Fault Line
Fault Line
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Paperback ©2006--
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Henry Holt & Co.
Annotation: In this powerful novel, the author of "The Gospel According to Larry" tackles the difficult and complex subject of teen relationship abuse from the viewpoints of both the victim and the perpetrator.
 
Reviews: 8
Catalog Number: #4138061
Format: Paperback
Publisher: Henry Holt & Co.
Copyright Date: 2006
Edition Date: 2006 Release Date: 04/04/06
Pages: 248 pages
ISBN: 0-8050-8063-5
ISBN 13: 978-0-8050-8063-6
Dewey: Fic
LCCN: 2002038888
Dimensions: 21 cm.
Language: English
Reviews:
ALA Booklist

Tashjian, who made a splash with The Gospel According to Larry (2002), goes high concept once more, this time recounting the story of 17-year-old Becky, an aspiring comic. Becky finds Kip at the clubs, where he is also looking for laughs. At first he seems to be the ideal boyfriend. Soon, however, he's pulling her hair and throwing her down. Tashjian is such a strong writer that this comedy-tragedy almost works, but certain things never ring true. Kip's background in an abusive family makes it possible that he has similar tendencies, but he never really seems the type. Perhaps this is because he keeps a diary (though he writes on paper towels) and comes across as too insightful and earnest. That Becky takes the abuse for a time, breaks up with Kip, and then is sucked back in seems more plausible. It's Becky's career choice that seems most unlikely. She's hardworking, but certainly not amusing enough to land a big MTV tour. Whatever its flaws, this will still garner plenty of readers, who will be taken with the story of a good boyfriend who goes bad.

Horn Book

Tashjian's novel shatters any stereotypes young readers may have about people in abusive relationships. Smart and secure, seventeen-year-old Becky is an aspiring comic, as is her new boyfriend Kip, who is sweet and funny. How Kip gradually becomes controlling and abusive--and why Becky continues to stay with him--comes across as frighteningly believable in this gripping story.

Kirkus Reviews

Senior Becky Martin, who has a loving family, a terrific best friend, and good grades, is slowly making a place for herself in San Francisco's stand-up comedy scene. But she hasn't felt successful in dating until she meets Kip, another aspiring comic. In an absorbing first-person narrative, Becky describes her relationship with Kip in which he gradually changes from adoring her to becoming controlling and jealous, and then hurting her physically as well as emotionally. Pages from Kip's journal reveal that his father, now gone, had been abusive and that Kip feels like a loser and hates himself for hurting Becky. Details such as Becky's increasing distance from friends and family ring true, although it may still be hard for readers to understand why someone so seemingly well-loved at home feels so inadequate. While not quite as insightful as Sarah Dessen's Dreamland (2000), this should find a place in all libraries that serve teens, many of whom will recognize aspects of their own relationships in Becky and Kip's. (Fiction. YA)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Tashjian (<EMPHASIS TYPE=""ITALIC"">The Gospel According to Larry) undertakes the issue of relationship abuse with mixed results in this novel narrated by a 17-year-0ld stand-up comic in San Francisco. When Becky meets Kip (who write his bits on paper towels) at a comedy club at which they are both performing, she is instantly attracted to him. They quickly become inseparable and Becky becomes "someone whose conversation was sprinkled with 'My boyfriend and I did this' and 'My boyfriend and I did that.' " But Kip's constant attention borders on obsessive, and he is controlling of her hair, her clothes, her time—even her comedy routines. He also bullies her physically, and the abuse continues even after Becky begins to see the situation for what it is. Becky's growing awareness that her relationship isn't "intense" but, instead, unhealthy is developed well; readers will appreciate that Kip isn't completely demonized. The comedy angle provides a compelling backdrop; not only does it nicely counterbalance the book's weighty themes, but readers learn a lot about Becky through her perseverance and her routines. Unfortunately, the narrative at times swerves into exposition ("It seemed like my relationship with Kip was fueling something negative and bitter inside me"), and Kip's occasional entries (under the head "from the Bounty Dialogues of Kip Costello") feel intrusive. These drawbacks plus a few overly quirky details (e.g., Becky begins carrying stuffed creatures around in her bag), undercut the novel's impact. Ages 14-17. <EMPHASIS TYPE=""ITALIC"">(Sept.)

School Library Journal

Gr 8 Up-Becky seems to have it all-she's moderately successful in her forays on the stages of local open mike night improv clubs, she has a loving family, and the best friend a 17-year-old could want. But her life becomes exponentially better when she meets the perfect yang for her yin, Kip Costello, a handsome, confident senior who seems to pull off his comedy routine without a sweat. The two are soon inseparable, leaving Becky little time for polishing her routines, for her part-time jobs and schoolwork, and, most importantly, for her family and friends. The balancing act gets even more difficult when she finds she must weigh every word so as not to spark Kip's anger. The second time he hurts her, Becky ends up in the hospital and Kip ends up in handcuffs. Readers will suspect his problem long before Becky does, but Tashjian allows readers to feel Becky's overpowering happiness and blindness to Kip's faults as they empathize with his overwhelming fear of losing control. Other well-written titles on dating abuse include Sarah Dessen's Dreamland (Viking, 2000) and Alex Flinn's Breathing Underwater (HarperCollins, 2001).-Susan Riley, Mount Kisco Public Library, NY Copyright 2003 Reed Business Information.

Word Count: 42,390
Reading Level: 5.1
Interest Level: 7-12
Accelerated Reader: reading level: 5.1 / points: 6.0 / quiz: 73386 / grade: Upper Grades
Reading Counts!: reading level:6.7 / points:11.0 / quiz:Q34095
Lexile: 750L

Fault Line


By Janet Tashjian

Henry Holt & Company

ISBN: 9780805080636

Fault Line
Take my life ... please.
Laughter is one of the only things in life you can count on to bail you out of anything. Even when you're grief-stricken, shocked, or petrified, laughter can bring you back to that place deep inside that knows there's life beyond your pain. I remember the day I learned this in my bones: my uncle Danny had just died, and my mother had spent most of the morning sobbing at the kitchen table. I was maybe four at the time, feeling more helpless than usual. My father had brought up some extra chairs from the basement for all the relatives who would be coming in from out of town. I didn't notice when I sat on one that it was missing its cane seat. PLOP--I went right through the frame of the chair onto the floor. I didn't cry; I grinned--the shock of the fall was a welcome surprise from all the sadness. My mother burst into laughter at the sight of her little girl sprawled on the rug, smiling. Which of course made me fall through the chair again. And again. It was as if I hadwaved a magic wand. Before my very eyes, she was transformed from a broken-hearted woman back into good old Mom. Because of my actions, because of me. Humor was something thunderous from the heavens, with a power to change things in an instant.
Of course, bottling something as formidable as lightning is a tricky thing. Trickier still to do it night after night. Most of the time when I'm onstage, I feel like an alchemist: mixing a little bit of this story, a slice of that detail to come up with a fresh and humorousahafor the crowd to enjoy. But sometimes you fall flat, with a joke so inert you want to hang your coat on it. Those nights, it's back to the drawing board, pure and simple.
Here's what I want more than anything: not to headline the Improv, not to join the cast ofSNL.(Okay, you nailed me. OF COURSE I WANT THOSE THINGS. I'd be lying if I said I didn't.) But more than those--much more--I want to learn how to trust my instincts. It's the part of comedy I haven't gotten a handle on yet, although I work on those skills all the time. Where I intuitively come up with some thought on the spot that binds me and the audience together for a brief moment--I get goose bumps just thinking about it. During each performance, there's some connection with the audience, but I'm talking about the cathartic,spontaneous kind. The search for that link keeps me writing jokes, keeps me auditioning, keeps me hoping lightning can strike.
I'm like Ben Franklin in a storm, holding a kite, a key, and ajar.
Waiting to connect.
Copyright © 2003 by Janet Tashjian


Excerpted from Fault Line by Janet Tashjian
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.


Excerpted from Fault Line by Janet Tashjian
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

A hard-hitting novel that breaks open the gritty world of teen relationship abuse Seventeen-year-old Becky Martin dreams of being a stand-up comic. She also craves the affection of a boyfriend. When attractive Kip, a rising star in the San Francisco comedy club scene, comes into Becky's life, she thinks she's found her soul mate. But she soon discovers that Kip has a dark side, and control and jealousy appear to be the price she must pay for his love. Will Becky find the strength and courage to get help? In this powerful novel, Janet Tashjian tackles the difficult subject of teen relationship abuse from the viewpoints of both the victim and the perpetrator.


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