Four Spirits: A Novel
Four Spirits: A Novel
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HarperCollins
Just the Series: P.S.   

Series and Publisher: P.S.   

Annotation: Fictional account of life in Birmingham, Alabama, after the bombing of a church left four young black girls dead but still very much a part of the lives of survivors.
 
Reviews: 6
Catalog Number: #4525035
Format: Paperback
Publisher: HarperCollins
Copyright Date: 2003
Edition Date: 2009 Release Date: 05/19/09
Pages: xv, 524 pages
ISBN: 0-06-093669-X
ISBN 13: 978-0-06-093669-3
Dewey: Fic
LCCN: 2003051170
Dimensions: 21 cm.
Language: English
Reviews:
ALA Booklist (Tue Jul 01 00:00:00 CDT 2003)

In the highly acclaimed novel Ahab's Wife (1999), Naslund took a telling core sample of nineteenth-century American manners and customs by way of her own interpretation of the life of the wife of the captain of the Pequod. Now comes an equally dynamic and instructive novel, this time about southern American life in the early 1960s. The specific setting is Birmingham, Alabama, a locus of the civil rights struggle now erupting into flames. The author's note appended to the novel acknowledges Naslund's desire to limn the acts of courage and tragedy that marked daily life in Birmingham during these fractious but course-altering years; her method is to mix fictional characters with real ones to give alternating perspectives on the events that transpired. Gender, race, and racial attitudes span the spectrum as Naslund embeds personal stories--individuals' needs, goals, and frustrations--within the overall context of the country's changing climate. The ultimate effect is not a patchwork of tales but a smoothly flowing composite narrative of how life was led at the time and how it was irreparably altered. A vivid picture, rendered on a large but focused screen.

Kirkus Reviews

The earnest, accusatory latest from the versatile Alabama author ( Ahab's Wife , 1999, etc.), this time about the struggle for civil rights in Birmingham in the annus horribilis of 1963 and thereafter. The bombing of a black church in which four young girls (the title's presiding "spirits") are killed and the ideal of nonviolent resistance preached by Martin Luther King provide the background for a busy melodrama in which a dozen or more prototypical black and white characters work out their individual and common destinies. The central figure is Stella Silver, orphaned since childhood and sympathetically attuned to the plight of second-class citizens—to the extent that she undertakes dangerous volunteer duty teaching at a school for black children. Stella is matched in nobility by her college friend, wheelchair-bound Catherine ("Cat") Cartwright, and by angry black colleague Christine Taylor. As the summer in "Bombingham" heats up, and injustices and atrocities multiply, other major roles are filled by heroic Korean War vet TJ La Fayt (the object of particularly virulent racial violence); Christine's sensitive and artistic prize pupil Gloria; KKK stalwart Ryder Jones and his abused wife Lee (whom Ryder tutors in bomb-making); and Stella's second fiance (after she's dumped his insufficiently saintly predecessor), Cat's brother Don ("He was like Alan Ladd crossed with Rock Hudson"—hmmm). In case you're thinking the latter might have some redeeming human flaws, be advised that he's also a Peace Corps volunteer. Reverends King and Ralph Abernathy make cameo appearances, and the voice of Sheriff "Bull" Connor is heard throughout the land. Things end with the requisite sacrifices and martyrdoms, and the death of a celestial black matriarch, who, like Faulkner's Dilsey, has "endured." As social protest, Four Spirits is commendably passionate and partisan; as fiction, it's overexplicit, contrived, and stocked with posturing, lecturing cardboard characters. A great subject, poorly treated. Surely Naslund can do better than this.

School Library Journal

Adult/High School-The author of Ahab's Wife (Morrow, 1999), a feminist corrective to Moby-Dick, has picked an equally ambitious subject for this novel: the racial injustice, hatred, and horror of Birmingham, AL, circa 1963. With a full cast of fictional characters, and a few historical figures (Police Commissioner Bull Connor, the Reverends Shuttlesworth, King, and Abernathy), Naslund weaves a busy but satisfying story of real and imagined events: lunch-counter sit-ins, fire-hosed demonstrators, police dogs at children's heels. The title refers to the spiritual presence (felt by several characters) of the four young girls who died in the horrendous bombing of their church. One matronly woman "sees" them as honeybees on roses, one bee to a rose. Because of this and other such contrivances, some readers might find the narrative strained, and the principal characters either too good or too horrible. For the most part, though, the author manages to keep this big story under control, in part by employing a measured narrative pace. There is plenty of value here for strong, informed teens. Undoubtedly, some readers will find the novel too slow, or too full of names and events, and thus confusing. But for those who can handle the mature themes, Four Spirits is an excellent history lesson, and a story not soon forgotten.-Robert Saunderson, Berkeley Public Library, CA Copyright 2003 Reed Business Information.

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ALA Booklist (Tue Jul 01 00:00:00 CDT 2003)
Kirkus Reviews
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School Library Journal
Wilson's High School Catalog
Word Count: 170,620
Reading Level: 5.3
Interest Level: 9+
Accelerated Reader: reading level: 5.3 / points: 26.0 / quiz: 78112 / grade: Upper Grades
Four Spirits
A Novel

Chapter One

Stella

From many places in the valley that cradled birminghamyou could lift up your eyes, in 1963, to see the gigantic cast-iron statue of Vulcan, the Roman god of the forge, atop his stone pedestal. Silhouetted against the pale blue skyline, atop Red Mountain, Vulcan held up a torch in one outstretched, soaring arm. In other mountain ridges surrounding the city, the ore lay hidden, but the city had honored this outcropping of iron ore named Red Mountain, as a reminder of the source of its prosperity (such as itwas -- most of the wealth of the steel industry was exported to magnates living in the great cities of the Northeast), by raising Vulcan high above the populace, south of the city.

Fanciful and well-educated children liked to pretend that Vulcan, who looked north, had a romance with the Statue of Liberty, also made of metal. But she was the largest such statue in the world, and he was second to her, and that violated the children's sense of romance, for they understood hierarchy in romance to be as natural as hierarchy among whites and blacks.

Looking down from Vulcan -- his pedestal housed stairs, and around the top of the tower ran an observation platform -- you could see the entire city of Birmingham filling the valley between the last ridges of the Appalachian mountain chain as it stretched from high in the northeast to southwest.

In early May 1963, Stella's freckle-faced boyfriend, a scant half inch taller (but therefore presentable as a boyfriend, if she wore flats), had persuaded her to drive from their college, across the city, avoiding the areas where Negroes were congregating for demonstrations, to Red Mountain. From the observation balcony just below Vulcan's feet, Stella and Darl hoped for a safe overview.

I believe if outsiders would just stay out ... Darl had told her. Let Birmingham solve ... Don't you?

But Stella hadn't answered. Instead, she'd said, I'd like to see. I'm afraid to go close.

We can go up on Vulcan, Darl had offered, for he was a man who wanted to accommodate women; a man who loved his mother. Stella had met her. He'd brought along his bird-watching binoculars. Darl could recognize birds by their songs alone; he could imitate each sound; he kept a life list of all the birds he had ever seen. His actual name was Darling, his mother's maiden name, and though Stella dared not call him Darling, she longed to do so.

"Do you know the average altitude for the flight of robins?" he asked.

A spurt of laughter flew from between Stella's lips. She imagined the giggle as though it had heft and was falling rapidly down from the pedestal, down the mountain, into the valley.

"I don't have the foggiest idea," she said.

"About thirty inches."

"What a waste!" she said. "To have the gift of flight and to fly so low."

She thought Darl might laugh at her sentence -- half serious, half comic -- but he didn't.

Stella glanced up the massive, shining body of Vulcan, past his classical and bare heinie, up his lifted arm to his unilluminated torch. At a distance, she had often observed that the nighttime neon "flame" made the torch resemble a Popsicle. Cherry red, if someone had died in an auto accident; lime green, otherwise. Even this close and looking up his skirt, Vulcan's frontal parts were completely covered by his short blacksmith's apron.

Though it was May and the police were already into short sleeves, on the open observation balcony, Darl and Stella were lifted above the heat into a layer of air with cool breezes. Stella wished she'd worn a sweater. Darl put hisarm around her -- just for warmth, she told herself with determined naïveté, but she thrilled at his encircling arm diagonally crossing her back. His fingers fitted the spaces between her curving ribs. They were alone up in the air; they weren't some trashy couple smooching in public. Yes, this was what she had been wanting. Perhaps for years. Someone's arm around her, making her safe.

Stella knew her breasts were terribly small. If they had been plumper, Darl's fingertips might have found the beginnings of roundness. Sex, sex, sex, she thought. His hand slid down to her waist; her mind careened. Do I feel slender enough there? Inviting? With his other hand, Darl trained the binoculars on the city. With one finger, he adjusted the ridged wheel between the twin eyepieces. The black leather strap looped gracefully around the back of his neck.

Darl was the complete darling: a lover of nature, a lover of music, a lover of God, considerate, a gentleman -- if only he loved her. And best of all he was an organist, a master of the king of instruments. When Darl played Bach's "O Sacred Head, Now Wounded," creating his own improvisations, Stella felt understood. It was she who had been wounded, and the music was what she missed and needed. The way Darl played promised wholeness, profundity. Almost it seemed that the spirit of her father was hovering around Darl and her on this high place.

She placed her hand just below Darl's waist; she shivered as though to say "I only seek closeness for warmth, against the chill." Her palm loved the unfamiliar grain of the cloth of his trousers, and underneath, the firm flesh of his buttock just beginning to flare. How tantalized her hand felt, the hand itself wishing it dare move down to know the curve of his butt. She glanced again at the side of his cheek, the binoculars trained on the city. His hair was a rich brown, and his freckles almost matched his hair.

She wanted to brush the field glasses aside, to stand in front of him ...

Four Spirits
A Novel
. Copyright © by Sena Naslund. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Excerpted from Four Spirits: A Novel by Sena Jeter Naslund
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Weaving together the lives of blacks and whites, racists and civil rights advocates, and the events of peaceful protest and violent repression, Sena Jeter Naslund creates a tapestry of American social transformation at once intimate and epic.

In Birmingham, Alabama, twenty-year-old Stella Silver, an idealistic white college student, is sent reeling off her measured path by events of 1963. Combining political activism with single parenting and night-school teaching, African American Christine Taylor discovers she must heal her own bruised heart to actualize meaningful social change. Inspired by the courage and commitment of the civil rights movement, the child Edmund Powers embodies hope for future change. In this novel of maturation and growth, Naslund makes vital the intersection of spiritual, political, and moral forces that have redefined America.


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