The Swans of Harlem: Five Black Ballerinas, Fifty Years of Sisterhood, and Their Reclamation of a Groundbreaking History

Valby, Karen

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Alfred A. Knopf, Inc.

Annotation: Steeped in the glamour and grit of professional ballet, this captivating account of five extraordinarily accomplished Black ballerinas, the Swans of Harlem, celebrates both their historic careers and their 50-year sisterhood, offering a window into the history of Black ballet, hidden for too long.

Genre: [Biographies]

Reviews: 1

Catalog Number: #392443

Format: Publisher's Hardcover

Publisher: Alfred A. Knopf, Inc.

Edition Date: 2024 Release Date: 04/30/24

Pages: 292 pages, 8 unnumbered pages of plates

ISBN: 0-593-31752-1

ISBN 13: 978-0-593-31752-5

Dewey: 920

LCCN: 2023028575

Dimensions: 25 cm

Subject Heading:
Abarca, Lydia.
McKinney, Gayle.
Rohan, Sheila.
Sells, Marcia Lynn.
Shelton, Karlya.
Dance Theatre of Harlem. History.
African American ballerinas. Biography.
Ballet. United States. History.

Language: English

Reviews:

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Vanity Fair contributor Valby (Welcome to Utopia) paints a vibrant portrait of the “first permanent Black professional ballet company” in the U.S and the five trailblazing dancers who put it on the map. Originated in 1968 by George Balanchine protégé Arthur Mitchell, the Dance Theatre of Harlem featured “founding” ballerinas Lydia Abarca, Mitchell’s “prized” dancer who later landed on the covers of Essence and Dance magazines; Sheila Rohan, who performed while running a household and raising three children; Juillard-trained Gayle McKinney-Grffith, who served as the company’s “ballet mistress” and later taught choreography for the 1978 film The Wiz; Marcia Sells, who joined the company at just 16; and Karlya Shelton, who stepped in with little notice to star in the 1978 production of Serenade. The company shattered artistic boundaries even as it strained under financial pressures, the whims of the brilliant yet tyrannical Mitchell, and an old guard media that favored more renowned—and more white—troupes. Valby meticulously untangles the prejudices woven into the dance world and analyzes the politics of establishing a Black ballet company amid a period of backlash to the civil rights movement (“Let the gorgeous lines of his dancers’ bodies serve as fists in the air,” she writes of Mitchell’s mission). In the process, Valby successfully counters the perception that Misty Copeland was the “first” Black American ballerina. The result is a captivating corrective to an often-whitewashed history. Agent: Barbara Jones, Stuart Krichevsky Literary. (Apr.)

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Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Bibliography Index/Note: Includes bibliographical references and index.

Reading Level: 6.0

Interest Level: 9-12

THE NEW YORK TIMES BOOK REVIEW NOTABLE BOOK • The forgotten story of a pioneering group of five Black ballerinas and their fifty-year sisterhood, a legacy erased from history—until now.

“This is the kind of history I wish I learned as a child dreaming of the stage!” —Misty Copeland, author of Black Ballerinas: My Journey to Our Legacy

“Utterly absorbing, flawlessly-researched…Vibrant, propulsive, and inspiring, The Swans of Harlem is a richly drawn portrait of five courageous women whose contributions have been silenced for too long!” —Tia Williams, author of A Love Song for Ricki Wilde

At the height of the Civil Rights movement, Lydia Abarca was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem, a troupe of women and men who became each other’s chosen family. She was the first Black company ballerina on the cover of Dance magazine, an Essence cover star; she was cast in The Wiz and in a Bob Fosse production on Broadway. She performed in some of ballet’s most iconic works with other trailblazing ballerinas, including the young women who became her closest friends—founding Dance Theatre of Harlem members Gayle McKinney-Griffith and Sheila Rohan, as well as first-generation dancers Karlya Shelton and Marcia Sells.

These Swans of Harlem performed for the Queen of England, Mick Jagger, and Stevie Wonder, on the same bill as Josephine Baker, at the White House, and beyond. But decades later there was almost no record of their groundbreaking history to be found. Out of a sisterhood that had grown even deeper with the years, these Swans joined forces again—to share their story with the world.

Captivating, rich in vivid detail and character, and steeped in the glamour and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of both their historic careers and the sustaining, grounding power of female friendship, and a window into the robust history of Black ballet, hidden for too long.

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