Gr 1–4— From the front cover alone, this title conveys a warmth and variety of styles, showcasing everything from traditional ballet to contemporary dance, and that "swans" is a gender-inclusive term. Inside, the respect continues. Six dancers whose lives span the dance world of the last century and this one are introduced with brief histories. The pattern for each dancer, from Arthur Mitchell to Misty Copeland, is carefully chosen and retold. Each one experiences a rejection of their talents, breakthroughs in the dance world, and an impressive exhibition of perseverance when they not only succeed but work to make their field more inclusive. The highlighted stories end with the refrain that they continued to dance or are dancing, lending a tone of resilience against trials. Every page of this book resonates with love and admiration for dance. Back matter includes a list of other dancers, notes about the author and illustrator, and the inspirations for the book. The dancers' athleticism and gorgeous costuming in the illustrations will make even casual readers want to leap to their feet and move. VERDICT A must for every collection, and a cornerstone for the dance shelves.— Cat McCarrey

Forgoing any introduction, van der Linde’s collective biography briefly introduces six significant Black figures in the world of dance. Opening with Essie Mae Dorsey, who founded a ballet school for Black children in 1926 Philadelphia, the book also spotlights Dance Theatre of Harlem founder Arthur Mitchell, Trinidad-born dancer Christian Holder, choreographer Dwight Rhoden, and contemporary ballet superstars Misty Copeland and Michaela DePrince. The spreads offer nutshell encapsulations of each figure’s accomplishments; Cloud’s understated artwork depicts the individuals performing, often against a single-color background. Each profile includes the tagline “still he/she danced...,” frequently highlighting instances of perseverance in the face of racism (e.g., “the principal ballerina’s husband refused to have her partnered by a Black man”). The book cries out for context, but the individual biographies are inspiring. A final page lists eight additional Black dancers. Ages 4–8. (Nov.)