Parallel lives intersect as Danny Lopez spends the summer with his Mexican father's relatives, although he does not really fit in because he is half-white and does not speak a word of Spanish. Almost immediately, Danny comes into conflict with African American Uno during a baseball mishap. Slowly before readers' eyes, both boys' worlds develop. Senior, Uno's father, has found religious reformation and is trying to impart wisdom onto his son, whereas Danny plans to fly farther south and track down his dad in Mexico. De la Pe±a does an excellent job of showing readers the potential his characters possess and what they will have to pursue in the days ahead. Danny's cousin Sofia is Uno's romantic interest and she also seems on the cusp of making strong, positive choices for herself. Readers come to care for both Danny and Uno as they finally come together through the sport they both love. Everyone in the book faces mountains of obstacles, and in a fantastic move by the author that is not cloying or obvious, they also have the temerity to overcome them. De la Pe±a makes their world feel real by not shying away from the harsh realities. Readers see themselves in Danny, Uno, and Sofia, whether or not they share their backgrounds. In the end, they find themselves wanting the characters to succeed.-Matthew Weaver.

The one place Danny feels accepted is the baseball field. He imagines becoming a star, making his father proud enough to return from Mexico. This fast-paced baseball story is unique in its gritty realism, framed in the context of broken homes and bicultural pressures. De la Pena poignantly conveys the message that, despite obstacles, you must shape your own future.

Angry with his Caucasian mother and feeling removed from his Hispanic heritage, 16-year-old Danny decides to spend the summer with his father's relatives in an attempt to re-forge his identity. It's a busy summer—he's both running a pitching scam with Uno, a disillusioned interracial teenager, and falling in love with Liberty, a recently arrived immigrant. Danny's sophomoric plan to find his missing dad reflects a balance between idealism and stupidity, especially since astute readers will quickly deduce the whereabouts of his father. While Danny's self-inflicted wounds are physical manifestations of his identity crisis, de la Pena depends too heavily on the absent-parent motif for emotional justification. Danny's internal voice occasionally grates, but the earnest emotions portrayed in his imagined letters to his father easily correct for this. Boisterous adult characters serve as outstanding foils for Danny and his friends, especially Senior, Uno's domineering father, who is given to rodomontade. Though not an out-of-the-park follow-up to 2005's Ball Don't Lie, de la Pena blends sports and street together in a satisfying search for personal identity. (Fiction. YA)

Biracial Danny Lopez doesn't think he fits anywhere. He feels like an outsider with his Mexican father's family, with whom he is staying for the summer, and at his mostly white school, and he wonders if his confusion drove his father away. He also struggles with his obsession for baseball; a gifted player with a blazing fastball, he lacks control of his game. With the support of a new friend and his caring cousins, Danny begins to deal with the multitude of problems in his life, which include his tendency to cut himself, an unusual characteristic in a male YA protagonist. The author juggles his many plotlines well, and the portrayal of Danny's friends and neighborhood is rich and lively. Where the story really lights up is in the baseball scenes, which sizzle like Danny's fastball. A violent scene, left somewhat unresolved, is the catalyst for him to confront the truth about his father. Danny's struggle to find his place will speak strongly to all teens but especially to those of mixed race.

Gr 9 Up-No matter where he lives, 16-year-old Danny Lopez is an outsider. At his private high school in wealthy northern San Diego County, "nobody paid him any attentionbecause he was Mexican." It didn't matter that he was half white. But when he visits the Mexican side of his family in National City, just a dozen miles from the border, Danny feels "Albino almost" and ashamed. He doesn't even speak Spanish. Rather than learning to blend in, Danny disengages from both worlds, rarely speaking and running his mind in circles with questions about how he might have kept his absent father from leaving the family. He decides to spend the summer in National City, hoping to get closer to his dad's roots and learn how to be "real" and stop feeling numb. Instead, he finds that, by the end of the summer, he has filled the void through unexpected friendship and love. In this first-rate exploration of self-identity, Danny's growth as a baseball pitcher becomes a metaphor for the conflicts he must overcome due to his biracial heritage. Dialogue written in a coarse street vernacular and interwoven with Spanish is awkward to read at firstlike Danny, readers are made to feel like outsiders among the hard-edged kids of National City. But as the characters develop, their language starts to feel familiar and warm, and their subtle tenderness becomes more apparent. A mostly linear plot (with occasional flashbacks), plenty of sports action, and short chapters make this book a great pick for reluctant or less-experienced readers. Madeline Walton-Hadlock, San Jose Public Library, CA