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Fashion design. Fiction.
Gangs. Fiction.
Mothers and daughters. Fiction.
Urban violence. Fiction.
Guatemala (Guatemala). Fiction.
Mexican-American Border Region. Fiction.
This tense, plot-driven story of a mother and daughter threatened by gang violence is De Leon's second novel, following Don't Ask Me Where I'm From (2020). At 16, Maya is a promising, focused student at Salomé Fashion Institute in Guatemala City, where her trashion designs win her a place at the annual fashion show. First prize could make the dream of having her own label a reality. Two weeks before the show, Maya's best friend, Lisbeth, introduces her new boyfriend. Maya knows something is off about him, but she still falls hard for his friend Sebastian, who seems thoughtful and supportive. Soon after, Maya's mother declares that they must move away, far from the mareros infiltrating their neighborhood. But it's too late: Maya witnesses a crime that sends them fleeing for the U.S. Despite some clumsy writing, this is recommended for its authentic teen voice, close mother-daughter relationship, and especially for its affecting depictions of daily life in Guatemala and the dehumanizing experience of entering the U.S. as an asylum seeker.
Kirkus ReviewsDanger closes in on a young fashionista.Maya Silva goes to Salomé Fashion Institute, Guatemala's most prestigious fashion school. Though she lives in a small house with her mom in a neighborhood where it's been increasingly dangerous lately, at school Maya can focus only on fashion, which gives her a sense of purpose. And she's promising, too-talented enough to have a scholarship at age 16 and to rank in the top 10. However, when Lisbeth, her best friend, starts dating Oscar, a guy Maya has a bad feeling about, things become worrying and confusing. Then Maya gets romantically involved with Oscar's cousin Sebastian. As gang violence closes in, Mama decides they should move back to her hometown, San Marcos, but Maya isn't ready to give up her life in Guatemala City. They agree to stay put until the fashion show is over as long as Maya focuses exclusively on her preparations. But that is hard; Maya fears she's losing her dreams for the future. Then she discovers something dark about Oscar that means leaving behind everything she's known as she and her mother try to flee to the U.S. The book illustrates the violent consequences of structural poverty, as readers are introduced to characters trying to do the best they can with what they've been handed. Their desperation is communicated vividly as well as their determination to keep their loved ones safe.An engrossing exploration of youths and gang violence. (Fiction. 14-18)
ALA Booklist (Wed Dec 06 00:00:00 CST 2023)
Kirkus Reviews
Two Weeks Earlier
Maya felt about tomorrow the way she did at the top of a roller-coaster ride, right before it dropped--she both wanted to fall, feel the wind on her face, and to hold on, hold on, before everything changed.
"So, mañana is the big day?" her mother asked. It was late. She leaned against the bathroom doorframe and tightened her fuzzy pink robe at the waist. Her hair was wrapped in a white towel. The smell of shampoo lingered in the air.
"Yep," Maya said. She fluffed her pillow, trying to get comfortable on the mattress she shared with her mother and with Luna, who was inching her way underneath the covers, tail wagging. Every evening Maya and her mother lay the mattress down on the living room floor, and every morning they lifted it back up and tucked it between the sofa and the wall. In this way, the living room became their bedroom and vice versa.
"Don't be worried. I have a good feeling, mija," her mother said, toothbrush in hand.
Tomorrow the director of Maya's high school--the best fashion school in Guatemala--was going to announce the top ten designers of the year. These ten would then get to showcase three looks each in the annual fashion show. Two weeks from now! This was the first year Maya was even eligible; you had to be at least in your second year at the institute and be sixteen. She--finally!--was both.
"Are you worried about Lisbeth?" her mother asked before spitting out toothpaste in the sink.
"A little..." Maya snuggled against Luna.
Now her mother returned with a jar of Pond's lotion. "What's meant to be is meant to be." Maya watched as she rubbed cream onto her cheeks. Okay--strange. That lotion was a morning smell, one that belonged next to coffee and oatmeal and folded newspaper pages on the kitchen table. Not to evening.
"Hey, what's going on? You never shower at night."
"Ay, mija. You have talent. And you work harder than most girls at that school."
"And you're changing the subject. Why are--"
"I have an early appointment. No time to shower in the morning." Mama waved her hand dismissively. "Anyway, you have real talent."
Maya managed a small smile. It was true that she could tear a yard of fabric with nothing but a steady hand and a ruler, and she knew a dozen different hand stitches by heart. Though she preferred La Betty, her sewing machine. Tucked in the corner underneath the swaying light bulb, its loyal presence--along with Luna, who liked to sit on Maya's feet while she sewed--kept her company whenever her mother had to work late.
Dresses were Maya's favorite. Tops a close second. Fixing hems, shortening skirts, creating pockets, closing pockets--she could practically sew those in her sleep by the age of ten. She couldn't afford the fancy fabrics sold in the Mercado Central in the capital, so she improvised with the scraps her mother brought home from the factory, stitching them together. Soon she began including other materials. She began using, well... trash. Not trash from the dump. Trash in the sense of: plastic cups, scratched CDs, tablecloths. Even crayons and playing cards. Anything and everything. So Maya's mother enrolled her in a sewing class, and she was sold. And it was this method of hers--the pinching of this and that here, that and this there, from cotton to denim to linen, and patterns from polka dots to stripes--that became her signature style. She learned about it on Instagram--it was a whole thing. Since then, trashion has been her passion! Now she prayed it was enough to win her a spot in the fashion show.
As her mother worked the Pond's into the creases at her neck, the steam from the bathroom glowed behind her. "I'll finish up in a sec. You go to sleep."
"Okay--good night."
"Good night, mija."
Maya set the alarm on her cell phone for six thirty a.m., placed it facedown beside her, and curled into the sheets. "Besides..." She spoke into the darkness. "You're right, Mama."
"Right about what?"
"If I don't get it this year, there's always next year."
Silence. Except for Luna snoring.
"Mama? Did you hear me? This is when you say, 'Yes, mija, definitely.'?" Maya swore she could hear her mother swallow.
"Sí, mija," she said at last.
Well, that wasn't exactly encouraging, Maya thought, fighting sleep. And just as she closed her eyes, she spotted a quick-moving shadow. Her mother, making the sign of the cross. Her mother. Carmen. Her only family in the world. The two of them finished each other's sentences, ate halves of the same sandwich, shared clothes, sunglasses, sneakers, sometimes makeup on special occasions. They even shared the same dream: to open their own shop one day, not just a tailor shop, but an actual label. They'd need to come up with a good name....
The next thing Maya knew, it was morning. On the kitchen counter was a plateful of scrambled eggs and a slice of buttered white toast, a wicker basket full of pan dulce beside it. Her mother had already left for her appointment. Appointment for what? Maya wondered.
Excerpted from Borderless by Jennifer De Leon
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
Caught in the crosshairs of gang violence, a teen girl and her mother set off on a perilous journey from Guatemala City to the US border in this “engrossing” (Kirkus Reviews) young adult novel from the author of Don’t Ask Me Where I’m From.
For seventeen-year-old Maya, trashion is her passion, and her talent for making clothing out of unusual objects landed her a scholarship to Guatemala City’s most prestigious design school and a finalist spot in the school’s fashion show. Mamá is her biggest supporter, taking on extra jobs to pay for what the scholarship doesn’t cover, and she might be even more excited than Maya about what the fashion show could do for her future career.
So when Mamá doesn’t come to the show, Maya doesn’t know what to think. But the truth is worse than she could have imagined. The gang threats in their neighborhood have walked in their front door—with a boy Maya considered a friend, or maybe even more, among them. After barely making their escape, Maya and her mom have no choice but to continue their desperate flight all the way through Guatemala and Mexico in hopes of crossing the US border.
They have to cross. They must cross! Can they?