Starred Review Award-winning author-illustrator Harrison paints a striking portrait of a Black girl standing tall and standing up to the biased judgments of a world that tries to cut her down in size. As an infant, adults praise the main character, remarking, "What a big girl you are!" As she grows, these same words are used to make her feel small. When she gets stuck in a swing, a teacher admonishes, "Don't you think you're too big for that?!" The child's pain and sadness are palpable in the nuanced chalk pastel and digital illustrations. When she stands self-consciously in front of a mirror, the stinging words of playground jeers are printed on her body. At ballet class, her radiant pink leotard and tutu are muted in a shade of "husky gray," and she becomes background scenery. With mounting anxiety, the young girl grows bigger and more constrained on each page as she internalizes unsolicited advice and negative comments ("Aren't you too big to be crying?" "Why can't you just fit in?"). Through self-love and self-acceptance, she is able to push out and hold space for herself. In an intimate author's note, Harrison shares personal reflections and her own childhood experiences of sitting "in the crosshairs of adultification bias and anti-fat bias." This emotionally and socially resonant picture book stands out with its exceptional strength, beauty, and grace.

A young Black girl who is told she is too big learns which labels to keep.When she was a baby, being a "big girl" was good. But at a certain point, getting bigger becomes tinged with negativity. Adults are frustrated with the girl because of her size. Other children tease her. On the playground and in ballet, where she used to feel joyous and free, the girl is humiliated. On wordless spreads, all alone, the girl fills the tightly constricted pages, as if trapped by their borders. She lets her feelings out in tears that form a puddle of words-the criticisms of others as well as more positive ones: imaginative, creative, compassionate. Finally, she is able to see clearly, and she decides "to make more space for herself" by pushing the boundaries of the page in a powerful fold-out spread. After that, she knows how to separate the words that do and don't belong to her and what to do with them. Textured illustrations in a soft, predominantly pink palette endear the protagonist to readers, while spare, carefully crafted text delivers an important message of self-acceptance and combating anti-fat bias that never feels preachy or overdone. Bestselling creator Harrison has produced another classic that belongs on every child's shelf-this is one that will nurture little ones and help them to see the beauty in themselves.A healing balm with the power to make the world a bit kinder. (author's note) (Picture book. 4-9)

PreS-Gr 2 —A nameless Black girl, mostly depicted in a pink tutu with her hair in Afro puffs, is bright, clever, talented, and helpful. When she was little, being told she was "a big girl" was a compliment. Actually, being a big girl "was good&30;until it wasn't." Humiliations on the playground and at dance class lead to offhand insults from teachers and mockery from peers. Their words hit hard and won't let go. As her body image worsens, she grows larger on the page, clearly uncomfortable with the space she takes up. Her previously pink ballerina costume is painted "husky gray" by her dance teacher. She grows so big she takes up the entire page spread, and that is when she breaks. As her tears flood around her, all the words that have been said about her float to the top. She gathers close the pink words—creative, graceful, BIG—and leaves the gray words—MOOSE, COW, too big. She gives those gray words back, telling their speakers how they hurt her. As she shrinks back to her true size, a girl offers to help her change, and she responds, "I like the way I am." Adorned in optimistic pink again, she dances off, her positive words trailing behind her. This book resonates with a potential emotional impact that is immense. The girl is the only character in full color; her peers and teachers are shaded characters against a pale pink background, a stylization that reinforces her isolation. Never offered comfort by anyone else, she takes charge of her emotional well-being. VERDICT This inspiring and highly relatable title could be used with readers of any age to discuss topics of body image and self-love. Recommended.—Elizabeth Lovsin

As Harrison writes in her author's note, "In childhood, big is good. Big is impressive, aspirational. But somewhere along the way, the world begins to tell us something different: That big is bad. That being big is undesirable." Words matter, as a beautiful little Black girl learns. The girl, a dancer who wears a leotard and tutu throughout the book, "grew and learned and laughed...and grew and grew and grew. And it was good...until it wasn't." When she accidentally gets stuck in the baby swing on the school playground, her classmates and even her teacher hurl hurtful words and laughter, which begin to affect the youngster's self-esteem and self-perception. The text is spare but pointed; Harrison's emotionally powerful, pink-hued illustrations focus on her protagonist's inner experience. The girl looks like a giant in school and at dance class, "exposed, judged, yet invisible." The openness of the illustrations gives way to more cramped and overwhelming compositions as the girl, now in blue-gray, feels increasingly hemmed in by others' judgments -- a visible statement about the impact of fatphobia and the adultification of Black children. This girl's story ends triumphantly; she takes her teacher's and classmates' hateful words and hands them back, saying, "These are yours. They hurt me." This book offers readers an opportunity to remember that we all deserve love and respect -- no matter what size we are. Monique Harris

A young Black girl who is told she is too big learns which labels to keep.When she was a baby, being a "big girl" was good. But at a certain point, getting bigger becomes tinged with negativity. Adults are frustrated with the girl because of her size. Other children tease her. On the playground and in ballet, where she used to feel joyous and free, the girl is humiliated. On wordless spreads, all alone, the girl fills the tightly constricted pages, as if trapped by their borders. She lets her feelings out in tears that form a puddle of words-the criticisms of others as well as more positive ones: imaginative, creative, compassionate. Finally, she is able to see clearly, and she decides "to make more space for herself" by pushing the boundaries of the page in a powerful fold-out spread. After that, she knows how to separate the words that do and don't belong to her and what to do with them. Textured illustrations in a soft, predominantly pink palette endear the protagonist to readers, while spare, carefully crafted text delivers an important message of self-acceptance and combating anti-fat bias that never feels preachy or overdone. Bestselling creator Harrison has produced another classic that belongs on every child's shelf-this is one that will nurture little ones and help them to see the beauty in themselves.A healing balm with the power to make the world a bit kinder. (author's note) (Picture book. 4-9)

This ode to big self-love from Harrison (Sulwe) begins with a smiling, brown-skinned baby girl who has “a big laugh and a big heart/ and very big dreams.” Through a series of emotionally centered, affectionate digital images set against dreamy chalk pastel backdrops, this smiling, bouncing baby becomes a child who “learned and laughed and dreamed and grew and grew and grew. And it was good... until it wasn’t.” The dancing, playful child becomes the subject of cruel playground taunts when she gets stuck in a swing, and receives criticism from a teacher that “made her feel small.” Overwhelmed by others’ derision, the girl runs away from a dance rehearsal in which she’s made to wear plain colors and embody a mountain instead of a flower. A moving several-spread sequence, which includes a gatefold, portrays the overwhelmed child as increasingly cramped within the pages—and others’ judgments—before she gives the words back (“These are yours./ They hurt me”) and makes room for everything she loves (“I like the way I am”). Full of important truths about adultification and anti-fat bias, Harrison’s deceptively simple telling tenderly offers the self-affirming beliefs that kids are kids in any body and that it’s okay to take up space. An author’s note concludes. Ages 4–8. Agent: Carrie Hannigan, HG Literary. (May)