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Werewolves. Fiction.
Gangs. Fiction.
Murder. Fiction.
Los Angeles (Calif.). Fiction.
Rival gangs of werewolves duke it out for control of Los Angeles in this dark but oddly tender free-verse novel. The werewolves of Barlow's imagined world don't adhere to traditional rules—descendents of the ancient lycanthropes, they feed on flesh and are able to change from man to dog whenever they please, regardless of the lunar cycle. Unofficially, there is room for only one woman in each pack, and she tends to link herself to the leader. Lark is the dominant dog in the beginning, until his girl (who remains unnamed) strays, and he is betrayed by Baron, a member of his pack. There are a few changes in leadership, but eventually Baron pairs with Sasha, a darkly seductive female werewolf, to form a dangerous rival gang. Lark's former girl hides out in human form with Anthony, a fully human dogcatcher. The girl is desperately worried that her new love will uncover her secret, yet she continues using her charms to seduce and murder threatening members of the werewolf community. Lark, meanwhile, seeking temporary refuge, turns himself over to the Pasadena Animal Shelter, where he is adopted as a pet by Bonnie, an insecure and lonely suburban woman. While Bonnie is at work, Lark organizes a new pack, made up of an unlikely cast of characters, including the token woman, an abused bartender named Maria. In other events, just as Lark's former girl gets ready to leave the werewolf life and flee Los Angeles with Anthony, she is attacked by Sasha, who is trying to bump her off. Though the fight ends in the girl's favor, it compromises her hopes for a simpler future. Lark is left with his own struggles, as he juggles his role as pack leader and his (unexpectedly content) life with Bonnie. Though the free-verse form takes getting used to, it serves to heighten Barlow's visceral imagery. A refreshing leap across genres.
School Library JournalAdult/High School Barlow's debut novel innovatively mixes horror, noir, and epic poetry, creating a uniquely thrilling read. Ruled by competing packs of werewolves, the seedy underside of LA is far stranger than anyone ever imagined. Lycanthropes hire themselves out as hit men and pushers, both driving and feeding off the criminal world. At the center of the story is Anthony Silvo, a self-professed loner and dogcatcher who falls in love with a mysterious woman; she leads a second life as a werewolf and works for Lark, the leader of the most dangerous werewolf pack on the streets. Her growing relationship with Anthony causes her to regret the wild choices of her past and seek out a new life. Meanwhile, Lark suspects that competing packs of lycanthropes are after his power and he prepares for a massive, citywide conflict. Other subplots include a detective's investigations into werewolf-related murders and a comic bridge tournament that might have ties to the LA drug trade. Some readers might be initially intimidated by Barlow's free-verse poetry, but, after a page, they will be swept into the rhythm. It's also to Barlow's credit that the touching moments between the woman and Anthony work as powerfully as the most graphic violence in the story. The dark humor and grim story line will immediately draw in fans of other neo-horror novels, such as Christopher Moore's You Suck: A Love Story (Morrow, 2007), but Barlow's deeper style is wholly his own. Matthew L. Moffett, Pohick Regional Library, Burke, VA
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Library Journal
School Library Journal
Wilson's High School Catalog
A Novel
Chapter One
Let's sing about the man there
at the breakfast table
brown skin, thin features, white T,
his olive hand making endless circles
in the classifieds
"wanted" "wanted" "wanted"
small jobs little money
but you have to start somewhere.
Here.
LA
East LA
a quarter mile from where they pick up the mariachis
on warm summer nights
two miles from La Serenata de Garibaldi's
where the panther black cars pause on their haunches
while their blonde women eat inside
wiping the blood red
mole from their quiet lips
"wanted" "wanted" "wanted"
he circles the paper
then reaches for the phone
breathes deep, begins.
"nope, sorry"
"job was taken already, good luck"
"you got experience?"
"leave a message"
"forgettaboutit"
"you sound Mexican, ola, you Mexican?"
"call back Monday"
"mmmn, I don't know nothing about that"
"no"
"no"
"no"
Then his barbed hook catches. A thin gold vein
is struck. Buds of hope crack through the dry white earth:
"oh sure, come on by, what's your name?"
Dogcatcher.
His father was not a man but a sleepy bull
with sledgehammer hands and a soft heart.
He once brought a dog home from the pound
for Anthony.
Sipping coffee by the phone now
that little yapping note of hope still rings in his ears.
Anthony smiles, remembering the way
the puppy sat between his father's strong legs
as they stood looking down like gods
at the cowering little creature.
They laughed. The pup relaxed,
wagged its fat tail.
His father was kind to the dog, to the kids, to his wife
until a week later when he went through the windshield
on Sepulveda. Hit so hard
it didn't matter where he landed.
And after that nothing was kind
it was every man for himself
and there were no men
just a widow, some kids
and a dog who went back to the pound,
taking his chances with no chance at all.
C'est la guerre.
Pondering his path,
Anthony wonders now,
if maybe that dog
wasn't just some real bad luck.
"Packs of thirty or forty at a time
wander loose
like gauchos in their own damn ghost town.
They come from the hills, up from the arroyos.
We don't know how many, estimates vary,
but each time they come in
a few house dogs go back with them.
Anytime you got toy poodles breeding with coyotes
it's gonna get interesting."
Calley is so white, he's red
with blanched features pickled and burned.
He shows Anthony how to wrangle, how to pull hoops, slip a wire.
They sit at the firing range. "You'll be shooting tranqs,
but might as well practice with live rounds." Calley shows
bite marks on his hands, legs and arms.
His breath bites too: coffee, cigarettes, and just plain old rancid.
"I'll ride partner with you for a bit, but with all the cutbacks
they're making us all ride solo now."
"What happens if I hit a pack?"
"Hit a pack, hit the radio." Calley pauses, draws on a smoke
the red in his eyes almost matches the
blood vessels spidering across his face
It's a foggy, milky, bloodshot stare,
but it still holds a mean light.
He rasps, "You like dogs?"
"Yeah, sure."
"Mmmn," he nods. "You won't."
The "animal control" logo makes Anthony wonder.
Animals have no control, they run, they fuck, they eat,
they kill to fuck, they kill to eat
and they sleep in the noonday sun.
Anthony's not afraid of the dogs,
he's not afraid of the work,
he just hates the other guys.
He sits apart, trying to stay clean.
Perhaps over time he will become like them
with their permanent stains and bitter dispositions.
But Christ almighty, he thinks,
I hope not.
A Novel. Copyright © by Toby Barlow. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
Excerpted from Sharp Teeth: A Novel by Toby Barlow
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
“Barlow’s imagery is magnificent . . . [A] kooky combo of grit, goofiness, and gusto . . . demonstrates that fantasy . . . may just be the place to find true exuberance and stylistic innovation.” — Los Angeles Times Book Review
An ancient race of lycanthropes has survived to the present day, and its numbers are growing as the initiated convince L.A.’s down and out to join their pack. Caught in the middle are Anthony, a kind-hearted, besotted dogcatcher, and the girl he loves, a female werewolf who has abandoned her pack.
Blending dark humor and epic themes with card-playing dogs, crystal meth labs, surfing, and carne asada tacos, Sharp Teeth captures the pace and feel of a graphic novel while remaining “as ambitious as any literary novel, because underneath all that fur, it’s about identity, community, love, death, and all the things we want our books to be about” [Nick Hornby, The Believer].