All That's Left to Say
All That's Left to Say
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Publisher's Hardcover ©2023--
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Bloomsbury
Annotation: Told in alternating now/then timeline, this story follows Hannah as she uncovers secrets tucked into two adjacent towns, puts her closest friendships on the line, and digs ever-deeper toward the truth of what happened.
Genre: [Mystery fiction]
 
Reviews: 3
Catalog Number: #366232
Format: Publisher's Hardcover
Publisher: Bloomsbury
Copyright Date: 2023
Edition Date: 2023 Release Date: 07/18/23
Pages: 374 pages
ISBN: 1-681-19941-6
ISBN 13: 978-1-681-19941-2
Dewey: Fic
LCCN: 2022048929
Dimensions: 22 cm
Language: English
Reviews:
Starred Review ALA Booklist (Wed Jul 05 00:00:00 CDT 2023)

Starred Review During her junior year of high school, Hannah MacLaren is a focused public-school student, an accomplished debater, an art lover, and a long-distance runner. Though they inhabit different universes, her favorite person is her cousin Sophie, who attends the much more posh Ingleside Country Day School and dreams about saving the world on a macro level. At the end of Hannah's senior year, she's an Ingleside student sitting in the headmaster's office on prom night after ruining the event d possibly her future. In the year between, Hannah's whole world exploded: Sophie died of an opioid overdose at an Ingleside party when Hannah, who knew her best, didn't even know she was fighting substance-abuse disorder. Overwhelmed by her grief, Hannah all but abandons her own carefully planned life to find a place to put her anger: someone got Sophie hooked on opioids. There's more than a touch of Veronica Mars here art, prickly Hannah's Ingleside investigation is single-minded in its sorrow, and the story often follows the beats of a mystery. Lord alternates between Hannah's junior and senior years in chapters that shift in length and tone so quickly they cause whiplash. Despite this, Lord never loses focus on the human story behind the grief and the crisis, and this remains a tender, unsensational examination of what it means to love, to lose, and to live.

Kirkus Reviews

A young woman struggles to accept the death of her cousin.Smart, ambitious Hannah is blindsided when Sophie, the person she was closest to in the world, dies of an opioid overdose in a bathroom at a party at the beginning of her junior year in their Maryland town. Hannah had no idea Sophie was using and is lost in a haze of disbelief and sorrow. Narrated in the first person by Hannah, this poignant novel moves back and forth in time between the events of her junior and senior years, detailing a plan she and Gabi, Sophie's best school friend, hatch to discover who sold Sophie the drugs. It details what unfolds when Hannah, previously scornful of prestigious private school Ingleside Country Day, which her wealthier cousin attended, decides to transfer there. The result is a mystery storyline that blends for the most part smoothly with an effective and achingly real exploration of the ripple effects of the grief felt by all who loved Sophie. This eventually leads to Hannah's greater understanding of herself and the futility people often face in looking for individual villains when it comes to substance use disorder. The book also touches on how this epidemic affects different communities. An appealing romantic subplot between Hannah and her debate rival will pull readers in. Hannah and Sophie are cued White; there is ethnic diversity among secondary characters.An engrossing, thoughtful depiction of a tragedy. (Fiction. 14-18)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

When her cousin Sophie dies from an opioid overdose, Maryland high school junior Hannah is devastated and bewildered; she and her family have no idea how or why Sophie had the pills. Seeking answers, Hannah collaborates with Sophie’s best friend Gabi to conceal her true identity behind a new look and enroll in Sophie’s prestigious private school, hoping to find the classmate Hannah believes gave Sophie the drugs. Though initially scornful of her new schoolmates’ wealth and privilege, the last thing Hannah expects to find at Ingleside Country Day School is a thoughtful companion in former debate competitor Christian Dailey. The nonlinear timeline—rendered in Hannah’s wry first-person voice and detailing events from before and after Sophie’s death—occasionally slows the pace of this tense novel, but nevertheless provides insight into Hannah’s motivations. Avoiding pat answers, Lord (The Map from Here to There) convincingly conveys the grief that Hannah feels over Sophie’s death, depicting via Hannah’s charade the lengths to which one might go when seeking healing and closure. Main characters read as white; context clues suggest racial diversity among the supporting cast. Ages 13–up. Agent: Taylor Martindale Kean, Full Circle Literary. (July)

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Starred Review ALA Booklist (Wed Jul 05 00:00:00 CDT 2023)
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
Reading Level: 5.8
Interest Level: 7-12

A poignant and powerful story of a grieving girl willing to risk everything, perfect for fans of Robin Benway and Jandy Nelson. On prom night, Hannah MacLaren sits in the headmaster's office in her fanciest dress, soaked to the bone. She is in huge trouble after pulling the fire alarm right as the prom queen was about to be crowned. But Hannah had her reasons . . . One year ago, her cousin Sophie, who was also her best friend and the person she loved most in the world, died of an overdose. Drowning in grief, Hannah became obsessed with one question: Who gave Sophie those pills? Who is refusing to give her family the closure they deserve? Then she concocted a plan: enroll at her cousin's fancy private school with a new look and a mouthful of lies, and finally uncover the truth. But Hannah didn't expect all the lines to blur. She didn't expect Sophie's friends to be so complicated. She didn't expect to fall for her longtime enemy. Now, she must choose to either let herself really mourn Sophie and move on, or see her search through to its explosive end--even if it means destroying herself.


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