De la Pe±a again creates an authentic story about teens existing on the lower fringes of society and the issues they confront. Miguel Castaneda narrates his story in journal format, beginning with his first hours in a juvenile home called Lighthouse. Readers are not given insight into Miguel's crime until much later in the story, but early on, they learn that it involves his older brother Diego. Details of the incarcerated teensÆ tension and anger is described with gritty realism. Miguel's bunkmate is huge and mighty Rondell, a developmentally slow but physically powerful sixteen-year-old African American teen who looks like a grown man. A fight with Mong, a Chinese teen who seems to care about nothing, happens on the morning of Miguel's first full day. But Mong respects Miguel's no-fear attitude. The three boys hatch a plan to bust out and head to Mexico. Miguel, Rondell, and Mong converse in clipped sentences punctuated by slang, insults, and profanity. De la Pe±a's ability to write in the voice of at-risk teens is clearly the novel's strength. Away from Lighthouse, the three guys run into various people, some good, others bad, bringing to mind another literary journey, Huck Finn's Mississippi voyage. Yet each teen carries a deeply emotional burden. One character's solution to his pain results in a drastic decision threatening their shaky friendship. Reluctant readers may be turned off by the work's length, but this gripping story about underprivileged teens is a rewarding read.ùRollie Welch.

When Miguel, a high school student from Stockton, Calif.—“where every other person you meet has missing teeth or is leaning against a liquor store wall begging for change to buy beer”—commits an undisclosed crime, he is sentenced to a year in juvenile hall. Despite the efforts of his counselor (who constantly calls him “bro”), a despondent Miguel suffers alone at the group home, reading and scribbling in his journal; his entries provide the novel's narrative. When Mong, a violent fellow resident, plans an escape to Mexico, Miguel and his roommate, Rondell, join him on a tumultuous journey through Southern California and slowly become friends, as Miguel struggles to come to terms with the events that have brought him to this point (“Nah, man, there ain't no such thing as peace no more. That shit's dead and buried”). Miguel's raw yet reflective journal entries give Peña's (<EMPHASIS TYPE=""ITALIC"">Mexican WhiteBoy) coming-of-age story an immersive authenticity and forceful voice. The suspense surrounding the boys' survival and the mystery of Miguel's crime result in a furiously paced and gripping novel. Ages 14–up. <EMPHASIS TYPE=""ITALIC"">(Oct.)

The emotional diary of a teenager, Miguel Castaneda, sentenced to one year in a group home and to keep a journal. Miguel always dreamed of writing a book, so, haunted by the tragic events that changed his family forever at his apartment in a poor neighborhood in Stockton, Calif., he immerses himself in the production of this diary. Using slang language, the soft-spoken Miguel becomes "Mexico" as he speaks out about the depressing atmosphere of his new "home," the Lighthouse, and the relationships he develops with two juvenile delinquents, Rondell and Mong, who share the house with him. Miguel's diary recollects their adventurous journey running away along the California coast heading south to Mexico, the beauty and the grief of their homeless days and nights, his encounter with "Flaca," a Mexican girl he falls for but who betrays him, and the moment that he stands at the border of Mexico and tries to answer his unresolved questions about his own cultural identity as a mixed-race teen. A story of friendship that will appeal to teens and will engage the most reluctant readers. (Fiction. YA)

Gr 9 Up-Miguel struggles to forgive himself for a tragic event that changed his life and his family forever. He willingly accepts his one-year sentence to a juvenile detention center and the requirement that he keep a journal. De La Peña uses the conceit of the journal to tell the story in Miguel's words. At the center, Miguel befriends Rondell, a mentally challenged teen prone to violent outbursts, and Mong, a troubled boy with myriad physical and emotional problems. Mong organizes an escape, and with little apparent thought, Miguel and Rondell agree to join him. The boys' convoluted travels take them up and down the California coast and are recorded in Miguel's journal, along with his personal journey of self-discovery. It is frustrating that the salient event, the one that led to Miguel's incarceration, is kept from readers, and most other characters, until the end of the book. Once the truth of what happened is exposed, it is difficult to comprehend the callousness shown to Miguel by other family members; in fact, readers may question why he was imprisoned at all. The premise of juvenile delinquents on the run, camping out, and trying to survive and to find themselves will appeal to teens, but the story is just too drawn out to hold the interest of most of them. Patricia N. McClune, Conestoga Valley High School, Lancaster, PA

After being sentenced to a year in a California group home, Miguel Casteñeda, 16, breaks out with two other teens, Mong and Rondell. Together, they try to cross the border to Mexico, and Miguel writes in his journal about their journey. His colloquial narrative, laced with insults (but not obscenities), is fast, funny, smart, and heartbreaking as he describes how the three homeless runaways steal, hide, work, fight, bond, and care for each other. Unlike his mates, Miguel is an avid reader, and with the account of their daily struggle, he weaves in references to classics. There may be too much detail for some, but the contemporary survival adventure will keep readers hooked, as will the tension that builds from the story's secrets. What did Miguel do that landed him in the group home? Why won't his mother talk to him? The riveting climax shows, without a heavy message, that the hero's journey is a search for himself.

Miguel is sentenced to a group home for his crime (under wraps until story's end). Weary of the setting, he and two housemates break out. As the colorful trio journeys through California, wary distrust gives way to true friendship. Miguel's narrative voice coupled with de la Pena's natural storytelling gifts more than compensate for the occasional glitches in plotting and characterization.