Voice of Youth Advocates

Listening to the audio cassettes found propped against his front door, Clay is shocked to hear the voice of Hannah, who killed herself two weeks earlier. On the tapes, Hannah explains why she committed suicide and how the thirteen people named in the tapes contributed to her decision to end her life. Clay learns that he is among those named. High school senior Clay is the novel's main narrator, but the story belongs to Hannah. She describes in an authentic, if overly self-aware, voice how slights and misunderstandings snowballed until she could no longer cope. Hannah's reputation is questioned, her parents are distracted by financial problems, her friends use her, and when she reaches out for help, no one steps forward. Readers will immediately identify with Hannah's experiences in high school society. From Hannah, readers realize the impact of thoughtless actions and comments. As Clay finishes Hannah's story, he becomes more perceptive and sensitive to others. Teens will embrace Asher's debut novel because it is not condescending or preachy. Sex and drugs are plot elements but are not graphically described. Short sentences make it a quick, smooth read, yet there is depth to the novel. This provocative tale touches on universal topics of interest, is genuine in its message, and would be a good choice for high school book discussions and booktalks. The attractive cover art is aimed at female readers. But because the content appeals to both genders, more readers would be drawn to the book if it featured Clay on the cover.-Judy Sasges.

Kirkus Reviews

"Everything affects everything," declares Hannah Baker, who killed herself two weeks ago. After her death, Clay Jensen—who had a crush on Hannah—finds seven cassette tapes in a brown paper package on his doorstep. Listening to the tapes, Hannah chronicles her downward spiral and the 13 people who led her to make this horrific choice. Evincing the subtle—and not so subtle—cruelties of teen life, from rumors, to reputations, to rape, Hannah explains to her listeners that, "in the end, everything matters." Most of the novel quite literally takes place in Clay's head, as he listens to Hannah's voice pounding in his ears through his headphones, creating a very intimate feel for the reader as Hannah explains herself. Her pain is gut-wrenchingly palpable, and the reader is thrust face-first into a world where everything is related, an intricate yet brutal tapestry of events, people and places. Asher has created an entrancing character study and a riveting look into the psyche of someone who would make this unfortunate choice. A brilliant and mesmerizing debut from a gifted new author. (Fiction. YA)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

This uncommonly polished debut opens on a riveting scenario: 13 teenagers in a small town have each been designated to listen, in secret, to a box of audiotapes recorded by their classmate Hannah and mailed on the very day she commits suicide. “I'm about to tell you the story of my life,” she says. “More specifically, why my life ended. And if you're listening to these tapes, you're one of the reasons why.” Clay, the narrator, receives the tapes a few weeks after the suicide (each listener must send the box to the next, and Hannah has built in a plan to make sure her posthumous directions are followed), and his initial shock turns to horror as he hears the dead girl implicate his friends and acquaintances in various acts of callousness, cruelty or crime. Asher expertly paces the narrative, splicing Hannah's tale with Clay's mounting anxiety and fear. Just what has he done? Readers won't be able to pull themselves away until that question gets answered—no matter that the premise is contrived and the plot details can be implausible. The author gets all the characters right, from the popular girl who wants to insure her status to the boy who rapes an unconscious girl at a party where the liquor flows too freely, and the veneer of authenticity suffices to hide the story's flaws. Asher knows how to entertain an audience; this book will leave readers eager to see what he does next. Ages 13-up. <EMPHASIS TYPE=""ITALIC"">(Oct.)

ALA Booklist (Sat Sep 01 00:00:00 CDT 2007)

When Clay Jenson plays the cassette tapes he received in a mysterious package, he's surprised to hear the voice of dead classmate Hannah Baker. He's one of 13 people who receive Hannah's story, which details the circumstances that led to her suicide. Clay spends the rest of the day and long into the night listening to Hannah's voice and going to the locations she wants him to visit. The text alternates, sometimes quickly, between Hannah's voice (italicized) and Clay's thoughts as he listens to her words, which illuminate betrayals and secrets that demonstrate the consequences of even small actions. Hannah, herself, is not free from guilt, her own inaction having played a part in an accidental auto death and a rape. The message about how we treat one another, although sometimes heavy, makes for compelling reading. Give this to fans of Gail Giles psychological thrillers.

School Library Journal (Thu Nov 01 00:00:00 CDT 2007)

Gr 7 Up-High school senior Clay Jensen receives seven audiotapes in the mail. They contain the story of why Hannah Baker, a girl he adored, committed suicide. Each side is devoted to a person in her life and a reason for her death. Clay also has a map of places featured on the recordings. He spends a torturous night listening and wandering, unearthing the depth and causes of Hannah's unhappiness. His torment is privatehow did he hurt a girl he treasured from afarand empathicher hurts and betrayals tear him apart. Clay's pain is palpable and exquisitely drawn in gripping, casually poetic prose. The complex and soulful characters expose astoundingly rich and singularly teenage inner lives, with emotions as raw as cut wrists. The mood is more serious than somber, and Clay's thoughtful synthesis of Hannah's increasingly explosive narrative saves the novel from melodrama. In fact, Hannah's and Clay's narratives are woven together so seamlessly that the characters appear to converse naturally from opposite sides of mortality. Compounded, the tapes build the plot in increasingly tense incrementsHannah's story is a freight train of despair and suspense that picks up speed as it moves to her final undoing. Like the protagonist in John Green's Looking for Alaska (Dutton, 2005), Hannah is an animate ghost; Clay's bereaved voice bears witness to her tragedy. The episodic structure is nicely suited to reluctant readers, but the breakneck pace and dizzying emotion are the true source of this novel's irresistible readability at all levels. Johanna Lewis, New York Public Library