A wild dog who serves as the Eyes for Bison living in a park enclosure devises a plan to free them.Exuberant, observant dog Johannes runs daily throughout the park, which is visited by humans, reporting to Freya, Meredith, and Samuel, three old Bison who are the Keepers of the Equilibrium. Johannes and other Assistant Eyes-a sea gull, a squirrel, a pelican, and a raccoon-describe an art museum being built in the park, a "building full of chaos-rectangles." Johannes finds it captivating, leading to his capture by humans-and subsequent rescue by the other Eyes in a demonstration of interspecies cooperation. This gives him the idea to free the Bison. The appearance of goats, who have been brought in to eat weeds, provides a friend, a revelation, and a new plan and purpose: "to pull off the impossible." Johannes' first-person narration is an interesting mix of poetic language, sophisticated vocabulary, philosophy, humor, hyperbole, and both short declarative and run-on sentences; his estimations of time, size, and quantity are particularly exaggerated. Johannes' loyalty, friendship, and commitment to a noble purpose, even as his sense of self shifts, the stakes are raised, and last-minute changes to the plan occur, make him an admirable character. The artwork consists of double-page spreads reproducing magnificent fine art landscapes into which Harris has seamlessly inserted Johannes, cleverly adapting to each painter's style and color palette.One remarkable creature vividly shows readers that "there is so, so much to see." (author's note, sources) (Fiction. 9-14)

Gr 3–7 —Johannes, a free dog in an urban park by the sea, runs so fast that humans are blind to him. He is the "Eyes" of the park, and each day he is tasked to report the happenings he sees to the Bison. Meredith, Samuel, and Freya are the elderly bison who must protect the Equilibrium of the Park and watch out for problematic people, known as Trouble Travelers. Johannes's narration is imbued with humor, complete with exaggerated and sophisticated vocabulary. The dog knows the park is huge, but assumes it's 10,000 miles long, and thinks elderly Freya must be 6,000 years old. Many other animals coexist in the park, from the ducks who know nothing to the assistant Eyes of the park: squirrel, raccoon, a seagull, and pelican. When a new art museum is built, the mesmerizing rectangles (art pieces) cause Johannes to slow down and get nabbed by the Trouble Travelers. After his daring escape, Johannes decides the Bison should also leave their enclosures and goes about devising a plan, involving his animal friends and visiting goats. Caldecott honoree Harris has taken classical landscapes from hundreds of years past and added Johannes seamlessly to the paintings. Eggers shows animal friendships based upon coexisting and highlighting ones strengths, while helping the greater good. VERDICT Almost proselike, the voices and personalities of Johannes and his comrades are endearing; their unique story will enchant readers and encourage them to focus on what is most important in life.—Michele Shaw

A wild dog who serves as the Eyes for Bison living in a park enclosure devises a plan to free them.Exuberant, observant dog Johannes runs daily throughout the park, which is visited by humans, reporting to Freya, Meredith, and Samuel, three old Bison who are the Keepers of the Equilibrium. Johannes and other Assistant Eyes-a sea gull, a squirrel, a pelican, and a raccoon-describe an art museum being built in the park, a "building full of chaos-rectangles." Johannes finds it captivating, leading to his capture by humans-and subsequent rescue by the other Eyes in a demonstration of interspecies cooperation. This gives him the idea to free the Bison. The appearance of goats, who have been brought in to eat weeds, provides a friend, a revelation, and a new plan and purpose: "to pull off the impossible." Johannes' first-person narration is an interesting mix of poetic language, sophisticated vocabulary, philosophy, humor, hyperbole, and both short declarative and run-on sentences; his estimations of time, size, and quantity are particularly exaggerated. Johannes' loyalty, friendship, and commitment to a noble purpose, even as his sense of self shifts, the stakes are raised, and last-minute changes to the plan occur, make him an admirable character. The artwork consists of double-page spreads reproducing magnificent fine art landscapes into which Harris has seamlessly inserted Johannes, cleverly adapting to each painter's style and color palette.One remarkable creature vividly shows readers that "there is so, so much to see." (author's note, sources) (Fiction. 9-14)

In this exuberant illustrated novel by previous collaborators Eggers and Harris (What Can a Citizen Do?), high-spirited narrator Johannes is an “unkept and free” dog entrusted by the Keepers of the Equilibrium—three penned Bison who oversee the park where they all live—to be the park’s Eyes. Aided by a team of “comrades, allies” known as the Assistant Eyes (seagull Bertrand, squirrel Sonja, pelican Yolanda, and raccoon Angus), Johannes reports each day’s occurrences to the Bison, including anything that might upset the Equilibrium. When construction activity is detected, Johannes encounters “rectangles full of gorgeous commotion”—an art display that transfixes him, leading to his being leashed. After a dramatic cooperative rescue devised by the Assistant Eyes, Johannes realizes the “glory of liberation” and determines to free the Bison from their enclosure. Studded with strong opinions about the park’s residents (“The ducks know nothing”), a quick-moving first-person voice melds the dog’s background, beliefs, and observations. Eggers crafts a marvelous, fully fleshed protagonist in Johannes, who is at once an ebullient braggart, a faithful and intrepid operative, and a drolly humorous reporter whose compassionate narration delivers a rousing tale of community, joyful self-reliance, and the pleasures of running very, very fast. Aligning with themes of art and perspective, Harris contributes illustrations of Johannes as added to full-page reproductions of classical landscapes. Ages 8–12. (May)