School Library Journal Starred Review (Thu Nov 01 00:00:00 CDT 2007)

PreS-Gr 2 With brief text and vibrant artwork, Seeger describes familiar transformations in nature. The opening spread reads, "First the EGG." Textured backdrops painted in mustard yellow and rusty orange fill the eye and focus attention on a white egg that peeks through an oval-shaped die-cut from the next page. The following spread completes the thought, "then the CHICKEN," revealing a just-hatched chick and a fluffy white hen. Other similarly conveyed cycles include tadpole to frog, seed to flower, and caterpillar to butterfly. Finally, Seeger extends the concept to a broader sphere, with "First the WORDthen the STORY" and "First the PAINTthen the PICTURE," bringing the book full circle with an illustration that incorporates all of the highlighted entities, including the chickenwhich then lays an egg. Throughout, the paintings focus closely on the items being described, and vivid color combinations and see-through die-cuts keep the art fresh and inviting. With its even rhythm, clearly expressed concept, and strong visuals, this book would make a great read-aloud for preschoolers; it could also serve as a beginning reader, a simple introduction to developmental biology, an example of logical sequencing, and a launchpad for creative writing. Joy Fleishhacker, School Library Journal

ALA Booklist (Fri Feb 01 00:00:00 CST 2008)

Beginning with the die cut on the cover, which completes the title and hides a secret underneath, this delivers a string of delightful surprises as Seeger crisply explores the stages of development in the natural world and, then,  how a story grows. Thickly textured backgrounds provide visual energy for minimalist images that cleverly incorporate additional die cuts. "First the EGG," reads the text on the opening spread, which pictures the egg through an appropriately shaped hole. When children flip the page, they'll find a fuzzy chick and its adult counterpart hen the CHICKEN." So it goes through the life stages of frog, flower, and butterfly. Suddenly, Seeger turns away from nature. "First the WORD," she writes, "then the STORY." "First the PAINT . . . then the PICTURE," accompanied by a painting that pulls the book together, showing chicken, flower, frog, and butterfly enjoying a beautiful day together. A funny finale sets up the book's beginning. Pages are sturdy enough to support poking fingers and repeated viewings, both of which are guaranteed.

Kirkus Reviews

A deceptively simple, decidedly playful sequence of statements invites readers to ponder, what comes first: the chicken or the egg? Carefully choreographed page turns and die-cuts focus on the process of change and becoming, so "First" sits alone on a yellow background, facing "the EGG"—an egg-shaped die-cut revealing a white egg against an orange-and-brown background. Turn the page, and "then" appears, the egg-shaped die-cut now forming the yellow body of a chick emerging from the shell, facing "the CHICKEN"—the white hen whose body gave color to the previous spread's egg. Tadpole and frog, seed and flower, caterpillar and butterfly all receive the same treatment, then word and story, paint and picture bring all the disparate elements together, nature being the catalyst for art. Seeger's vibrant, textured oil-on-canvas illustrations contain a wealth of subtlety, allowing the die-cuts to reveal cunning surprises with each turn of the page. Children and adults alike will delight in flipping the sturdy pages back and forth to recreate the transformations over and over again. Another perfectly pitched triumph from an emerging master of the concept book. (Picture book. 2-6)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

In another nimble page-turner, Seeger (<EMPHASIS TYPE=""ITALIC"">Black? White! Day? Night!) toys with die-cuts and strategically paired words. She introduces a chicken-or-egg dilemma on her book’s cover, picturing a plump white egg in a golden-brown nest. Remove the die-cut dust jacket, and a hen appears on the glossy inner cover. The eggshell, thickly brushed in bluish-white and cream, also serves as the chicken’s feathers. This “first/then” pattern is repeated (“First the egg/ then the chicken./ First the tadpole/ then the frog”), with a die-cut on every other page. By flipping a page, readers see the cutout in two contexts. For instance, when an ovoid shape is superimposed on a white ground, it’s an egg; on a yolk-yellow ground, it’s the body of a baby chick. Seeger lines up the recto and verso of every sheet, maintaining a casual mood with generous swabs of grassy greens, sky blues and oxide yellows on canvas. Given the exuberant imagery, the occasional cutout (like the fingernail-size seed of a blowsy peony-pink flower) looks none too impressive. But if minuscule die-cuts seem barely worth the trouble, they do imply the potential in humble sources. Seeger’s clever conclusion brings all the elements together in an outdoor scene that returns readers to the opening: “First the paint/ then the picture… / First the chicken/ then the egg!” Ages 2-6. <EMPHASIS TYPE=""ITALIC"">(Sept.)