The Trial: A Novel
The Trial: A Novel
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Annotation: Living in Flemington, New Jersey, in 1935, twelve-year-old Katie Leigh Flynn describes, in a series of poems, the effect on her small town of the ongoing trial of Bruno Hauptmann for the kidnapping and murder of Charles Lindbergh's baby son.
 
Reviews: 7
Catalog Number: #4137080
Format: Paperback
Common Core/STEAM: Common Core Common Core
Publisher: Dell
Copyright Date: 2004
Edition Date: 2005 Release Date: 09/13/05
Illustrator: Wells, Leigh,
Pages: 169 pages
ISBN: 0-440-41986-7
ISBN 13: 978-0-440-41986-0
Dewey: Fic
LCCN: 2006274457
Dimensions: 20 cm.
Language: English
Reviews:
ALA Booklist

"Nothing much happens but eggs, chickens, and Santa Claus," complains restless Katie Leigh Flynn about life in her small New Jersey town. But on March 1, 1932, something does happen--something sensational . . and tragic. The baby son of Colonel and Mrs. Charles Lindbergh is kidnapped in nearby Hopewell. Bruno Richard Hauptmann is arrested and put on trial for the crime--right there in Katie's hometown--and the 12-year-old finds herself caught up in the case as assistant to her journalist uncle. Readers see the famous trial through Katie's eyes as she records the events in unrhymed poems that have the terse rhythm of newspaper reports: "the sound of news / written down, sent out / on typewriters and telegraphs / from our little town." Katie realizes that someday she wants to make "that very same sound." Bryant does an extraordinary job of re-creating the Depression-era milieu during which the trial unfolded and, at the same time, conveying the gravity of an event that may have been a miscarriage of justice. As Katie says, "When a man's on trial for his life / isn't every word important?" Bryant shows why with art and humanity.

Horn Book

The Bruno Hauptmann trial might not seem a likely focus for middle-school historical fiction, but Bryant has a capable witness in twelve-year-old Katie, a nascent journalist. The free-verse novel succeeds in drawing together the events of the kidnapping trial and its attendant media storm with Depression-era events and both of those with Katie's own life; its picture of celebrity and justice offers contemporary resonance as well.

Kirkus Reviews

The eponymous trial is that of Bruno Richard Hauptmann, the accused kidnapper of the Lindbergh baby. The 1935 "Trial of the Century" temporarily transformed the sleepy town of Flemington, NJ, into a media three-ring circus, at which 12-year-old wannabe journalist Katie finds herself with a ringside seat. Her reporter uncle having conveniently broken his arm just before the trial, Katie has been (very willingly) drafted to take notes for him, and her observations of the trial and life in Flemington are conveyed in that "spare, lyrical verse" that has become so fashionable in children's books. In this case, the form—loosely strung-together free-verse poems—actively works against the narrative, because no matter how gamely Bryant tries to introduce subplots, those poems seem to be appended to the main action, rather than integrated into it. Katie herself does emerge as an appealing character whose reportage and musings will give young readers a sense of the times. An author's note provides such a cogent post-trial follow-up that readers may find themselves wishing the trial itself had been granted a nonfiction treatment rather than being filtered through fiction. (Fiction. 10-14)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

In a series of often hard-hitting free-verse poems, Bryant's first novel describes the 1935 trial of Bruno Richard Hauptmann, alleged kidnapper of the baby of Charles and Anne Morrow Lindbergh. Many of the plot conventions feel a bit convenient, e.g., the 12-year-old aspiring writer and narrator, Katie Leigh Flynn, attends the trial as the secretary of her journalist uncle, who has injured his wrist. However, the spare observations of each poem delve deeply into the Depression-era mentality and effectively demonstrate how Katie Leigh and the town are transformed by the media frenzy accompanying the trial of the so-called crime of the century. For example, Katie Leigh saves postcards and dreams of leaving her boring hometown of Flemington, N.J., but when she sees what the trial brings, she muses, """"I can't decide which I like better:/ the old, sleepy town/ or the new loud and crowded one."""" Bryant effectively outlines the horror of the crime, a baby snatched from his crib with both parents at home, and less subtly inveighs against the injustices of the trial, in which Hauptmann's alcoholic defense attorney presents witnesses that muddy his case amid a town that exploits every opportunity, even selling gruesome souvenirs. All in all, however, Bryant crafts a memorable heroine and unfolds a thought-provoking tale. Ages 8-12. (Mar.)

School Library Journal

Gr 5-8-Yet another novel-in-poems, this child's-eye view of the trial of the Lindbergh baby's supposed kidnapper/killer Bruno Hauptmann conveys the historical facts but only fitfully brings them to life. While the author casts the narrative of preteen Katie Flynn in blank verse, the setting, the heavy influx of reporters and celebrities, and the trial's participants are described in prosaic terms, and Katie often even leaves her personal reactions between the lines: "I expect my history teacher, Mr. Witkowski, will ask me/what I learned at the trial/about Law, about Criminals,/about our American Justice System./I expect he won't be happy/with my answers." Though Katie has done some growing up by the end, and subplots, including a pointedly parallel one involving a friend of Katie's who is unjustly accused of vandalism, add some immediacy, most of what readers will get from this story is reportage. Judith Edwards's The Lindbergh Baby Kidnapping in American History (Enslow, 2000) is just one of several recent nonfiction treatments of the same tragic incident that go into more detail.-John Peters, New York Public Library Copyright 2004 Reed Business Information.

Word Count: 15,280
Reading Level: 6.1
Interest Level: 5-9
Accelerated Reader: reading level: 6.1 / points: 2.0 / quiz: 76147 / grade: Middle Grades
Reading Counts!: reading level:4.7 / points:6.0 / quiz:Q37183
Lexile: NP
FLEMINGTON

I’ve lived in this town my whole life
and I can tell you . . .
nothing ever happens.

Each week, the farmers bring their chickens and eggs to market
and the grain trucks dump and load up
at Miller’s Feed Store on North Main.
The streets are wide and clean,
the shop-keepers are friendly,
and all the children walk to school.

At Christmas, Santa comes to the bank and gives out
candy-stuffed stockings, and on Halloween
there’s a big parade at the courthouse
with cider and donuts
and prizes for the Prettiest, Funniest, and Scariest.

With all this, you’d think I’d be happy as a clam here in Flemington,
and why that’s not so,
I may never really know–

but I do know that whenever I read
National Geographic or Time
or look through one of my uncle’s travel books–
the ones with pictures of glaciers and deserts,
palm-treed islands and busy cities–
I’m always wishing myself
into them.

“You’re restless, Katie Leigh, just like your father was”
is Mother’s explanation, but since
he left us so long ago
I guess that’s another thing
I’ll never really know.


THE PHOTOGRAPH

From the photograph, we don’t
look a lot alike:
his hair dark brown
(mine is black),
his eyes hazel gray
(mine are dusky green),
his nose long and thin,
(mine small and wide, a few scattered freckles
along each side),

but then . . .
there’s that full lower lip
(I have that)
and his dimpled chin
( I have that too)
and the way his head tilts just a little to the left,
like he’s about to ask a question
or trying to get a different perspective
(Mother says I do this all the time).

I guess I believe he’s a part of me,
though I wish I had more
than a five-by-seven photo
to prove it.

AT THE RAILYARD

Sometimes I watch the train men turn engine,
watch the box cars unhitch and recouple,
watch the forklifts load the flatbeds
and the fireman shovel coal.

Sometimes I try to remember my father.

Sometimes, when there’s nothing else to do,
I stay all day until the last train leaves,
and all I can see is a thin line of steam,
way off in the distance.

SULLEN

At the tracks, I usually find Mike, his back against
the big wooden box
where the station master keeps his rain cape
and his tools.

We don’t talk much.
But once in a while, we talk
a lot.
Mike told me his mother died when he was five and his father
has been drinking too much
ever since.

On sunny days, I bring a book and read it while he
whittles oak sticks into animals
with his pocket knife,
or with his hands, shapes faces from
and pieces of clay.

When I bring leftovers from the kitchen
he tries to refuse, but when I
start chewing, he does too.

He borrows my books, and I know
he’s smart because
he asks me all these questions
about the characters
that I never thought about before,
and I have to go home and think on them
before I can answer.

Mike is not like
the other boys I know . . . he’s not
stuck-up or loud-mouthed or silly.

At school, he’s real quiet. He sits
in the back row so no one will notice
if he falls asleep
from staying up late waiting
for his father.

The teachers all say he’s “sullen,”
but if you tell him a good joke, he laughs
the kind of laugh that makes you join in,
makes you forget
your troubles.

Once, when he walked me home,
he stopped before the big blue house on the corner
to watch the family inside at supper:
the mother serving the soup, the father
carving the bread, the children chattering–
the neat white plates,
the yellow curtains on the windows,
the warm steam rising
from the bowls.

WHEN SOMETHING HAPPENED . .
.

Actually, something did happen here
about two years ago–
not in our town exactly, but just
ten miles away, in Hopewell, N.J.

Something happened
on March 1st, 1932, between 7:30 and 10 pm,
at the home of Colonel Charles Lindbergh,
the first man to fly across the Atlantic Ocean
alone,
our bravest and greatest pilot, an American hero.

Something happened
on that stormy night,
as the wind howled outside his house on Sourland Mountain,
while the Colonel and Mrs. Lindbergh
were reading and sipping tea
and Wahgoosh, their terrier, laid curled at their feet.

Something happened
to the their little baby–Charles Lindbergh, Jr., just 20 months old–
while he was sleeping in his upstairs room,
while the butler was polishing silver
and the maid was doing dishes.

Someone climbed
into a second-floor window
and pulled Little Charlie out of his crib
and carried him outside to a ladder
and climbed down holding him
while the wind groaned and a car waited.

Someone kidnapped
Charles Lindbergh’s first-born son, leaving only
some muddy footprints,
a broken ladder,
and a ransom note.

And no one saw
who did it.


From the Hardcover edition.

Excerpted from The Trial by Jennifer Bryant
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Imagine you are Bruno Richard Hauptmann, accused of murdering the son of the most famous man in America.

In a compelling, immediate voice, 12-year-old Katie Leigh Flynn takes us inside the courtroom of the most widely publicized criminal case of the 20th century: the kidnapping and murder of Charles Lindbergh’s baby son. And in doing so, she reveals the real-life figures of the trial—the accused, the lawyers, the grieving parents—and the many faces of justice.


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