Publisher's Hardcover ©2024 | -- |
Dysfunctional families. Juvenile fiction.
Home schooling. Juvenile fiction.
Mothers and daughters. Juvenile fiction.
Victims of family violence. Juvenile fiction.
Punk rock musicians. Juvenile fiction.
Abused wives. Juvenile fiction.
aSecurity systems. Juvenile fiction.
Opera. Juvenile fiction.
Dysfunctional families. Fiction.
Home schooling. Fiction.
Mothers and daughters. Fiction.
Family violence. Fiction.
Punk rock musicians. Fiction.
Abused wives. Fiction.
Security systems. Fiction.
Opera. Fiction.
Gr 9 Up —Sixteen-year-old Jane lives in an old Victorian house with her family, their cook, and their gardener. Jane's mother, Mina, is a famous punk musician in the band Placenta. Yet, when Mina isn't out on tour, their home life is anything but idyllic. Jane's father, Vernon, has confined Mina to the System—a series of pneumatic tubes running throughout the house that she watches her family through. Since homeschooling Jane and her younger brother, Henry, during the pandemic, Vernon has chosen to keep them home, creating an elaborate and rigid set of rules. When Jane stumbles upon a stash of security camera footage that dates back to before she was born, she begins to see the dysfunction and abuse happening in her family. With a new perspective, Jane starts to write a punk opera and works to save her mother from the System. Along the way, Jane finds her voice, gets herself back to high school and her friends, and fights against Vernon's abuse. As typical of King's work, this novel blends realism, fanciful, and genre to create a young adult feminist anthem that thoughtfully addresses issues of abuse. VERDICT Fans of King's work and teens interested in music and social issues will be drawn to this work.—Rebekah J. Buchanan
Kirkus ReviewsA white teen living a sheltered life seeks to break her rock-star mother out of the cycle of abuse perpetrated on their family.Sixteen-year-old Jane lives in a large, old Victorian house with younger brother Henry, father Vernon, their cook, their gardener-and Mina, her mother, who, when she's not out on tour with her world-famous punk band, Placenta, is confined by Vernon to a system of pneumatic tubes that traverse their house. Ever since the onset of the global pandemic over four years ago, Jane and Henry haven't been allowed to return to school, instead receiving a bizarre regimen of home-school instruction from Vernon, while Mina watches on helplessly from her capsule in the tubes. Only when Jane stumbles on a cache of home movies-actually security camera footage from around their house dating back to her parents' courtship days-does she begin to gain some perspective on her dysfunctional, abusive family life. In secret, she starts composing a punk opera to express her desire to save her mother from the life she seems trapped in. When Mina leaves to go on tour for Placenta's latest album, Jane uses her wits to mount a nascent, persistent rebellion against Vernon's toxic grip on their family's psyche. Expertly blending fabulism with hard realism and Victorian language with contemporary teen-speak, this powerful narrative examines the myriad effects of emotional and physical abuse on a family.Painful yet compulsively readable. (Fiction. 14-18)
Starred Review ALA Booklist
Starred Review for Horn Book
School Library Journal Starred Review (Fri Nov 01 00:00:00 CDT 2024)
Kirkus Reviews
Lesson One
I do not lie to God.
God, in this sense, can be whatever you want it to be--but the one thing God cannot be is a liar or a believer of lies or a perpetuator of lies or an eater of lies or a baker of lies or a bartender of lies. God / the universe can shake up a cocktail and serve it to you, but if you need lies to survive, you must tell your own stories / add your own garnish.
God will watch you from behind the bar.
God will nod and smile as you eat the cherry.
God knows you are imperfect.You do not.
God forgives you.
You do not.
This is why you lie to God.
And so, Lesson One is easy.
I am imperfect. I forgive myself. I do not lie to God.
I first learned this lesson when I was four years old. I have not strayed. I am humble in the light of the universe--I have earned my place.
My father lies to God. All the time.
Today he said, "God knows, we tried all we could before she went into the System."
She is my mother.
We is him.
Tried means he didn't like her the way she was.
The System is how Mother travels now, contained in a tidy capsule.
God knows.
My father should not be the keeper of God's words. He is a liar and a thief.
God knows.My father cannot think God's thoughts. He is a traitor and a brute.
God knows.
God shouldn't even be allowed in his mouth--my father is a killer.
He made my mother into a fast-moving message. Fed her into a tube.The message reads, "I am an example of what happens when a coward lies to God."
My father.
God knows.
Our teacher. Our captor. Our hero.
His Lesson One is: The World and Its Seven Continents: Overview.
My Lesson One is: DO NOT LIE TO GOD.
Excerpted from Pick the Lock by A. S. King
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
From Michael L. Printz Award winner A.S. King, a weird and insightful new novel about a girl intent on picking the lock of her toxic family.
Jane Vandermaker-Cook would like her mother back. As Jane's mother tours the world to support the family, Jane lives and goes to school in a Victorian mansion with her younger brother and their mendacious father who confines Jane’s mother to a system of pneumatic tubes whenever she’s at home. And then there's weirdly ever-present Aunt Finch, Milorad the gardener, and his rat, Brutus. For Jane, this all seems normal until she suddenly gains access to the files for a lifetime of security-camera videos—her lifetime.
A.S. King's latest surrealist masterpiece follows Jane’s bizarre and brilliant journey to reconnect with her mother by breaking out of her shell and composing a punk opera.