We Are All so Good at Smiling
We Are All so Good at Smiling
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Square Fish
Annotation: They Both Die at the End meets The Bell Jar in this haunting, beautiful young adult novel-in-verse from Amber McBride about clinical depression and healing from trauma.
 
Reviews: 4
Catalog Number: #382635
Format: Perma-Bound Edition
Publisher: Square Fish
Copyright Date: 2024
Edition Date: 2024 Release Date: 01/30/24
Pages: 283 pages
ISBN: Publisher: 1-250-90938-4 Perma-Bound: 0-8000-5797-X
ISBN 13: Publisher: 978-1-250-90938-1 Perma-Bound: 978-0-8000-5797-8
Dewey: Fic
Dimensions: 21 cm
Language: English
Reviews:
Starred Review ALA Booklist (Thu Nov 30 00:00:00 CST 2023)

Starred Review Whimsy has once again succumbed to the weight of her clinical depression, the grief of some half-obscured memory sending her into a spiral of sorrow that lingers in a way it doesn't for her mother and father. Separated from her parents, the soil that sustains her, and the beckoning forest edge that claims her tears, Whimsy finds herself in a rehabilitation program where she meets a fae-boy, whose body boasts an eerily familiar garden, wings that catch the light, and a closeness to her she can't quite explain. When Faerry disappears into the very forest that has for years been the center of Whimsy's sadness, she knows that the only way to save Faerry, and for them to both get out, is a journey through. In her stunning tale of grief, sorrow, and the difficult journey toward healing and reconciliation, McBride expertly weaves elements of fairy tale, fantasy, and Hoodoo into stunning free-verse poetry that explores the intricacies of mourning as a sustained yet ever evolving space for sadness that so often we may feel compelled to suppress. The emphasis on fairy tales and flora is an added treat, offering a new perspective on familiar narrative elements. Readers will revel in the depth of Whimsy and Faerry's relationship, all the while finding solace and relief in the calculated messiness of their search for wholeness. This is a spitfire sophomore offering from McBride, one that refuses to be rushed, mishandled, or misinterpreted.

Starred Review for Kirkus Reviews (Thu Nov 30 00:00:00 CST 2023)

Being hospitalized again for suicidal ideation is a bleak situation for anyone, especially Whimsy, a girl with the soul of a poet.Waiting to go home to parents struggling to connect with her (her older brother has been missing for a decade) and a school where she is one of few Black students, a bright spot appears in Whimsy's life. Green-haired Faerry-former fellow patient, new neighbor, and an actual Fae-befriends her. After he is lost in the Forest near her home, Whimsy sets off to find him and enters a garden populated by folklore and fairy-tale figures. A witch, a siren, a princess, and ghosts challenge and help her as she and Faerry struggle to escape Sorrow, the sinister entity keeping them from finding their way home. The choice of verse to tell this absorbing story is a strong one; readers are drawn along by the intense and vivid imagery, and the depictions of clinical depression, guilt, and grief are visceral. McBride explores the impact of the intersection between Blackness and mental illness on Faerry and Whimsy and the difficulties of two unusual young people finding refuge through friendship from the pressures the world exerts on them. Whimsy's practice of Hoodoo and the empowerment she receives from the magic inside and around her help her contend with her depression and unravel her grief without negating a brutal, yet ultimately hopeful, reality.Important messages uniquely delivered. (foreword, author's note, resources, glossary, playlist) (Verse novel. 12-18)

Horn Book (Thu Nov 30 00:00:00 CST 2023)

This ambitious novel in verse uses magical realism and fairy-tale elements to explore clinical depression and highlight the various stages of grief. Whimsy is back at the hospital again, where she has been forced to go numerous times since she was diagnosed with clinical depression. She recognizes the sadness and grief she feels, and she knows numerous coping mechanisms to manage her feelings, but she still struggles daily with her (gradually revealed) trauma. Although she is used to the hospital routine, this visit is different because she meets Faerry, a boy who knows sorrow that mirrors her own. Their bond is strengthened after their release from the facility, and together they decide to help each other cope with the pain that affects them both. When Faerry enters the Haunting Forest, a sinister plot of land that feeds on pain, Whimsy follows. If they cannot make it through, sorrow might swallow them whole, leaving nothing but death in its wake. McBride's (Me (Moth), rev. 1/22) lush free-verse poetry creates a vibrant world teetering between the real and the magical, but the images and atmosphere act as background to serious issues of trauma and suicidality. Although the subject matter is heavy, the book serves as a reminder that, as sorrow and loss come for everyone, no one is alone. Back matter addresses mental health and expands on the story's elements from fairy tales and folklore. S. R. Toliver

Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)

Being hospitalized again for suicidal ideation is a bleak situation for anyone, especially Whimsy, a girl with the soul of a poet.Waiting to go home to parents struggling to connect with her (her older brother has been missing for a decade) and a school where she is one of few Black students, a bright spot appears in Whimsy's life. Green-haired Faerry-former fellow patient, new neighbor, and an actual Fae-befriends her. After he is lost in the Forest near her home, Whimsy sets off to find him and enters a garden populated by folklore and fairy-tale figures. A witch, a siren, a princess, and ghosts challenge and help her as she and Faerry struggle to escape Sorrow, the sinister entity keeping them from finding their way home. The choice of verse to tell this absorbing story is a strong one; readers are drawn along by the intense and vivid imagery, and the depictions of clinical depression, guilt, and grief are visceral. McBride explores the impact of the intersection between Blackness and mental illness on Faerry and Whimsy and the difficulties of two unusual young people finding refuge through friendship from the pressures the world exerts on them. Whimsy's practice of Hoodoo and the empowerment she receives from the magic inside and around her help her contend with her depression and unravel her grief without negating a brutal, yet ultimately hopeful, reality.Important messages uniquely delivered. (foreword, author's note, resources, glossary, playlist) (Verse novel. 12-18)

Reviewing Agencies: - Find Other Reviewed Titles
Starred Review ALA Booklist (Thu Nov 30 00:00:00 CST 2023)
Starred Review for Kirkus Reviews (Thu Nov 30 00:00:00 CST 2023)
Horn Book (Thu Nov 30 00:00:00 CST 2023)
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)
Word Count: 23,482
Reading Level: 4.7
Interest Level: 7-12
Accelerated Reader: reading level: 4.7 / points: 3.0 / quiz: 521129 / grade: Upper Grades

They Both Die at the End meets The Bell Jar in this haunting, beautiful young adult novel-in-verse about clinical depression and healing from trauma, from National Book Award Finalist Amber McBride. Whimsy is back in the hospital for treatment of clinical depression. When she meets a boy named Faerry, she recognizes they both have magic in the marrow of their bones. And when Faerry and his family move to the same street, the two start to realize that their lifelines may have twined and untwined many times before. They are both terrified of the forest at the end of Marsh Creek Lane. The Forest whispers to Whimsy. The Forest might hold the answers to the part of Faerry he feels is missing. They discover the Forest holds monsters, fairy tales, and pain that they have both been running from for 11 years.


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