The Renaissance of Gwen Hathaway
The Renaissance of Gwen Hathaway
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Perma-Bound from Publisher's Hardcover ©2023--
Publisher's Hardcover ©2023--
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St. Martin's Press
Annotation: Dumplin ' meets Well Met in this novel about finding your place in the world, learning love is a risk worth taking, and discovering what happens when you take your fate into your own hands.
Genre: [Love stories]
 
Reviews: 3
Catalog Number: #382628
Format: Perma-Bound from Publisher's Hardcover
Copyright Date: 2023
Edition Date: 2023 Release Date: 03/14/23
Pages: 310 pages
ISBN: Publisher: 1-250-84024-4 Perma-Bound: 0-8000-5789-9
ISBN 13: Publisher: 978-1-250-84024-0 Perma-Bound: 978-0-8000-5789-3
Dewey: Fic
Dimensions: 21 cm.
Language: English
Reviews:
ALA Booklist

A Renaissance fair in Texas provides a distinctive setting for the story of Maddie, who has grown up traveling the Ren fair circuit with her parents and helping sell handmade journals and jewelry in their stall. Almost a year after her mother's death, 17-year-old Madeline has become averse to change and is afraid of getting really close to anyone again for fear of losing them, too. Arthur, a strolling bard and the son of the fair's owners, attempts to befriend Maddie, calling her Gwen (for Guinevere). But Maddie, who sees herself as fat, can't believe that he's really attracted to her. Her engaging first-person narrative chronicles the ups and downs of her experiences as the fair's reluctant princess, her slowly shifting view of herself, and the development of her relationship with Arthur. The colorful backdrop often puts the characters in costumes, adding an interesting historical dimension to the unfolding drama of seemingly one-sided attraction. A lively, gentle romance novel featuring two well-drawn main characters whose frequent verbal sparring reveals their wit and their vulnerabilities.

Kirkus Reviews

This year, Madeline's Renaissance faire summer is one of new friendships, budding romance, and self-discovery.Growing up with parents who work the Ren faire circuit, traveling around the country in an RV and going to online school, Madeline lived in a warm bubble until her mother's death last year. When she and her dad arrive in Oklahoma, she meets teen bard Arthur, who happens to be the son of the faire's new owners-and is determined that she play the role of princess. Still grieving and guarding herself against potential pain, Madeline tries to hold Arthur at a distance despite their day trip adventures, vulnerable conversations, and magnetic chemistry. This is a welcome modern coming-of-age story about unfolding, letting go, and growing up. Madeline is initially self-conscious and hyperaware of her larger size, but Schumacher eschews storylines in which fat characters end up slim and transformed. Madeline learns that she deserves to take up space and appreciate her body as it is without shedding (or wanting to shed) a single pound. All the relationships are complex and nuanced, including those between Madeline and her father, her newfound friends, and her closest friend, Fatima. Madeline and Arthur read White; Arthur's dads are in an interracial relationship, and there is diversity in the supporting cast. Readers will welcome this story about a leading lady who doesn't have to be skinny to love herself or to be loved.A skillfully written and appealing romance with a powerful and refreshing message. (Romance. 12-17)

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ALA Booklist
Kirkus Reviews
Publishers Weekly
Reading Level: 6.0
Interest Level: 7-12

Since her mother's death, Madeline "Gwen" Hathaway has been determined that nothing in her life will change ever again. That's why she keeps extensive lists in journals, has had only one friend since childhood, and looks forward to the monotony of working the ren faire circuit with her father. Until she arrives at her mother's favorite end-of-tour stop to find the faire is under new management and completely changed. Meeting Arthur, the son of the new owners and an actual lute-playing bard, messes up Maddie's plans even more. For some reason, he wants to be her friend - and ropes her into becoming Princess of the Faire. Now Maddie is overseeing a faire dramatically changed from what her mother loved and going on road trips vastly different from the routine she used to rely on. Worst of all, she's kind of having fun. Ashley Schumacher's The Renaissance of Gwen Hathaway is filled with a wise old magician who sells potion bottles, gallant knights who are afraid of horses and ride camels instead, kings with a fondness for theatrics, a lazy river castle moat with inflatable crocodile floaties, and a plus-sized heroine with a wide open heart... if only she just admits it.


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