Paperback ©2001 | -- |
FIFA Women's World Cup.
Women soccer players. United States. Biography.
Soccer for women. United States.
Longman, an award-winning New York Times sportswriter, masterfully weaves gender issues, the influence of Title IX, and biographies and interviews with key players into each moment of her retelling of the 1999 Women's World Cup championship match between the U.S. and China. What happened at the Rose Bowl on July 10, 1999, was a historic moment not only because a recreational sport was catapulted to a national event but also because more than 40 million TV viewers tuned in, proving that women's sporting events are as appealing as men's. Two chapters of special note include, The Great Wall of China and Fly in the Milk, in which Longman profiles the Chinese athletes and explores issues of minority participation in the sport. Her account is sure to educate readers about a significant turning point in sports history, appeal to converted fans eagerly awaiting the upcoming 2000 Olympics, and inspire all who crave wholesome competition with athletic role models representing the best values: hard work, dedication, sacrifice, loyalty, and teamwork. (Reviewed June 1 & 15, 2000)
Kirkus ReviewsA New York Times sports correspondent tracks the emergence, triumph, and possible lasting impact of elite women's soccer in America. In the summer of 1999, the US women's team defeated the China in one of the greatest matches ever played in world soccer. This victory, which awarded the US its second World Cup, made household names of team stars like Mia Hamm, Michelle Akers, Brianna Scurry, and Brandi Chastain. Showing remarkable restraint and objectivity, Longman introduces readers to these and other women who refused to let traditional gender roles define their success. Without resorting to melodrama, the author details the sacrifices and hardships experienced by female soccer players in the early days: the prejudices facing girls who integrated junior soccer leagues in the 1970s; the poor accommodations, shoddy uniforms, and erratic coaching of the 1980s and early '90s; the lukewarm support given women athletes by the sport's American governing body, US Soccer, virtually to this day. Despite the far greater success of women players in their last quadrennial World Cup (the US men finished dead last, losing a match to Iran; the women finished first in 1991, second in 1995, and first again in 1999), it took a threatened boycott by the women after the Cup victory to achieve pay parity. While Longman may overstate his case in his title, he makes it clear that the US women's soccer team has, by using its success as a bully pulpit, done a great deal to advance such causes as equal pay, and to foster strong role models and positive body image. With a soccer rematch against China looming at the 2000 Olympic games late this summer, and a greater focus on women athletes in general, Longman's account will attract a lot of attention, and deservedly so.
School Library JournalYA-Longman begins his book on a very hot day in the Rose Bowl at the Women's World Cup finals on July 10, 1999. Although the outcome of the competition, a U.S. win on a penalty kick by Brandi Chastain, made soccer history, he maintains suspense by abandoning a straight report and interspersing related themes. He offers an appraisal of the effect of Title IX, which granted equality for women; an analysis of the rise of women's teams worldwide; insights into the politics of soccer officialdom regarding player and coach financing; and allotment of money for equipment and travel needs. Of greatest interest to young people, however, are Longman's interviews with individual players. Whole chapters are devoted to the careers, philosophies, and doings of Michelle Akers, Mia Hamm, Tiffeny Milbrett, Kristine Lilly, and Briana Scurry. In addition, there is a post-game insight into what fame and endorsement riches have done for and to these "Girls of Summer."-Frances Reiher, Fairfax County Public Library, VA Copyright 2000 Cahners Business Information.
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The U.S. Women's Soccer Team and How It Changed the World
Chapter One
Afterword
A League of Their Own
"Are you Brandi Chastain?"
"No, she's the naked one."
But you're somebody, aren't you?"
The woman in the restaurant filed through her mental Rolodex.
"I've seen you somewhere. A Denny's ad?"
"Dunkin' Donuts."
"Right, so you're . . . "Julie Foudy."
"I knew you were somebody."
A year and a half after the Women's World Cup, the flame of recognitionstill kindled with the public. It was now possible to see Foudy's face,like a wanted poster for calorie felons, in the window of donut shops upand down the East Coast. An athletic windfall had dovetailed with thecommercial one. Beginning in April of 2001, a professional soccer leaguefor women would begin play in eight cities, around the country. Withopening day only four months away, Foudy and her teammates had gatheredin Boca Raton, Florida, for the inaugural draft of the Women's UnitedSoccer Association (WUSA).
The American World Cup and. Olympic stars previously had been assignedin groups of threes to their respective teams. Stars from Brazil, Norwayand Germany had also been allotted in pairs. Still, the draft held muchintrigue. After earlier reluctance, China had recently made five of itsplayers available, including Sun Wen, the most valuable player in the1999 Women's World Cup. Another 200 of the top female players in Americahad also come to Boca Raton for a tryout camp, hoping, to be drafted.Among them was Trudi Sharpsteen of Hermosa Beach, California. She hadbeen in the pool of players considered for the women's national team in1986-87, and was one of the pioneers of the sport. Unlike Foudy, andChastain, however, her career had played out in the anonymity of semiproball. But now, at age 36, Sharpsteen had taken a leave of absence fromher job in the health care industry. Her sport had finally achieved thelegitimacy of a professional league, and she would make one finalattempt to ride the cresting wave of popularity.
"I'm so happy this is happening during my playing career," Foudy said,sitting in a hotel restaurant two days before the draft. "Seeing friendsof mine that I grew up playing against getting a second chance isawesome. I played with Trudi. How cool is this? She probably dreamed ofthis her whole life. She went through some of the same things we wentthrough, and here she is out here. Now she's getting a chance."
Christmas was approaching, but the notion of wintry cheer seemed surrealin South Florida with its sweltering Santas and inflatable snowmen.Once, it had seemed equally implausible that a women's professionalsoccer league would have a chance to succeed in the United States. Evennow, with the Women's World Cup used as a sort of champagne bottle tochristen the launch of the WUSA, many wondered whether the league wouldbe seaworthy. There would be little room for error. Even the most fervidsupporters of the women's game agreed that there would be no secondchance.
As with any start-up, league officials faced opening day with a mix ofanticipation and apprehension. There were no souvenir jerseys in thestores for Christmas; no apparel company willing to match supplies ofuniforms with supplies of cash for sponsorship deals; no permanent CEO,league president or commissioner; no buzz from an American gold medal atthe 2000 Sydney Olympics. Apparently tired after a long, grindingschedule of international travel, the United States played erraticallyduring the Summer Games. Coach April Heinrichs substituted infrequentlyand some believed that her 4-4-2 system was not optimally suited to theAmerican team, marginalizing Kristine Lilly on the wing in midfield andminimizing the chance that, had she been healthy, Michelle Akers wouldhave returned to the lineup. Still, Mia Hamm asserted herself with atimely goal in the semifinals against Brazil and then made a brilliantrescuing pass to Tiffeny Milbrett at the end of regulation in thegold-medal game against Norway. The Americans lost in overtime, however,and in their stunning, gracious defeat there was the sense that apioneering era was coming to an end. Akers announced her retirement fromthe national team before the Olympics, and Carla Overbeck, theindispensable captain, followed before Christmas. "I wanted so badly todo it for this group," Foudy had said after the Norway match. "It'spossibly our last time together. It's irreplaceable, this bond."
Two months later, excruciating defeat had been tempered by theexpectancy of a professional league that would extend the careers ofveteran players and serve to develop younger players for the nationalteam. Still, much work remained. One coach was yet to be namedofficially, and two teams were without finalized stadium contracts. Onlytwo corporate sponsors had been signed instead of the desired eight toten. The league's marketing department had limited experience involvingteam sports. Before a single game was played, one of the franchises hadbeen moved from Orlando, Florida, to Chapel Hill, North Carolina. Theteam, known as the Tempest, was considering a name change, to theCourage, not wanting to be known in the inevitable shorthand ofnewspaper headlines as the 'Pests. Akers, voted the top female player ofthe century, had announced she wouldn't play the first season. And JoyFawcett, the reliable defender, was expecting her third child, which ledher San Diego team to request what was surely a first in professionalsports -- pregnancy compensation picks in the WUSA draft.
Despite inescapable growing pains, the WUSA moved confidently towardopening day with its eight teams: the Atlanta Beat, Bay Area CyberRays,Boston Breakers, Carolina Courarage, New York Power, PhiladelphiaCharge, San Diego Spirit and Washington Freedom. There was reason to besanguine. Unlike Major League Soccer, the American men's professionalleague, the WUSA had signed virtually all the top female players in theworld...
The Girls of SummerThe U.S. Women's Soccer Team and How It Changed the World. Copyright © by Jere Longman. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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Now with a new afterword, The Girls of Summer, by the award- winning New York Times sportswriter Jere Longman, takes a serious, compelling look at the women who won the 1999 World Cup and brings to life the skills and victories of the American team. Longman explores the issues this unprecedented achievement has raised: the importance of the players as role models; the significance of race and class; the sexualization of the team members; and the differences between men and women's sports. Provocative and insightful, this book reminds us that the real struggles are off the field -- and some remain to be won.