Small Wonder
Small Wonder
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Paperback ©2002--
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HarperCollins
Annotation: Essays by a popular novelist describing her search for hope in nature and family in a world scarred by poverty and violence.
 
Reviews: 5
Catalog Number: #4707801
Format: Paperback
Common Core/STEAM: Common Core Common Core
Publisher: HarperCollins
Copyright Date: 2002
Edition Date: 2002 Release Date: 04/15/03
ISBN: 0-06-050408-0
ISBN 13: 978-0-06-050408-3
Dewey: 814
Language: English
Reviews:
ALA Booklist (Mon Apr 01 00:00:00 CST 2002)

Cherished novelist Kingsolver, author most recently of Prodigal Summer (2000), trusts in the power of the parable, an ancient and noble form that she uses with great skill and wisdom in her first essay collection since High Tide in Tucson (1995). This set of 19 penetrating autobiographical musings on humankind and how we treat each other and the rest of nature coalesced in the stunned aftermath of September 11. Grief, the struggle for understanding, and the recognition of the need for reordered expectations underlie each bracing reverie. Trained as a biologist and gifted in the art of storytelling, Kingsolver is able to draw on her knowledge of the wild--of evolution and biodiversity--as well as her feel for archetypes to bring into focus and dramatize the biological and social impact of our unexamined habits of consumption. Food, motherhood, gardening, literature, television, homelessness, globalization, scientific illiteracy, selfishness, and forgiveness all come under sharp and revelatory scrutiny. As does love of country: Americans who read and think are patriots of the first order. Amen.

Kirkus Reviews

Wearing her essayist hat, novelist Kingsolver ( The Poisonwood Bible , 1998, etc.) responds to the September 11th terror attacks with a collection addressing the wonders of life. In an effort to "burn and rave against the dying of all hope," Kingsolver offers a contemplation of how we are blessed in our lives and urges us to consider the planet we live on and those with whom we share it. Her first two essays disjointedly consider how the September 11th attacks may have come about and voice her distress over our wastefulness as a nation: "Americans and Europeans spend $17 billion a year on pet food." She then moves on to document her love affair with nature in an account of her two residences, one in Arizona and the other in Appalachia, where she works while looking at beautiful views. While she stresses repeatedly how blessed she is to have these twin retreats, it's somewhat jarring in conjunction with a preceding essay in which she writes, "For most of my life I've felt embarrassed by a facet of our national character that I would have to call prideful wastefulness." Kingsolver continues to rend our nation's collective garment as she moves on to discuss the scarlet macaw and habitat loss in general; freeing a hermit crab in the context of letting go of a "hunger to possess"; her daughter's chickens and "the energy crime of food transportation"; and why she doesn't have a television. All of Kingsolver's issues are worthy, certainly, but the work is made less palatable by what seems to be a naivete that surfaces when the author (mother of three) makes such statements as, "I can barely grasp the motives of a person who hits a child." Her best pieces—a discussion of adolescence addressed to her daughter; an essay on the difficulties of writing about sex—have a narrow focus. Good intentions and craft marred by sanctimony.

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ALA Booklist (Mon Apr 01 00:00:00 CST 2002)
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Word Count: 85,897
Reading Level: 8.4
Interest Level: 9+
Accelerated Reader: reading level: 8.4 / points: 16.0 / quiz: 65954 / grade: Upper Grades
Small Wonder

Letter to My Mother

Imagine you putting on your glasses to read this letter. Oh, Lord, what now? You tilt your head back and hold the page away from you, your left hand flat on your chest, protecting your heart. "Dear Mom" at the top of a long, typed letter from me has so often meant trouble. Happy, uncomplicated things -- these I could always toss you easily over the phone: I love you, where in the world is my birth certificate, what's in your zucchini casserole, happy birthday, this is our new phone number, we're having a baby in March, my plane comes in at seven, see you then, I love you.

The hard things went into letters. I started sending them from college, the kind of self-absorbed epistles that usually began as diary entries and should have stayed there. During those years I wore black boots from an army surplus store and a five-dollar haircut from a barbershop and went to some trouble to fill you in on the great freedom women could experience if only they would throw off the bondage of housewifely servitude. I made sideways remarks about how I couldn't imagine being anybody's wife. In my heart I believed that these letters -- in which I tried to tell you how I'd become someone entirely different from the child you'd known -- would somehow make us friends. But instead they only bought me a few quick gulps of air while I paced out the distance between us.

I lived past college, and so did my hair, and slowly I learned the womanly art of turning down the volume. But I still missed you, and from my torment those awful letters bloomed now and then. I kept trying; I'm trying still. But this time I want to say before anything else: Don't worry. Let your breath out. I won't hurt you anymore. We measure the distance in miles now, and I don't have to show you I'm far from where I started. Increasingly, that distance seems irrelevant. I want to tell you what I remember.

I'm three years old. You've left me for the first time with your mother while you and Daddy took a trip. Grandmama fed me cherries and showed me the secret of her hair: Five metal hairpins come out, and the everyday white coil drops in a silvery waterfall to the back of her knees. Her house smells like polished wooden stairs and soap and Granddad's onions and ice cream, and I would love to stay there always but I miss you bitterly without end. On the day of your return I'm standing in the driveway waiting when the station wagon pulls up. You jump out your side, my mother in happy red lipstick and red earrings, pushing back your dark hair from the shoulder of your white sleeveless blouse, turning so your red skirt swirls like a rose with the perfect promise of you emerging from the center. So beautiful. You raise one hand in a tranquil wave and move so slowly up the driveway that your body seems to be underwater. I understand with a shock that you are extremely happy. I have been miserable and alone waiting in the driveway, and you were at the beach with Daddy and happy. Happy without me.

I am sitting on your lap, and you are crying. Thank you, honey, thank you, you keep saying, rocking back and forth as you hold me in the kitchen chair. I've brought you flowers: the sweet peas you must have spent all spring trying to grow, training them up the trellis in the yard. You had nothing to work with but abundant gray rains and the patience of a young wife at home with pots and pans and small children, trying to create just one beautiful thing, something to take you outside our tiny white clapboard house on East Main. I never noticed until all at once they burst through the trellis in a pink red purple dazzle. A finger-painting of colors humming against the blue air: I could think of nothing but to bring it to you. I climbed up the wooden trellis and picked the flowers. Every one. They are gone already, wilting in my hand as you hold me close in the potato-smelling kitchen, and your tears are damp in my hair but you never say a single thing but Thank you.

Your mother is dead. She was alive, so thin that Granddad bought her a tiny dark-blue dress and called her his fashion model and then they all went to the hospital and came home without her. Where is the dark-blue dress now? I find myself wondering, until it comes to me that they probably buried her in it. It's under the ground with her. There are so many things I don't want to think about that I can't bear going to bed at night.

It's too hot to sleep. My long hair wraps around me, grasping like tentacles. My brother and sister and I have made up our beds on cots on the porch, where it's supposed to be cooler. They are breathing in careless sleep on either side of me, and I am under the dark cemetery ground with Grandmama. I am in the stars, desolate, searching out the end of the universe and time. I am trying to imagine how long forever is, because that is how long I will be dead for someday. I won't be able to stand so much time being nothing, thinking of nothing. I've spent many nights like this, fearing sleep. Hating being awake.

I get up, barefoot and almost nothing in my nightgown, and creep to your room. The door is open, and I see that you're awake, too, sitting up on the edge of your...

Small Wonder. Copyright © by Barbara Kingsolver. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Excerpted from Small Wonder: Essays by Barbara Kingsolver
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

In twenty-two wonderfully articulate essays, Barbara Kingsolver raises her voice in praise of nature, family, literature, and the joys of everyday life while examining the genesis of war, violence, and poverty in our world

From the author of High Tide in Tucson, comes Small Wonder, a new collection of essays that begins with a parable gleaned from recent news: villagers search for a missing infant boy and find him, unharmed, in the cave of a dangerous bear that has mothered him like one of her own. Clearly, our understanding of evil needs to be revised. What we fear most can save us. From this tale, Barbara Kingsolver goes on to consider the chasm between the privileged and the poor, which she sees as the root cause of violence and war in our time. She writes about her attachment to the land, to nature and wilderness, trees and mountains-the place from which she tells her stories. Whether worrying about the dangers of genetically engineered food crops, or creating opportunities for children to feel useful and competent - like growing food for the familys table - Kingsolver looks for small wonders, where they grow, and celebrates them.


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