During the Nazi occupation of France , Monique discovers that a young Jewish girl named Serine has been hidden in her cellar. It is a surprise to Monique that her mother and father have been sheltering the family, but she does not let on that she knows. The girls visit and play together in the evening when the rest of the household is asleep. "They laughed and giggled, and told each other their dreams." Although frightened by the presence of Nazi soldiers in her village, their friendship grows, and Monique brings gifts to Serine from the outside world: rich soil, a bright flower, and finally a real wonder, a butterfly. A neighbor catches a glimpse of Serine, and the family must flee. This is another one of Polacco's ( Thank You Mr. Falker , 1998) family stories based on real events and retold in a dramatic picture book for older readers. The strikingly detailed marker and pencil illustrations bring forth the fear, deprivation, and small joys of the time. The richness of the illustrations from the blue-patterned teacups to the gallery of dog portraits that adorn a staircase evokes a strong sense of time and place. Polacco uses a palette of pinks and pastels that are quickly overshadowed by grays, black, and red to evoke Monique's growing realizations of the oppression, danger, and darkness of the moment. A strong contrast comes at the end when hope returns in the form of dozens of bright orange-and-black butterflies. Polacco's choice of monarchs to depict the butterflies emphasizes the miraculous nature of this occurrence because, although these butterflies are abundant in North America, they are rarely sighted in Europe. A portrait of friendship, courage, and hope. (author's note) (Picture book. 6-10)

Gr 1-5-Polacco relates the tale of her Aunt Monique to show, in picture-book terms, the suffering of the Jews during Nazi occupation and the courage of those who took part in the French Resistance. The setting is a small village; unbeknownst to the child, Monique's mother is hiding Jews in their basement. It is at night, when Sevrine emerges from the depths to peer out the window, that Monique awakens and the secret friendship begins. Polacco's use of color has never been more effective. The blackness, which starts on the endpapers, surrounds the girls' conversations, Sevrine's basement existence, the ditch hiding the two families as they flee to the next refuge, and the train car on Monique's return trip (she has become separated from her mother). In contrast are the light-filled scenes of Monique and her mother at breakfast, their sweet reunion at home, and, on the last page, mother and child surrounded by butterflies. Earlier, Monique had watched a soldier crush a papillon; later, she had taken a fluttering "kiss of an angel" inside for her friend. The bold pattern and heightened color of the insect provides a counterpoint to the equally dynamic black-on-red swastikas. Convincing in its portrayal of both the disturbing and humanitarian forces of the time, the title is not as dark or graphic as Robert Innocenti's Rose Blanche (Harcourt, 1996). An author's note relates the rest of the story: Sevrine survived and the friendship still flourishes. A perfect blend of art and story.-Wendy Lukehart, Dauphin County Library, Harrisburg, PA Copyright 2000 Cahners Business Information.

In a quiet author's note, Polacco tells the true story on which this picture book is based. Her aunt Monique was a child in France during the Nazi occupation. Monique didn't know that her mother was active in the French Resistance and was hiding a Jewish family in the cellar of her house. Told from the child's viewpoint, the facts are spellbinding: Monique's discovery of the hidden refugee child, Sevrine, the end of the girls' strong friendship when the Jewish family is forced to flee and face the Nazi patrols. Unfortunately, the storytelling and pictures are melodramatic and sentimental. The sustained metaphor of the title refers to a fragile butterfly that Monique brings to Sevrine in hiding. It flutters like the kiss of an angel, but is crushed in the fist of an ominous Nazi. In the end Monique sees a group of butterflies flying free and takes that as a sign that her friend is safe. What will hold grade-school kids is the truth of the friendship story and the tension of hiding to survive. (Reviewed April 1, 2000)