Starred Review With his latest novel, the Newbery-winning author of Holes (1998) fulfills a need the world probably didn't even know it had: the great teen bridge novel. Alton Richard's great-uncle Lester Trapp is rich and ailing, a combo that leads Alton's parents to hatch a plan for the teen to cozy up to the old man and carve out a chunk of inheritance. Though blind, Trapp is a brilliant, world-class bridge player and needs someone to read him his cards and make his plays. Enter Alton, who wouldn't begin to know how to decipher questions like "One banana, pass, pass, two no-trump. Is that unusual?" But he withstands the constant barbs from his irascible uncle and grows more intrigued by the game (in no small part due to the cute, kind-of-crazy girl who also plays). Sachar liberally doles out detailed commentary on the basics and then nuances of the game, and in a nod to the famously dull Moby-Dick chapter on the minutiae of whaling, a little whale image appears when the bridge talk is about to get deep so readers can skip right ahead to a pithy wrap-up. But don't be fooled: it is astonishing how Sachar can make blow-by-blow accounts of bridge not only interesting but exciting, treating each play like a clue to unravel the riddle of each hand. An obvious windfall for smart and puzzle-minded teens, this is a great story to boot, with genuine characters (save the scheming parents) and real relationships, balanced by casual, confident storytelling.

“I realize that reading about a bridge game isn't exactly thrilling,” 17-year-old narrator Alton tells readers early on. Luckily, this funny and thoughtful novel is as much about building bridges—between generations and maybe even between life and death—as it is about playing cards. Alton gets roped into serving as a card turner for his great-uncle, Lester Trapp, a bridge whiz who recently lost his eyesight (Alton's job is to read Trapp's cards for him). Though Alton barely knows Trapp, his opportunistic mother won't miss a chance for Alton to get in good with his “favorite uncle,” who's wealthy and in poor health. To Alton's surprise, he becomes enamored of the game and begins to bond with his crusty uncle—who shares insight into synchronicity and the connection between reality and perception. With dry, understated humor, Alton makes the intricacies of bridge accessible, while his relationships with and observations about family members and friends (including an ex-girlfriend, a manipulative best friend, and especially Trapp's former card turner) form a portrait of a reflective teenager whose life is infinitely enriched by connections he never expected to make. Ages 12–up. <EMPHASIS TYPE=""ITALIC"">(May)

Who wants to read a novel about playing bridge—a dull, old-fashioned game nobody plays anymore, some old person's idea of fun before there were cell phones, television, iPods and video games? That's what 17-year-old Alton Richards thinks about bridge when he gets a job as cardturner for his diabetic, blind and curmudgeonly (and fabulously rich) Uncle Lester Trapp, a bridge master. In a journey into the culture of bridge and its alien rules and language, Alton comes to see the extraordinary in Trapp and to consider such new ideas as perception, synchronicity, randomness and the subconscious. Alton's first-person voice is the right vehicle for taking readers into this world and delineating how Alton is changed by the newfound relationship with his uncle and sort-of cousin Toni. Readers need not be card sharks to appreciate this unusual story; in fact, they will soon realize they've been dealt more than cards in this narrative of how big ideas and unforgettable characters affect Alton as he learns to take charge of his life and play his own hand. Intelligent readers will love this work—it's in the cards. (appendix) (Fiction. 12 & up)

Gr 8 Up-Alton Richards is resigned to spending a slow summer on his own after his girlfriend leaves him for his best friend and he finds himself with no money and no job. Unfortunately, his mother insists that he become his blind great-uncle's chauffeur and cardturner at local bridge tournaments. Though the 17-year-old has only met Lester Trapp on a few occasions, his mother hopes that this connection will inspire the wealthy old man to write the family into his will. Alton reluctantly agrees, even though he knows nothing about bridge and has no interest in learning the game. He meets Toni Castaneda at the tournaments and soon discovers that he's not the only long-lost relative intent on winning over Trapp and his inheritance. What transpires is an intriguing glimpse into a crazy family full of secrets and unusual quirks. The characters are well limned, and the narrative is laced with Sachar's trademark wry humor. Most teens have very little knowledge about bridge, a fact that Alton acknowledges several times throughout the novel. At times, the story line becomes thick with technical game descriptions, though he does offer an option to skip these sections by providing a symbol to indicate more in-depth card instructions. This well-written novel contains a rewarding intergenerational friendship and a sweetly appealing romance in the making. Nonetheless it may require an additional nudge to hook readers. It's a nudge worth giving for motivated teens and those who enjoy Sachar's novels. Stephanie Malosh, Donoghue Elementary School, Chicago, IL

At his parentsÆ urging, Alton Richards begins assisting his wealthy great-uncle Trapp, a master bridge player. Trapp is blind and his last cardturner dared to question him, so AltonÆs parents see this as the perfect opportunity to get in good with Trapp. Soon, Alton learns the rules of the game, and hints to a long-buried scandal involving a presidential hopefulÆs wife. He also develops a love of the game himself. He gets to know his predecessor, the lovely -- yet likely insane -- Toni Castaneda, a possible rival for TrappÆs fortune -- and a potential soul mate. Already well-versed at immersing readers in fantastic, strange new worlds, Sachar is the first to admit that a novel about bridge seems unlikely. To prove this point, he includes pictures of a whale as a warning any time the story goes into ôMoby Dickö-style detail. Still, all of his artistry is on display, with rich characters, an intriguing mystery and more than a dash of infectious enthusiasm. ItÆs not hard to envision extracurricular bridge competitions popping up in schools all over as a result. Perhaps because of its relatively unusual subject matter, the story never fully reaches the epic proportions achieved in his previous classics like Holes (Farrar, Straus & Giroux, 1998/VOYA December 1998) and Sideways Stories from Wayside School (HarperCollins,1998), but Sachar has undeniably written the Great American Bridge Novel.ùMatthew Weaver.