Porch Lies: Tales of Slicksters, Tricksters, and Other Wily Characters
Porch Lies: Tales of Slicksters, Tricksters, and Other Wily Characters
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Publisher's Hardcover ©2006--
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Alfred A. Knopf, Inc.
Annotation: A collection of ten tales of tricksters.
Genre: [Short stories]
 
Reviews: 7
Catalog Number: #4373920
Format: Publisher's Hardcover
Common Core/STEAM: Common Core Common Core
Copyright Date: 2006
Edition Date: 2006 Release Date: 08/22/06
Illustrator: Cahrillo, Andre,
Pages: xii, 146 pages
ISBN: 0-375-83619-5
ISBN 13: 978-0-375-83619-0
Dewey: Fic
LCCN: 2005022048
Dimensions: 28 cm.
Language: English
Reviews:
Starred Review ALA Booklist (Mon May 01 00:00:00 CDT 2006)

Starred Review Like McKissack's award-winning The Dark Thirty (1992), the nine original tales in this uproarious collection draw on African American oral tradition and blend history and legend with sly humor, creepy horror, villainous characters, and wild farce. McKissack based the stories on those she heard as a child while sitting on her grandparents' porch; now she is passing them on to her grandchildren. Without using dialect, her intimate folk idiom celebrates the storytelling among friends, neighbors, and family as much as the stories themselves. "Some folk believe the story; some don't. You decide for yourself." Is the weaselly gravedigger going to steal a corpse's jewelry, or does he know the woman is really still alive? Can bespectacled Aunt Gran outwit the notorious outlaw Jesse James? In black and white, Carrilho's full-page illustrations rt cartoon, part portrait in silhouette mbine realistic characters with scary monsters. History is always in the background (runaway slaves, segregation cruelty, white-robed Klansmen), and in surprising twists and turns that are true to trickster tradition, the weak and exploited beat powerful oppressors with the best lies ever told. Great for sharing, on the porch and in the classroom.

Starred Review for Publishers Weekly

As McKissack (<EMPHASIS TYPE=""ITALIC"">The Dark-Thirty) opens this treasure chest of tales, she recalls spending summer evenings on her grandparents' front porch in Nashville, where her grandfather and visitors would share spellbinding "porch lies," comically exaggerated stories that often centered on rogues and rascals. The author then presents her own variations on such yarns, "expand[ing] the myths, legends, and historical figures who often appear in the African American oral tradition" to create a sparkling array of porch lies, brimming with beguiling tricksters. McKissack sets the domestic scene for each by describing the porch visitor who first related the tale. A standout features wise, sassy Aunt Gran, who outsmarts Frank and Jesse James, manipulating the bandits into running out of town the racist villain who salted her well in hopes of procuring her property. Other memorable characters include the conniving used-car salesman who is brought to judgment quite humorously on the eve of his wedding; the truth-twisting fellow who wins the liars' contest at the state fair with the line, "I aine never told a lie before"; and a famous blues harmonica player, who wreaks such havoc in the holding station en route to heaven—or the alternative—that he's sent back to earth. Aunt Gran, slyly telling the James brothers a tale that will convince them to help her, notes, "Some folk believe the story; some don't. You decide for yourself." Readers of these spry tall tales will have a grand time doing just that. Ages 8-12. <EMPHASIS TYPE=""ITALIC"">(Aug.)

School Library Journal Starred Review (Fri Sep 01 00:00:00 CDT 2006)

Gr 5 Up-These 10 literate stories make for great leisure listening and knowing chuckles. Pete Bruce flatters a baker out of a coconut cream pie and a quart of milk; Mingo may or may not have anything smaller than a 100-dollar bill to pay his bills; Frank and Jesse James, or the Howard boys, help an old woman against the KKK-ish Knights of the White Gardenia; and Cake Norris wakes up dead one dayagain. Carrilhos eerie black-and-white illustrations, dramatically off-balance, lit by moonlight, and elongated like nightmares, are well-matched with the stories. The tales are variously narrated by boys and girls, even though the authors preface seems to set readers up for a single, female narrator in the persona of McKissack herself. They contain the essence of truth but are fiction from beginning to end, an amalgam of old stories, characters, jokes, setups, and motifs. As such, they have no provenance. Still, it would have helped readers unfamiliar with African-American history to have an authors note helping separate the truth of these lies that allude to Depression-era African-American and Southern traditions. That aside, theyre great fun to read aloud and the tricksters, sharpies, slicksters, and outlaws wink knowingly at the child narrators, and at us foolish humans. Susan Hepler, formerly at Burgundy Farm Country Day School, Alexandria, VA

Horn Book (Tue Aug 01 00:00:00 CDT 2000)

Four stories span three seasons, feature two sheep, and illuminate one great friendship. Blanche and Otis rake leaves in the fall, and after a storm topples Otis's tree, Blanche gives him a baby pine tree for Christmas and presents him with lawn chairs made from his old tree. Caple's soft illustrations depict the changing seasons and emphasize the quiet mood of the episodic plot.

Kirkus Reviews

The author of The Dark-Thirty: Southern Tales of the Supernatural (1992), illustrated by Brian Pinkney, mines a lighter vein with nine original tales that hark back to yarns from her Tennessee childhood. Opening with reminiscent scene-setters, all feature human "slicksters and tricksters" able to get what they want with charm, like con man Pete Bruce—who scores a generous portion of coconut cream pie from an undeceived cook—or despite bad reputations end up performing some worthy deed, as does chauffeur Lincoln Murphy, who excavates a prematurely buried employer. Other tales feature appearances from Frank and Jesse James, helping to rid sharecroppers of a white predator; from Ralph, king of the ghosts; and from the Devil himself, who makes a young musician the same so-tempting offer once made to bluesman Robert Johnson at a certain crossroads. Capped by blues harmonica player Cake Norris's two-part odyssey up and down the ladder to Heaven, these tales all lend themselves to telling or reading aloud, and carry the common theme that even the worst rascals have saving graces. (author's introduction) (Short stories. 10-12)

Reviewing Agencies: - Find Other Reviewed Titles
Starred Review ALA Booklist (Mon May 01 00:00:00 CDT 2006)
Starred Review for Publishers Weekly
School Library Journal Starred Review (Fri Sep 01 00:00:00 CDT 2006)
ALA Notable Book For Children
Horn Book (Tue Aug 01 00:00:00 CDT 2000)
Kirkus Reviews
Wilson's Children's Catalog
Word Count: 34,803
Reading Level: 4.8
Interest Level: 3-6
Accelerated Reader: reading level: 4.8 / points: 5.0 / quiz: 108714 / grade: Middle Grades
Reading Counts!: reading level:4.5 / points:9.0 / quiz:Q39717
Lexile: 790L
Mis Martha June was a person I thought incapable of telling a porch lie. I was wrong. Always prim and proper, she was a churchgoing woman who spoke in quiet, refined tones with her mouth pursed in the shape of a little O. She was never without a dainty pocket handkerchief tucked in her sleeve, which she gingerly used to dab perspiration from her brow. A woman of Mis Martha June's qualities did not sweat.

She owned a bakery that was known for having the best coconut cream pies in the world--same recipe her mother used, and her mother before her. And no customer was more faithful than a wily character named Pete Bruce, about whom she loved to tell stories. He was considered the prince of confidencers, and the idea of Mis Martha June having anything to do with the likes of him was about as odd as a fox and a hen striking up a friendship.

"Pete Bruce was the worst somebody who ever stood in shoes," Mis Martha June always began in her quiet manner. But then she'd add quickly, "I'll be the first to admit, however, he could make me laugh in spite of myself, especially when he threw one of his million-dollar smiles my way. . . ."

Here is the rest of the story as she told it long ago on our front porch, on a late summer night.



----



I was near 'bout ten years old when I first laid eyes on Pete Bruce. He was a full-fledged rascal and I knew it! If you went by looks alone, Pete Bruce was pleasing enough. Had a nice grade of hair, wore it slicked back with Murray's hair dressing oil and water; had plum black skin, even darker eyes, and a devil-may-care swagger. As I recollect, he always loved big Stetson hats, flashy cars, and loud suits. Stood out. Pete Bruce liked that--standing out, being noticed and all.

Mama sold coconut cream pies to passengers at the bus station back then, and her reputation as a super baker was known far and wide. Most people called her the Pie Lady. I helped Mama on weekends or when I wasn't in school, so folk started calling me Li'l' Pie. And a few people still call me Pie to this day.

It was an ordinary Tuesday morning when Pete Bruce stepped off the bus. Hot! My goodness, it was hot as blue blazes. Yet I noticed that this man had on a suit, fresh and crisp as if he'd just taken it off a cleaning rack. "How come he looks so neat when everybody else looks like they slept a week in their clothes?" I wondered out loud.

"A sign of good material," said Mama, who was studying the stranger as a potential customer.

We watched as he dabbed his brow with a perfectly folded white linen handkerchief. He checked the crease in his hat and placed it squarely on his head. Then he studied the surroundings, as if testing the wind, getting the lay of the land. Spying Mama and me, he picked up his carpetbag and started on over.

The man had an ageless body. By the bounce in his step, he could have been twenty, but the set of his brow told the story of a much older man. "Morning," he spoke real polite-like, flashing the biggest grin. "Name's Pete Bruce. Them coconut cream pies?" he asked Mama, examining the display she had arranged on the hood of our '28 Ford.

"Welcome to Masonville," Mama said cheerfully. "This is my daughter, Martha June. And yes, sir, these are coconut cream pies made by none other than Frenchie Mae Bosley, yours truly." Mama extended her hand and Pete Bruce took it and pumped it like a bellows. He grabbed mine and shook it, too, and I noticed how soft his was. This was not a man used to hard work.

"Pies do look good," he said, still holding that grin like an egg-stealing fox.

"Here, have a piece." Mama always let people taste a sliver of her sample pie. It was great for business, 'cause not one person had ever taken a taste and not bought a whole one. Sometimes they bought two.

Pete removed his hat--the way a man does when entering a church or a funeral--and clutched it to his chest. "No, ma'am," he said ever so courteously.

"What's the matter?" Mama said, sounding sympathetic. "You got sugar?"

He shook his head, lowered his eyes, and leaned on one foot and then the other. "No, ma'am, I aine diabetic." He sighed heavily.

"Well, what, then?" Mama was curious now.

"I mean no disrespect, Miz Frenchie, but there's a lady over in Steelville, Miz Opal Mary, she bakes the best cream pies in the world. Ummmm!" He closed his eyes as if eating one right then. "I--I have no doubt that your pie is delicious, but it just can't be as good as Miz Opal Mary's."

Mama's back stiffened. "How can you say that without having eaten mine?" she replied curtly.

Pete Bruce went back to shifting his weight from one foot to the other, eyes cast downward. "I'm sure your pies are fine, ma'am. But I'd rather not disappoint the last memory I have of Miz Opal Mary's rich, creamy, oh-so-sweet coconut cream pie."

Mama was beside herself. "I assure you, young man, there is no way in the world you would be disappointed if you ate a slice of my pie."

"I can't be sure," Pete said, looking like it made him sad to say it.

Quickly Mama cut a small wedge from her sample pie. She shoved it at Pete Bruce. Slowly, as if it pained him to do so, he put the whole thing in his mouth and chewed on it with his eyes closed. "Ummm," he moaned.

"Well, sir," said Mama confidently, "tell me the truth. Wasn't that the best thing you ever put in your mouth?"

Pete Bruce opened his eyes and shook his head. "I wish I could say, but . . ."

"But what?"

Pete shrugged. "I'm confused. It's hard to tell whose is better. Yours? Or Miz Opal Mary's?"

Excerpted from Porch Lies: Tales of Slicksters, Tricksters, and Other Wily Characters by Patricia C. McKissack
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Side-splittingly funny, spine-chillingly spooky, this companion to a Newbery Honor–winning anthology The Dark Thirty is filled with bad characters who know exactly how to charm.

From the author's note that takes us back to McKissack's own childhood when she would listen to stories told on her front porch... to the captivating introductions to each tale, in which the storyteller introduces himself and sets the stage for what follows... to the ten entertaining tales themselves, here is a worthy successor to McKissack's The Dark Thirty. In "The Best Lie Ever Told," meet Dooley Hunter, a trickster who spins an enormous whopper at the State Liar's contest. In "Aunt Gran and the Outlaws," watch a little old lady slickster outsmart Frank and Jesse James. And in "Cake Norris Lives On," come face to face with a man some folks believe may have died up to twenty-seven different times!

When Pete Bruce came to town
Change
The devil's guitar
Aunt Gran and the outlaws
By the weight of a feather
A grave situation
The best lie ever told
The earth bone and the King of the Ghosts
Cake Norris lives on.

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