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Mistral, Gabriela,. 1889-1957. Fiction.
Cuban Americans. Fiction.
Elephants. Fiction.
Friendship. Fiction.
Human-animal relationships. FIction.
Novels in verse.
Poetry. Fiction.
Newbery Medal and Pura Belpré Award winner Engle enchants young readers with a novel in verse about a Cuban-born girl discovering her voice. It's 1947 when Olivia, her sister, Catalina, and her veterinarian parents move to Santa Barbara. Life in a new country isn't easy for them, and it is full of racial taunts. Still mourning the death of her abuelita, Olivia befriends famous poet Gabriela Mistral, who encourages her to write and express her emotions. Lacking confidence, Olivia finds solace in her cheerful animal friends, who, like her, speak their individual, poetic language. Before long, she befriends two baby elephants, one of whom is taken by an actor and made into a spectacle. Full of anger, Olivia learns to stand up for herself and for those who don't have a voice. Engle's writing style encourages young readers to fall in love with poetry. The reader learns along with Olivia about grammar and literary terms (noun, verb, onomatopoeia, etc.). Our young friend comes to discover that language shouldn't be used to hinder but to create beauty.
Starred Review for Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)Inspired by her friendship with a famous poet, an 11-year-old attempts to rescue a baby elephant.Oriol is homesick for Cuba, bullied at school for her Spanish accent, and mourning her Abuelita, who died after their family moved to California to help her receive a diabetes treatment that failed. Set in Santa Barbara in 1947, this novel in verse follows Oriol, who finds comfort in caring for animals at her parents' veterinary clinic and at a nearby wildlife ranch where movies are filmed. She also befriends an elderly neighbor, later revealed to be a fictionalized version of a real historical figure: Gabriela Mistral, the Chilean poet of mestizo Incan and Basque heritage and the first Latin American winner of the Nobel Prize in literature. Mistral teaches Oriol to write poems as a way of coping with her emotions and later encourages her to write a petition to help free a baby elephant cruelly separated from her mother and twin sibling. The book is replete with lovely, nearly magical imagery: In one scene, the mother elephant uses her trunk to swoop Oriol off her feet for a hug. In another, elephants and humans march together for justice. Throughout, the power of words-both to help children find where they belong and to make the world a kinder place-profoundly resonates.Brilliant, joyful, and deeply moving. (author's note, poem by Gabriela Mistral, further reading) (Verse historical fiction. 8-12)
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)Inspired by her friendship with a famous poet, an 11-year-old attempts to rescue a baby elephant.Oriol is homesick for Cuba, bullied at school for her Spanish accent, and mourning her Abuelita, who died after their family moved to California to help her receive a diabetes treatment that failed. Set in Santa Barbara in 1947, this novel in verse follows Oriol, who finds comfort in caring for animals at her parents' veterinary clinic and at a nearby wildlife ranch where movies are filmed. She also befriends an elderly neighbor, later revealed to be a fictionalized version of a real historical figure: Gabriela Mistral, the Chilean poet of mestizo Incan and Basque heritage and the first Latin American winner of the Nobel Prize in literature. Mistral teaches Oriol to write poems as a way of coping with her emotions and later encourages her to write a petition to help free a baby elephant cruelly separated from her mother and twin sibling. The book is replete with lovely, nearly magical imagery: In one scene, the mother elephant uses her trunk to swoop Oriol off her feet for a hug. In another, elephants and humans march together for justice. Throughout, the power of words-both to help children find where they belong and to make the world a kinder place-profoundly resonates.Brilliant, joyful, and deeply moving. (author's note, poem by Gabriela Mistral, further reading) (Verse historical fiction. 8-12)
School Library Journal (Wed Jun 01 00:00:00 CDT 2022)Gr 37 Both engaging and heartrending, this is a beautifully told story of fifth grader Oriol who lives with her older sister, Cat, and her parents, who are veterinarians. The family emigrated from Cuba to California in order to help Grandma find better treatment for her diabetesalas, there was nothing to be done, and she passed away. Now lonelier than ever, Oriol, along with her pet wolfhound and miniature goat, seeks solace from a neighbor who happens to be a famous poet. Inspired, Oriol begins to write as well, learning a lot from the Nobel Prize in Literature winner. Much to her dismay, a Hollywood actor, who owns an elephant and her twin calves that Oriol's parents are caring for, decides he is going to separate one of the babies and raise it as if it were an orphan in hopes of forcing it to "talk." Oriol must use her newfound writing ability and courage to rally support for reunifying the family of elephants. Sure she can feel the pain of the mother elephant through the singing and humming sounds she makes, Oriol knows she must act fast. Written in poetic verse, this is a book that readers won't want to put down until the last page. VERDICT A strong purchase for all libraries. Compassion and love abound in a tale of animal activism and personal growth.Tracy Cronce
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)In 1947, 11-year-old Oriol and her family live in Santa Barbara, having migrated from Cuba to seek treatment for her grandmother’s diabetes. After the treatment fails and Abuelita dies, Oriol tries to process her grief while feeling isolated at school and being bullied for her accent and love of animals. Now on summer vacation, she finds solace by helping the many animals at her parents’ veterinary clinic and appreciating their “humorous animal opera.” Oriol struggles to express her feelings in both Spanish and English, until she befriends a neighbor—Engle’s imagined version of poet Gabriela Mistral, the first Latin American winner of the Nobel Prize in Literature—who teaches Oriol how to express herself through poetry. And when a baby elephant is separated from its family for a rich actor’s entertainment, Oriol uses her voice to petition for their reunification. Employing immersive free verse that conveys themes of compassion, friendship, justice, and vulnerability, Engle (
ALA Booklist (Thu Aug 04 00:00:00 CDT 2022)
Starred Review for Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)
Starred Review for Publishers Weekly
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)
School Library Journal (Wed Jun 01 00:00:00 CDT 2022)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
POETRY IS A DANCE
of words on the page.
These poems are a story
about the summer
I learned
how to twirl
and leap
on paper.
It was the summer when I met a famous poet
and a family of musical elephants.
Until then, all I could do was wish
like a caged songbird
wordless
wistful
wishful . . .
SANTA BARBARA, CALIFORNIA
~ 1947 ~
MUSICAL ELEPHANTS ARE LIKE
mountains with windy whispers,
the sea when it roars or chants a lullaby,
tree branches that clack like maracas,
and every animal that opens its mouth
to howl, bark, or chant
about the freedom
to walk, walk, walk,
rejoicing in the sheer joy
of touching
green earth
with rhythmic feet
and dancing
minds.
ONE DAY
I'm rhythmically walking, walking, walking,
with various creatures on comically tangled
leashes, when we reach the garden of a cozy-looking
house
right across from the high school, and there, kneeling
as if in prayer
is a stranger.
She's old, but her face looks strong.
I wonder if my own dark eyebrows
are as winged as hers
ready to rise
and fly
like feathers.
Pleased to meet you, I say in English.
She glances up.
This is my giant wolfhound Flora
and my miniature goat Fauna, but the piglets
and ducklings are just temporary patients
from our veterinary clinic
where my parents are the doctors
and I'm almost a sort of eleven-year-old nurse
because I feed, clean, pet, cuddle, walk, walk, walk,
and sometimes I even help with unusual animal
sat a wildlife zoo-ranch
where adventurous movies
are often filmed.
I'm going to be a healer one day . . .
My voice
trails away
when I see her frown
and glance down at her notebook
and realize--
I have disturbed her.
I DON'T BELONG HERE
The stranger studies me.
What is she thinking?
Is she wise?
Could we be friends?
I wonder
whether
I've said
too much,
made
too many
mistakes
in inglés.
I wonder . . .
Would this woman care
if I told her
about the girls at school
who make fun
of me for being
small
brownish
chubby
with curly black hair barely tamed
by a long braid?
Would she care that the girls at school
call me
zoo beast
when my clean clothes
smell a bit like animals?
Would she care that the boys call me
ugly
stupid
tongue-tied
because my accent gets stronger
when I'm nervous, like when
the teacher forces me to read
out loud?
I wonder.
IF ONLY THE WRITER
could speak my true language.
She does!
Te gusta la poesía, she says,
telling me that I like poetry
Her español is rhythmic like a song,
slower than mine, and fancier,
with words that sound like they
belong in a book, which is what
she says she's writing--
a volume of verses.
Voy a adivinar, she says--I'm going to guess.
Vienes para aprender a escribir la poesía.
You've come to learn how to write poetry.
Should I answer honestly?
I simply shrug, embarrassed to admit
that I came for many reasons,
to see who
she is
and what
she's doing,
and because I'm
lonely.
PERHAPS SHE CAN SEE
inside my heart.
Because she doesn't tell me to leave,
just says
I will teach you
like I haven't bothered her at all,
like it's no big deal I'm here.
I tell her my classmates say
I ask too many questions.
Ay, no, she insists--no importa,
she will teach me a bit about writing.
Poetry is like a planet, she says,
each word spins
orbits
twirls
and radiates
reflected
starlight.
If you want to write, you have to observe
movements, and absorb
stillness.
She smiles, and reaches to pat Flora's
huge head, which only encourages my sloppy dog
to lick her hand, while Fauna just does what goats
always do, nibbles on the edges of the notebook,
and the hem of la poeta's dress, and a button
on her blouse.
I pull all the animals away
before they can start eating her hair.
ME ENCANTAN TODAS LAS BESTIECITAS
I love all animals,
the poetry teacher says.
I smile, because animals
are my family's whole life,
now that my grandma
is gone.
I wonder if the poetry teacher
would like to see my parents' clinic
after my poetry lesson.
Do you write in English or in Spanish?
I ask.
I tell her I've been trying to
practice English for school,
but Spanish feels like home.
Una mezcla, la poeta suggests,
let us mix our languages together
like emotions that swirl and blend
in a pot of paint, azul y rojo
becoming purple, amarillo y azul
turning to green.
LANGUAGE IS A MYSTERY
After a whole year in California,
español is still the only way of speaking
that feels completely natural to me,
letters like ñ and rr
hidden inside my island-mind
where words are so much more alive
than in my incomplete
immigration-mouth.
The poet switches to inglés
just to help me--but animals
don't recognize my effort
to make senseof letters like a y
that sounds like my ll
and an h that is not silent
and a k that does not even exist
in Spanish--sotodas las bestiecitas
begin to bark, bleat, quack, and grunt
a humorous animal opera
so ridiculous and endearing that for the first time
since Abuelita's funeral, I actually chuckle
and laugh out loud--a genuine
carcajada, a guffaw!
How wondrous it feels
to remember that laughter
has no language, and can cross
any boundary line,
even the wavy ones
between species.
Excerpted from Singing with Elephants by Margarita Engle
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
A powerful novel in verse from Newbery and Pura Belpré Award-winning author Margarita Engle about the friendship between a young girl and the poet Gabriela Mistral that leads to healing and hope for both of them.
Cuban-born eleven-year-old Oriol lives in Santa Barbara, California, where she struggles to belong. But most of the time that’s okay, because she enjoys helping her parents care for the many injured animals at their veterinary clinic.
Then Gabriela Mistral, the first Latin American winner of a Nobel Prize in Literature moves to town, and aspiring writer Oriol finds herself opening up. And when she discovers that someone is threatening the life of a baby elephant at her parents’ clinic, Oriol is determined to take action. As she begins to create a world of words for herself, Oriol learns it will take courage and strength to do what she thinks is right—even if it means keeping secrets from those she loves.
A beautifully written, lyrically told story about the power of friendship—between generations, between humans and animals—and the potential of poetry to inspire action, justice, and acceptance.
* "Replete with lovely, nearly magical imagery...Brilliant, joyful, and deeply moving." –Kirkus, starred review
* "Employing immersive free verse that conveys themes of compassion, friendship, justice, and vulnerability, Engle captures how inexplicable Oriol’s grief feels, encasing it in a powerful, charitable, and brave young voice." –Publishers Weekly, starred review
* "A novel written in verse that sings in your heart." –Pura Belpré Award-winning author Marjorie Agosín