<p>In his note to the reader, Fancher (The Range Eternal, p. 1222, etc.) writes, "I've shortened the text to allow more room for the artwork," as an explanation for this abbreviated version of the beloved classic. Shortened indeed: Williams's poetic passage introducing the Skin Horse has been reduced to: "The Skin Horse was old and wise, and he knew all about being Real." The rest is pared down to match, leaving a tale that does stilla"faintlya"echo the original's lyricism, but is less likely to lose the attention of, as Fancher puts it, "a wiggly two-year-old" being forced to listen to it. The art is, as promised, all full-paged and space-filling: quiet compositions in which the Velveteen Rabbit, the Boy, and other figures are large, soft-surfaced forms, viewed close-up, and from a child's-eye level to enhance the feeling of intimacy. The tale's more philosophical aspects will still elude most of the nursery school set, but sharing this summary may make some listeners more receptive to the Real story, when they're old enough to appreciate it. On the other hand, perhaps they'll think they've read it already. Why not just wait? (Picture book. 3-5)</p>

PreS-Gr 2-Fancher's adaptation of Margery Williams's classic story sings with the magic of the original, while offering a shorter, more accessible version for modern children. The oil paintings have a luminous quality, the rich colors playing with dark and light to produce a timeless feel, perfectly complementing the text. The details of the boy's room, his toys, his Nana-all exist in an enchanted place somewhere between the past and the present. At last librarians have something to give parents who want to share the story of the toy that became real with their children, but are dismayed to find the original tale longer than they had remembered. An ideal adaptation of an old favorite.-Kathleen Kelly MacMillan, Maryland School for the Deaf, Columbia Copyright 2002 Cahners Business Information.

Lou Fancher sensitively adapts Margery Williams's The Velveteen Rabbit, illus. by Steve Johnson and Fancher, while maintaining the magic of the original. The inviting oil paintings ingeniously portray the boy's toy rabbit with button eyes, shaped like those of the real rabbits living in the nearby woods; as the stuffed rabbit is transformed by love, the artists seem to inject animation into its eyes, depicting its metamorphosis into a living, breathing being.

Fancher adapts the classic story of a stuffed rabbit who becomes real when he experiences the love of a little boy. The adaptation retains much of the formal language and sentimental tone of the original and the oil paintings have a crackled look that contributes to the old-fashioned feel of the story. The story is sophisticated enough, even in this edited form, that it will appeal to the older picture book audience.