Horn Book (Tue Aug 01 00:00:00 CDT 2006)

[author2=illustrator2]Fifty-one traditional nursery rhymes including "Jack Sprat" and "The Cat and the Fiddle" are gathered here in an inexpensive book that will remind many readers of the classic black-and-white checked Mother Goose collection. This book has blue-and-white checks and simpering, amateurish art. There are too many excellent collections of nursery rhymes to bother with this one.

Kirkus Reviews

The author recalls a rocky Arizona hilltop where her mother and the neighborhood friends of her childhood fashioned a town from old crates, rocks, and an endless supply of imagination. Streets and houses were added, offices held (``Marian was mayor of course; that was just the way she was. Nobody minded''), businesses thrived, and found objects were put to artful use. There were sticks as swift horses to ride, a jail with cactus on the floor, wars (the fort was always safe), a cemetery (just one dead lizard, and flowers)—a microcosmic world of happy improvisation. Turning her palette to dusty blues and the other rich hues of the desert, Cooney captures the setting and the joy with her usual lucid design, gentle wit, and grasp of what is beguiling and significant. Many books memorialize imaginative play in the hope of inspiring a new generation, but rarely with so much creative and evocative power. (Picture book. 4-8)"

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Roxaboxen celebrates the imagination of children who, no matter the time or place, can create whole worlds out of what they find around them--here, rocks and boxes, cacti and sand. Marian and her friends find a special place'' in the desert where in time-honored fashion, they play the games that will prepare them for their grown-up lives. They make houses, drive pretend cars, bake bread, ride stick ponies, fight their wars and bury their dead. Drawn from her mother's reminiscences, McLerran's gentle text is both particular and universal, as she fondly tells this evocative story--Of course, if you broke the speed limit you had to go to jail. The jail had cactus on the floor to make it uncomfortable, and Jamie was the policeman.'' With its gently rolling terrain, blossoming ocotillos and cacti, and vast skies of ever-changing hues, Cooney's ( Hattie and the Wild Waves ; Island Boy ) desert is a wondrous and beauteous place. The doll-like children in their knickers and sailor dresses emphasize the timelessness of this place where ``seasons changed, and the years went by but Roxaboxen was always there.'' Ages 5-8. (Apr.)

School Library Journal

K-Gr 3-- This treasure of a story is about magic--the ordinary magic that every child understands: imagination. It is also a story about a treasured place: a child's imaginary town named Roxaboxen. The rules are simple: you make them up as you go along according to the whim of the day or the personality of the residents. In Roxaboxen, Marian was mayor, of course; that was just the way she was. Nobody minded.'' The rules don't even have to be consistent--as long as they make sense. Speeding was not allowed by car butah, if you had a horse, you could go as fast as the wind . . . All you needed for a horse was a stick and some kind of bridle.'' With a true child's voice, McLerran uses just the right phrase or word to make the town and its residents spring clearly off the page. Cooney's brightly colored illustrations done in her classic and recognizable style etch the town and its inhabitants indelibly on the page as well as in the mind's eye. Her soft, personable little figures give the town and its story just the right feeling. This book celebrates how children and their imaginations make fanciful things become magically real and make them last forever. Don't miss it. --Jane Marino, White Plains Pub. Lib., NY