975 by boat, Hoang delivers a searing novel inspired by her own family history. Graphic language renders brutal scenes of parental abuse that are sometimes hard to read; still, equally lush storytelling details surreal sequences bordering on the fantastical amid Jane’s father’s migration, as well as chilling depictions of Vietnamese refugees’ search for freedom, and the impact their trauma has on their futures, making for a riveting intergenerational drama. Ages 14–up.
School Library Journal Starred Review (Wed Nov 01 00:00:00 CDT 2023)
Horn Book (Thu Sep 07 00:00:00 CDT 2023)
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
Jane
Angry. I'm angry that I'm thinking about my mom again. It's the last thing I want to be thinking about. But here I am.
My mom left us when my brother, Paul, was three, almost four, or maybe he was four. Actually, he must have been four because the week after she left, he started preschool. Whenever I think about that week, I wonder what must have been going on in her head as she packed my lunch, knowing she wasn't coming back. Did she think about us? Were we the reason she left? Was I not helpful enough, not smart enough, not clean enough? Did I need too much? Did I annoy her? Why was she so unhappy? Was it us? Did she not want to be a mother? Or was it something else or someone else? A scandalous love affair with some shop patron? If so, had I seen this man before?
Because the thing is, I never heard my parents fight.
They weren't in love or anything stupid like that. I didn't grow up believing in fairy tales or princes or equality. My family is old-school--as in America in like the fifties, except it's 1999. My father is the head of the household. He controls every aspect of our lives, from the finances to our daily schedules, and no one--not even my mother--ever argues with him. So, we might be American, but we're certainly not Americanized.
Surprised. I was surprised she left. I am surprised. Not that she wanted to go or thought about it, but that she actually did it, and if I didn't have a stomach full of resentment, I might have even admired her for it. But I was fourteen, and all I really felt was abandoned. Left to fend for myself and Paul at a time when my classmates were gushing about who might ask them to homecoming. The bitterness, even three years later, is strong. As for Paul, he was too young to really understand anything, so he probably assumes she died.
That day, the day she left, I knew something was wrong when my dad picked me up. My dad never picks me up from school. That he even knew where it was is perplexing. Since kin- dergarten, not once had he ever attended an academic function. Education was my mom's domain. She never cared to check my homework or report cards; no, my enrollment was about being free of me for seven hours a day, five days a week.
My suspicions grew when he told me to walk to and from school for the next week. We didn't live far, and to be honest, that was the greatest thing I'd ever heard. A full two miles to walk untethered to my parents? My preteen self did celebra- tory cartwheels all the way home. But this guttural, sinking feeling--intuition, I guess--was there also. I knew something wasn't right.
To this day, I have no idea where Paul stayed during that first week. I just know that eventually, he came home. My dad must have closed up shop to come get me, but I couldn't be entirely sure because he dropped me off at home alone and went back to work. I hate to say it, but my biggest concern at the time had been that I had no idea how long it would take to walk to school. It didn't seem far, but having always been a passenger in the car, I couldn't gauge the distance on foot.
What I did know was that I couldn't be late. So, the next day, I woke up at 4:00 a.m., ate rice and eggs with scallion, made an American sandwich with bread, ham, and mayo, stuffed chips into my backpack, and left the house.
I sauntered past three blocks of apartments before reach- ing the busy Chapman Avenue, where I patiently waited for the white walk signal even though there weren't any cars around. After the light, I continued past CVS Pharmacy, three small shopping plazas I hadn't even noticed before, and McDonald's. When I checked my watch, it was already 4:15 a.m. I picked up my pace but still felt like I was walking too slow. Valentino's Pizza, aka the $7 pizza place, was so far away that I couldn't see its signpost. My shins began to ache, and panic set in. Where was the park? Had I made a wrong turn? I hadn't made any turns, so that wasn't possible. Still, I doubted myself. The park that I thought was just around the corner was in fact seven stop- lights away. Images of Safeway, Del Taco, and the hot dog stand I'd wanted to try since it opened six years ago flashed through my mind. Immediately, I started sprinting toward school.
My heart was pounding, my legs felt weak, I couldn't get enough air, and just before I thought I would pass out, a horn blared behind me.
Bleary-eyed, I looked over at the car and jumped away from the curb. It took me a moment to realize it was my dad. I don't know when he woke up or how he knew where to find me, but there he was.
"What are you doing?"
I stared at him, dumbfounded. "I think I'm going to be late." "Do you know what time it is?"
I shook my head. "Get in the car."
I opened the door and climbed in.
"It's only four-twenty-five in the morning. Why did you leave so early for?"
"Because I didn't know how long it would take, and I didn't want to be late."
"How long you think it takes to walk to school?" I didn't have a good answer.
It didn't dawn on me then, but when I look back at that morning--and I look back pretty often--I'm fairly certain that my dad must have followed me from the moment I left the house. He must have lain awake while I got ready and waited for me to leave before tailing my every turn. Maybe he panicked when he saw me running. Maybe he thought I was running away. Maybe he thought I was leaving the same way my mother had.
But I wasn't. The thought hadn't even occurred to me. And actually, I find it insulting. I am not like my mother. I would never leave Paul alone with my dad. She is a coward. A heartless, non-motherly bitch who I swore would no longer occupy my thoughts. I wasn't going to be like those weak-ass kids whose parents ruined them--who had to go to therapy because Mommy left. People leave, life is shit, and some of us don't have time to sit on a couch and talk about our feelings.
Anyway, instead of driving me to school, my dad pulled into Callahan's, a diner I hadn't even known existed until we parked--and walked inside. We never ate American food. Maybe McDonald's on the rare occasion my mom wasn't able to cook, but never any food as fancy as Callahan's. The booths were soft, faux leather, and there were packets of jam, salt and pep- per, three different kinds of syrup, saltine crackers, and sugar on every table. And there weren't just a few booths either but rows and rows of them.
Once seated, I scanned the enormous menu. There were eggs and pancakes and waffles and burritos and ice cream sundaes.
"What do you want to eat?" my dad asked.
"I don't know. What are you having?" Honestly, I was more concerned with the prices.
Everything looked good but also really expensive.
"I think I'll have the steak and eggs," my dad said, pointing to the picture. In my memory, his English is impeccable. I found the steak and eggs on the menu and checked the price: $12.99. So, I knew whatever I ordered had to be less than $12.99. That seemed easy enough.
When the waitress came over, my dad pointed at the picture, and I gave her my order. "I'll have the pancakes and eggs."
"Anything to drink?"
"Do you have beer?"
The waitress frowned, which in hindsight, isn't at all unusual. Who comes to a diner at dawn with their daughter and orders a beer? But this is normal. Dad has a beer with every meal, and while he is a lot of things, he isn't a drunk. "No, we don't serve alcohol here," the woman said. I wanted to punch her in the face. How dare she talk down to us like that? Who the hell did she think she was? A stupid, dumb waitress is what. Fuck her.
My dad, though, didn't even flinch. He just said, "Okay, water then."
"Same," I cowered. "Nhà hàng này vắng huh?" I said, looking around at the empty restaurant.
"Because they don't serve beer." My dad laughed, echoing my thoughts. I laughed too.
The waitress rolled her eyes. "One steak and eggs and one pancakes and eggs coming right up."
I'm ashamed to admit that I was so enamored by the biggest stack of pancakes I had ever seen that I forgot all about why we were there at 5:00 a.m. on a school day. The sweet, fluffy pile reached the edges of the plate and stood nearly four inches tall. My dad seemed pretty content too, so I'm not sure why between mouthfuls of pancake smothered in all three kinds of syrup, I decided to drop a bomb: "Is Mom gone?" As soon as the words left my mouth, I regretted them. We aren't a family that discusses problems, and I was never included in any decision-making, ever. I shouldn't have opened my mouth, but I did. Gripping my fork tight, I dropped my fist to the table and braced for impact.
"I think so." He said this without any emotion, then took a gulp of water.
Did she take Paul? I wanted to ask. But I had already tiptoed so close to the line with my dad that I decided not to press it. Paul wasn't with my dad when he picked me up, so I assumed she took him with her. He was her favorite anyway, being the boy and all.
"Okay," I simply replied. And it was okay. Lots of kids got along just fine without a mom. We were a team now.
I think about that morning a lot, the morning my father followed me to school. Over and over again, I imagine him waiting for me to leave the house, watching me turn the corner, getting into the car, and slowly following me. One block, two blocks, ten blocks . . . past all the darkened landmarks, until he sees me running.
I think about this when I'm standing at the end of another beating I'm receiving for reasons I don't fully understand. I play the moment over and over in my mind to soften and dull the pain. I do it because, in this memory, I know. I know that my father, for all his faults--and he has many faults--loves me.
Excerpted from My Father, the Panda Killer by Jamie Jo Hoang
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
A poignant coming-of-age story told in two alternating voices: a California teenager railing against the Vietnamese culture, juxtaposed with her father as an eleven-year-old boat person on a harrowing and traumatic refugee journey from Vietnam to the United States.
“A profoundly moving, achingly resonant story of love, family, and coming of age amid the lingering echoes of war; a luminous tapestry woven from the many threads of American dreams.”
―Jeff Zentner, award-winning author of The Serpent King and In the Wild Light
San Jose, 1999. Jane knows her Vietnamese dad can’t control his temper. Lost in a stupid daydream, she forgot to pick up her seven-year-old brother, Paul, from school. Inside their home, she hands her dad the stick he hits her with. This is how it’s always been. She deserves this. Not because she forgot to pick up Paul, but because at the end of the summer she’s going to leave him when she goes away to college. As Paul retreats inward, Jane realizes she must explain where their dad’s anger comes from. The problem is, she doesn’t quite understand it herself.
Đà Nẵng, 1975. Phúc (pronounced /fo͞ok/, rhymes with duke) is eleven the first time his mother walks him through a field of mines he’s always been warned never to enter. Guided by cracks of moonlight, Phúc moves past fallen airplanes and battle debris to a refugee boat. But before the sun even has a chance to rise, more than half the people aboard will perish. This is only the beginning of Phúc’s perilous journey across the Pacific, which will be fraught with Thai pirates, an unrelenting ocean, starvation, hallucination, and the unfortunate murder of a panda.
Told in the alternating voices of Jane and Phúc, My Father, The Panda Killer is an unflinching story about war and its impact across multiple generations, and how one American teenager forges a path toward accepting her heritage and herself.