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Photography. History. Juvenile fiction.
Ghost stories.
Swindlers and swindling. Juvenile fiction.
Revenge. Juvenile fiction.
Photography. History. Fiction.
Ghosts. Fiction.
Swindlers and swindling. Fiction.
Revenge. Fiction.
New York (N.Y.). History. 1865-1898. Juvenile fiction.
New York (N.Y.). History. 1865-1898. Fiction.
Newbery Medalist Avi (<EMPHASIS TYPE=""ITALIC"">Crispin: The Cross of Lead) sets this intriguing ghost story in 19th-century New York City, where a photographer’s apprentice has a horrifying run-in with a spirit bent on revenge. In the fall of 1872, 14-year-old narrator Horace Carpetine reluctantly becomes involved in his employer’s scheme to dupe a superstitious client, wealthy Mrs. Von Macht. The plan is to make a tidy profit by producing a double exposure and offering her an unusual portrait, one incorporating a superimposed image of her dead daughter, Eleanora. Events depart from the expected when the ghost of Eleanora literally enters the picture, and Horace discovers his ability to capture departed souls on film. Suspense builds as the Von Machts’ servant, Pegg, reveals secrets about the Von Macht family and explains that Eleanor’s angry spirit, brought back into the world through the camera lens, may want revenge on both Mrs. Von Macht and her husband. Mirroring both the style and themes of gothic novels of the period, the story takes ghastly and ghostly turns that challenge Horace’s belief in reason. Details about photographic processes add authenticity, while the book’s somber ending will leave spines tingling. Ages 8-12. <EMPHASIS TYPE=""ITALIC"">(Apr.)
Kirkus ReviewsIn 1870s New York, at the intersection of scientific advances in photography and post-Civil War superstition, sentimentality and mourning, Horace's father apprentices him to a spirit photographer. He discovers that, while his employer is a swindler, Horace himself is a "seer" on whose photographs genuine ghostly images appear. In this way, he discovers the ghost of a young heiress whose ill treatment at the hands of her adoptive parents has led to her death. When her angry spirit returns seeking revenge, Horace tries to put her ghost to rest and save lives. Avi portrays a complex main character who is torn between his impulse toward honesty and rational thought, his love of the new technology of photography and his need for employment. This tale proves that the time-honored ghost story, capably researched, well-paced and fusing the Gothic elements of mystery, madness and romance, can still thrill in the hands of a skilled craftsman. (Fiction. 8-12)
Horn BookFourteen-year-old Horace, apprentice to photographer Enoch Middleditch, becomes engaged in spiritualist fleecing. Short chapters with tantalizing cliffhangers heighten the story's suspense, which comes to a head when Horace's photographs unleash a vengeful ghost. Set in post-Civil War New York, this dandy mystery re-creates and stays within its historical period while also introducing characters confronting timeless questions of personal honor.
ALA BooklistHorace, apprenticed to a shady photographer in New York City in 1872, is placed in an awkward position when his employer decides to take advantage of a wealthy lady who tells them that her daughter has recently died. Sent to photograph pictures of the child so that her ghostly image can be superimposed on the mother's commissioned portrait, Horace befriends a black girl who works in the lady's household. From her he learns that his employer is not the only one trying to hoodwink others. In an intriguing twist, the lad learns that he has a supernatural power that draws ghosts into his world, a power he cannot control. Avi's latest is a fast-paced, yet haunting portrayal of an upright boy trying to make his way in a world that has suddenly gone strange and dangerous. Written from the point of view of Horace as an adult, this engaging novel has great immediacy and strong narrative drive.
School Library Journal Starred ReviewK-Gr 3-Despite his fearsome appearance, Otto, a young giant who lives in a magical kingdom high above the human world, is gentle and polite. When his beloved pet chicken is stolen by the human Jack, he descends the beanstalk to try and retrieve her. After being misdirected to every other nursery-rhyme Jack in town, Otto finally finds the culprit. The giant realizes that the boy only wanted to sell Clara so that he could retrieve his own lost pet, Milky White the cow, and the two find a way to retrieve their adored animals. All ends happily as the other giants recognize Otto's heroic qualities, and Jack and his mother open a roadside stand to sell soup mix, made, of course, from beans. While the sharp satire and social commentary that ran throughout Stanley's Rumpelstiltskin's Daughter (HarperCollins, 1997) are missing here, the point-of-view reversal is amusing and the plot and characters are nicely developed. The watercolor illustrations depict a cozy, bucolic fairy-tale world and are replete with humorous details. This is a worthy addition to the growing canon of fractured fairy tales.-Grace Oliff, Ann Blanche Smith School, Hillsdale, NJ Copyright 2004 Reed Business Information.
Voice of Youth AdvocatesArticulate, literate, and numerate, fourteen-year-old Horace is touted as "a model youth for the industrial age" by his philosophical, abolitionist, and radical-Republican father whose children are named for political and social icons of the time. A watch repairman who believes in science and rational thought, Horace's father arranges his youngest son's apprenticeship during post-Civil War New York City in a scientific endeavor with Enoch Middleditch, self-proclaimed society photographer, whose excellent teaching is offset by his laziness and struggling business. Middleditch turns on flattery and charm and eagerly defrauds patrons for financial gain. Unwillingly Horace becomes entangled in a fraudulent scheme to present a rich woman with photographic "evidence" that her daughter's ghost lingers nearby. Youthful honesty contrasted against adults' deceptive flatteries builds reader empathy for narrator Horace's position when Middleditch's hoax paired with Horace's heretofore-unknown photographic sensitivity unintentionally unleash an angry ghost upon the Von Macht household. Horace's resourcefulness and his new friendship with the Von Macht's black servant Pegg are key to solving this suspenseful drama. Avi's rich language evokes images and speech patterns of a bygone era, and his careful chronicling of early photography's art and science make this novel a pleasure to read. Strong male and female teen characters appeal to a broad readership from science fiction, suspense, and ghost story aficionados to photography and history buffs. The refined vocabulary will not deter reluctant readers.-Cynthia Winfield.
Starred Review for Publishers Weekly
Kirkus Reviews
Wilson's Children's Catalog
Horn Book
ALA Booklist
School Library Journal Starred Review
Voice of Youth Advocates
Chapter One
It was an October morning in the year 1872, and New York City's air was so befogged with white mist and dark smoke that I could barely see across the street. All the same I was attending to my daily chore of sweeping our small front court with its painted sign:
Enoch Middleditch
Society Photographer
Chancing to look up, I was startled to see a black girl standing just beyond our low iron gate. It was as if she had just stepped out of the haze, dressed in her somber cotton servant's garb. A tiny wisp of curly black hair poked out from beneath her white cap. Though clearly she was a servant, her posture was upright, quite proud, and not at all deferential. I judged her to be about the same age as I, fourteen; but her smooth face, round and dark, seemed devoid of emotion until I noticed her eyes: They were full of a deep and brooding intensity.
My first thought was that she was looking at me, but then I realized it was our sign that held her attention.
"May I help you?" I asked.
She turned her gaze upon me. "Who are you?"
The question, asked so bluntly, was unexpected. "I'm Mr. Middleditch's apprentice."
"Does he make portraits?"
"Portraits, cartes de visite, and studies."
"My mistress, Mrs. Frederick Von Macht, requires a portrait."
"Then you've come to the right place."
"Good," said the girl. "She will be at your door tomorrow, at two."
Though surprised by her presumption, I said, "I'll tell my employer," perfectly aware that Mr. Middleditch had no pressing matters to attend to. Business was anything but lively.
With a curt nod the girl turned and walked away, vanishing into the mist as eerily as she had appeared.
Not only did I wonder where she'd come from and gone to, I was uncertain whether to believe her or not. But knowing it would be a good thing if her mistress did come for a sitting, I put aside such questions and hurried into our rooms to inform Mr. Middleditch that he actually had a customer.
Still, there was something very unsettling about the girl, so much so that I could not get her out of my mind. Was it the way she'd suddenly appeared and disappeared into the mist? Was it the tone of her voice? Was it the brooding look in her eyes?
That said, I shall be the first to admit there was nothing about her appearance to foretell the extraordinary events that were to follow.
The Seer of Shadows. Copyright © by Avi . Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
Excerpted from The Seer of Shadows by Avi
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
Horace Carpetine does not believe in ghosts.
Raised to believe in science and reason, Horace Carpetine passes off spirits as superstition. Then he becomes an apprentice photographer and discovers an eerie—and even dangerous—supernatural power in his very own photographs.
When a wealthy lady orders a portrait to place by her daughter's gravesite, Horace's employer, Enoch Middleditch, schemes to sell her more pictures—by convincing her that her daughter's ghost has appeared in the ones he's already taken.
It's Horace's job to create images of the girl. Yet Horace somehow captures the girl's spirit along with her likeness. And when the spirit escapes the photographs, Horace discovers he's released a ghost bent on a deadly revenge. . . .