Paperback ©2000 | -- |
Fugitive slaves. Fiction.
Slavery. Fiction.
Underground railroad. Fiction.
Quakers. Fiction.
Kansas. History. 1854-1861. Fiction.
This sequel to Steal Away (1994) has the strengths and weaknesses of the first book. Ruby continues telling the story in two parallel narratives. In the present, 13-year-old Dana Shannon and her friends in Lawrence, Kansas, are trying to solve a historical mystery, searching for a lost treaty that the U.S. government made with the Delaware Indians in 1857. In the past, back in that same year, 13-year-old James Weaver is a Quaker kid helping a group of runaway slaves escape to Kansas on the Underground Railroad. James is faced with an agonizing decision: for the safety of the runaways, he agrees to hide that treaty and betray the Indians. The constant switch between past and present in alternating chapters is confusing, especially since both worlds are complex, with many characters to remember and lots of awkward contrivances to move the plots along and bring the stories together. Dana and her pals have fun, but their convoluted detective work is just a distraction from the drama of the runaways and James' terrible choice. (Reviewed June 1 & 15, 2000)
Horn BookIn the continuation of the Underground Railroad tale begun in Steal Away Home, alternating parallel stories feature Dana, a contemporary teenager trying to solve a mystery involving Delaware Indians, and James, a Quaker boy of the 1850s leading a small band of slaves to freedom. The mixture of real and invented occurrences is a bit confusing, but Ruby conveys a faithful sense of the human experiences surrounding them.
Kirkus ReviewsIn this ambitious but convoluted piece of semi-fiction, Lois Ruby builds a story from historical facts surrounding the Underground Railroad. Meant as a companion to Steal Away Home (not reviewed) Ruby sets her narrative in alternating chapters that bounce back and forth by 150 years. In the late20th century Dana lives with her parents in a bed & breakfast, a house that was once a stop on the Underground Railroad and occupied by the young James Weaver. When Dana catches their first guests prowling around late at night in the closets and bathrooms, she tries to piece together how this is linked to the rich history of the house and to the demise of the Delaware Indians. Meanwhile, in the 1857 chapters, the reader learns how events transpired as we follow James Weaver on a harrowing trek to bring a family of slaves to freedom. After many miles and many dangers James and those in his care are nearly home-free when he is forced to make a devastating choice between saving the slaves with whom he has traveled so long and hiding the treaty which could save Delaware Indians and their land. Ruby drafts her main characters, James and Dana, with care and depth, but a number of peripheral characters are mere tracings. It is easy to become disoriented by the jumble of people and events and the flip-flopping of time periods is disconcerting. By dramatizing these episodes, Ruby recreates the evils waged against both Native Americans and African-Americans in this country, but this effort would have been more successful had she concentrated on the historical half of her tale. (Fiction. 8-12)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)A companion to <EMPHASIS TYPE=""ITALIC"">Steal Away Home, this book alternates between a present-day mystery set in a bed-and-breakfast and a historical adventure about a 13-year-old-boy who aids four runaway slaves in 1857. Ages 8-12. <EMPHASIS TYPE=""ITALIC"">(Jan.)
School Library JournalGr 4-7-This is a disappointing sequel to Steal Away Home (Macmillan, 1994), which told the exciting story of Dana Shannon's discovery of a skeleton in the closet-the body of Miz Lizbet Charles, a runaway slave hidden in her house, which was once a stop on the Underground Railroad. As this book opens, a mysterious stranger is snooping around, trying to dig up the yard by the house, which Dana's parents have converted into a bed-and-breakfast. Dana, now 13, enlists her friends' help to uncover the man's identity and mission. As this contemporary story unfolds, alternating chapters tell the story of James Baylor Weaver, who lived in the house in the 1850s, and who became a well-known architect. With all of the material the author tries to incorporate-the bloody struggle in Kansas between free- and slave-state factions, courageous runaway slaves, a dangerous journey-the plot is overloaded. At the last minute, an important subplot surfaces, adding to the crowded and confusing cast of characters. None of the figures emerges as fully realized or even believable and the modern story is further weighted down by stereotypes and dialogue that tries too hard to be hip and fun. Virginia Hamilton's House of Dies Drear (Macmillan, 1968) and Jennifer Armstrong's Steal Away (Scholastic, 1993) are just two titles that tell similar tales more effectively.-Cyrisse Jaffee, formerly at Newton Public Schools, MA Copyright 2000 Cahners Business Information.
ALA Booklist (Thu Jun 01 00:00:00 CDT 2000)
Bulletin of the Center for Children's Books
Horn Book
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal
Voice of Youth Advocates
I ask you, why do weird things always happen to me? Mike says it's because blazing redheads are an anomaly of nature, so we're natural magnets for weirdness. He's got a point. Like, not long ago, when we were renovating Firebird House into a bed-and-breakfast, I found a skeleton hidden in a little room upstairs. I followed those bones back into the past and found out that this drafty, creaky old house was once a stop on the Underground Railroad. Not only that, but a runaway slave, Miz Lizbet Charles, had died more than 140 years ago, right here, probably right where I'm sitting this minute.
Mystery solved, right? Hah! Next thing I knew, on a night when there was barely a laser beam of moonlight, a man was snooping around with a flashlight and a shovel in my backyard. It had rained a lot, the yard was a swamp, and the man's boots were ankle-deep in loamy mud.
Now, a normal person would have run for help, but not a blazing redhead. Besides, mud was squishing over my sneakers, so I couldn't have run very fast, anyway. I slogged up behind the man and yelled, "My father's a police captain, you know." Actually, he's a history professor, but this fact wouldn't impress a serious intruder with a shovel and knee-high mud boots.
The man tumbled forward at the sound of my bellow, and the flashlight flew out of his hand and sank into the bog.
He scrambled to regain his balance. His shoulders were no broader than my friend Jeep's, and he had a sort of caved-in look to him, as if he'd had some terrible disease as a child. "I lost my keys," he said, scraping mud off his shirt and pants. They were the high-waisted, plaid kind of pants my uncle Tom used to wear, according to the faded Vietnam-era photos from the seventies.
This man's clown pants were held up with suspenders as wide as chalkboard erasers. Tucked into them was a red flannel shirt buttoned to his chin. You'd think he was ambling in from hoeing the south forty.
"I'm supposed to believe you lost your keys in my yard?"
"Dog ran off with them in his mouth. It's not your business, girl."
"Yes it is, it's my house."
"Wasn't always," he muttered.
"Oh, this is about Miz Lizbet, isn't it?" There'd been lots of publicity since I'd found that skeleton upstairs. All of Lawrence -- probably all of Kansas -- knew how the famous architect James Baylor Weaver had lived in this house when he was a boy, and how his family had harbored runaway slaves until Miz Lizbet died here. "You're looking for something that belonged to her, like you're from a museum or something?"
He took off his glasses and blew on them, polishing them on his shirt. "Now, why would I want some hairpin or button from an old slave, answer me that?"
"Lots of people do, people who are interested in the Underground Railroad."
"I'm not interested."
"Well, then, it's got to be about James Baylor Weaver."
"Never heard of him."
Something in his tone made my blood pump faster, and without his granny glasses, his eyes were hard as bullets. "What are you looking for, mister?"
Instead of answering, he sloshed past me and started toward a black Ford parked in front of the house. At first he'd just seemed comical sinking in mud in that weird getup. But then he patted his pockets, and a chill rippled over me when I heard the jingle that told me he hadn't been looking for his keys after all. What did he want in my yard? And had he found what he was looking for?
The old Ford sputtered and cranked, giving me plenty of time to memorize the Kansas license plate before the man sped away.
Spring rains in Kansas can be fierce. They send earthworms leaping to their death over the side of a culvert. So when I say puddles and mud, you get the picture. Diamonds of light filtered through a lattice wall around the back porch, showing me the man's flashlight beached in the mud with its nose sticking out as if it were gasping for breath. I pulled at it against the resistance of the sludge and swiped the slimy flashlight down my flank. This tells you what an elegant wench I am. Wench. Mike's word.
Polished up, the flashlight revealed a plastic stick-on label hanging by a glob of glue:
ERNIE'S BAIT SHOP
Beneath it was an address in Kansas City, Kansas, about forty miles away. Looked like I'd have to figure out a way to drag Mike to Kansas City. Who's this Mike I'm always talking about? Well, he isn't exactly my boyfriend, since he's a full three months younger than I am, and besides, my parents would break out in festering, oozing hives if they thought I had a boyfriend at the tender age of thirteen. Mike's an experiment in progress, still rough like a lump of coal that might just polish up into the Hope Diamond. I'm checking him out carefully as a potential love object when I get to be a freshman, but at this point I can tell you he's no James Baylor Weaver. Sally and Ahn and I, we are all sort of in love with James-at-twelve, even though we know that he grew up and died eighty years before we were even born.
Come to think of it, Mike does have one distinct advantage over James: Mike's still breathing.
Copyright © 2000 by Lois Ruby
Excerpted from Soon Be Free by Lois Ruby
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
"Why do weird things always happen to me?"
Dana thought she had solved all the historical mysteries in her parents' house in Lawrence, Kansas. But now that her parents have turned the house into a bed-and-breakfast, Dana isn't so sure. Their first guests, the Burks, are a suspicious couple who snoop where they shouldn't, searching for a secret document linked to the Weavers, a Quaker family who lived in the house almost 150 years ago when the house was a stop on the Underground Railroad.
As Dana combs the house for the hidden document, the story unfolds of thirteen-year-old James Baylor Weaver and his journey in 1857 to bring four slaves to freedom. James's travels will not only change his life but will bring about a horrible choice -- one that holds the key to the mystery Dana must solve before the Burks. Will she find the document in time?