ALA Booklist (Mon Feb 01 00:00:00 CST 2010)

Luminous illustrations are the highlight of this third recent picture-book biography of Wangari Maathai, the Kenyan environmental activist who received the 2004 Nobel Peace Prize. In brief, poetic lines that have a folktale tone, Napoli describes how "wise Wangari" helped Kenyan village women solve problems from hunger to dirty water with the same solution: "Plant a tree." Eventually, Maathai's Green Belt movement became a worldwide mission. Jeanette Winter's Wangari's Trees of Peace: A True Story from Africa and Claire A. Nivola's Planting the Trees of Kenya: The Story of Wangari Maathai (both 2008) integrate more background context, and readers encountering Maathai's story for the first time here will need to start with the appended short biography in order to understand the story's generalized references. Most noteworthy is Nelson's vibrant collage artwork, which features soaring portraits and lush landscapes in oil paint and printed fabrics. An author's note about sources and a glossary of Kikuyu and Swahili words used throughout the text close this moving tribute, which will partner well with Winter's and Nivola's titles.

School Library Journal (Mon Feb 01 00:00:00 CST 2010)

Gr 3-4 This idealistic account focuses on Wangari's wisdom in advising women to plant different kinds of trees to solve their particular economic problems. "Here are seedlings of the mukinduri . This tree makes good firewood." "Plant a tree. A mukawa . Its thorns will keep out predators." Napoli inserts a Kikuyu phrase and its translation after each bit of Wangari's advice. " Thayu nyumba ""Peace, my people." The story seems to suggest that the trees were a rather quick solution to the people's problems of hunger and poverty in Kenya's devastated landscape. "Soon cool, clear waters teemed with black, wriggling tadpoles. All over the countryside the trees that had disappeared came back." Nelson depicts the various women and the greening of the landscape in bold collages of textile prints joined with strong painted portraits. The poetic, abbreviated story has little biographical detail, emphasizing the planting of millions of trees and the resulting prosperity and peace for the country and its people. The preface describing the ill effects of earlier drought and the broad sweep of text provide less concrete information and explanation than Claire A. Nivola's Planting the Trees of Kenya (Farrar) and Jeanette Winter's Wangari's Trees of Peace (Harcourt, both 2008). The information is too vague for primary grade children, and probably too skimpy for older grades. Still, the book could serve as a beautiful introduction for children just learning about the Greenbelt Movement. Concluding materials include an afterword for adults, a source note, a Kikuyu glossary, a list of Web sites most useful for adults, and a brief note from the illustrator. Margaret Bush, Simmons College, Boston

Starred Review for Publishers Weekly

While Nobel Medalist Wangari Maathai has been the subject of two earlier picture biographies (Jeanette Winter's <EMPHASIS TYPE=""ITALIC"">Wangari's Trees of Peace and Claire Nivola's <EMPHASIS TYPE=""ITALIC"">Planting the Trees of Kenya), this story is structured more like a folktale, portraying Maathai as healer and botanist. “These are strong hands,” she tells a woman who does not have enough food to feed her family. “Here are seedlings of the <EMPHASIS TYPE=""ITALIC"">mubiru muiru tree.... Plant as many as you can. Eat the berries.” Nelson's (<EMPHASIS TYPE=""ITALIC"">We Are the Ship) breathtaking portraits of Maathai often have a beatific quality; bright African textiles represent fields, mountains, and Maathai's beloved trees. Maathai knows that some trees make good firewood, others form hedges to keep livestock safe, while the roots of others clean dirty water. After every encounter, a Kikuyu expression is repeated: “Thayu nyumba—Peace, my people.” Mama Miti, as Maathai comes to be known (it means “mother of trees”), is rewarded not with fame or power but with the satisfaction of seeing Kenya restored. Napoli (<EMPHASIS TYPE=""ITALIC"">The Earth Shook) creates a vivid portrait of the community from which Maathai's tree-planting mission grows. Ages 4–8. <EMPHASIS TYPE=""ITALIC"">(Jan.)

Kirkus Reviews

Napoli adopts a folkloric narrative technique to showcase the life work of Wangari Maathai, whose seminal role in Kenya's reforestation earned her the Nobel Peace Prize in 2004. When, one after the other, women journey to Maathai to seek counsel about scarce food, disappearing firewood and ailing animals, she tells them, "Plant a tree.... Thayu nyumba —peace, my people." Specific tree species and their utility are mentioned in the text and reiterated in a glossary. Nelson's pictures, a jaw-dropping union of African textiles collaged with oil paintings, brilliantly capture the villagers' clothing and the greening landscape. The richly modulated oils portray the dignified, intent gazes of Maathai and other Kenyans, and the illustrator's signature use of perspective suggests the everyday heroism of his subjects. In addition to incorporating the fabric collages (and some whimsy in his animal depictions), the artist newly focuses on landscape, with many double-page spreads depicting undulating fields, distant mountains and a white-hot sky. Deserving of a special place with Claire Nivola's Planting the Trees of Kenya (2008), this is, in a word, stunning. (afterword, glossary, author's and illustrator's notes) (Picture book. 4-8)