ALA Booklist
(Wed Oct 01 00:00:00 CDT 2008)
God is still a child as this imaginative, though sometimes muddled, retelling of a Yoruban creation myth begins. Lonely because his world is still unformed, God-child creates a cat, Oloyou, from a cloud. The two play together happily until the cat loses his balance, plummeting into the nothingness of the "infinite Sea," where he falls in love with Kandili, the sea god's mermaid daughter. Expelled from this dark world, Kandili ultimately becomes the night sky and Oloyou a comet. The Cuban author of Old Dog (2007) and Letters to My Mother (2006) uses spare prose, presented in both Spanish and smoothly translated English, to mesh with Sada's childlike art, which features expressive eyes and faces for the characters and hazy backgrounds to represent the unfinished earth. An obvious pick for bilingual collections, this also makes a good choice for introducing mythology to young readers; pair with James Sage's Coyote Makes Man (1995), a myth with Native American origins.
Horn Book
(Wed Apr 01 00:00:00 CDT 2009)
Interlinked short stories set between 1845 and 2002 offer snapshots of nine generations of a New York City family of German Jewish immigrants and their involvement with America's favorite pastime. With an impressively cohesive mix of sports, historical fiction, and family history, Gratz has crafted a wonderful baseball book that is more than the sum of its parts.
Kirkus Reviews
Billed a Yoruba myth by the publisher and presented in parallel English and Spanish renditions, this tale from a Cuban storyteller and priestess of the Santeria religion explains the origin of comets and the stars. Made from a cloud, the first creature fashioned by God is playful Oloyou the Cat. Having fallen into the "depths of Nothing," Oloyou meets and falls in love with fish-tailed Kandili, daughter of gruff Okun Aro, the infinite sea. So great is Okun Aro's displeasure with the romance that he tosses both into the "infinite heights," where Kandili's sparkling dark hair spreads to fill the firmament and Oloyou becomes the comet that "leaps through the night sky." Applying paint thinly to let the texture of the canvas come through, Sada fashions shadowy, stylized scenes featuring a fuzzy white cat, a dark-skinned mermaid and a sea god who is a blue-skinned giant on some pages and an eerie red mask on others. Cardenas supplies no source note, but her simple, good-humored tale will appeal to young readers and listeners. (Picture book/folktale. 6-8)
School Library Journal
(Mon Dec 01 00:00:00 CST 2008)
Gr 1-5 In this striking bilingual retelling of a Yoruba myth, Oloyou the Cat is the very first creature created by the God-child while he is still too young to know what he is doing. More importantly, Oloyou becomes God's first friend. They are happy until Oloyou falls into Nothing, which is an oceanic kingdom presided over by Okun Aró. When Oloyou falls in love with Okun Aró's beautiful daughter, the sea king's anger inadvertently sends them back into the heavens, where the God-child is reunited with his friend and bestows upon him a precious gift. While readers may not know much about the Yoruba tradition, fans of mythology will recognize common elements: a sea god at odds with the heavens; a beautiful daughter who is the subject of forbidden love; preservation by placement among the stars. The clarity of the writing makes this book suitable for reading aloud, while the complexity of the story will hold the interest of older readers. The oil-on-canvas illustrations are rich and bold with a mythic scope that incorporates the story's African-Caribbean roots. The images dominate the pages, holding their own against the Spanish and English versions. This is an outstanding addition for both Spanish-language and folktale collections. Kara Schaff Dean, Walpole Public Library, MA