Paperback ©1992 | -- |
Blaze is small and fearful, locked into his grief for his mother, who died when he was young. Joselle is brash and outrageous, hiding her hurt that her single-parent mother doesn't want her around and has sent her to stay the summer with her grandmother in rural Wisconsin, near where Blaze lives with his loving father and grandmother. Joselle hears about Blaze's grief and plays a mean trick on him, writing his mother's name and the word orphan with stones on the hillside. Then the two youngsters meet and become close friends, and Joselle can't bear to own up to what she did. Told from each kid's point of view in alternating third-person narratives, the story has the affectionate characterization of Henkes' picture books, such as Jessica and Chrysanthemum Those, however, never departed from the child's viewpoint. Here, there's the author-as-therapist commenting on the story: Blaze collects old keys because "he has locks to release, doors to open"; Joselle knows "if she could make someone else more confused than she was, the weight of her own emotions might be lifted." What readers will love about this book is the friendship between these two very different loners. The shock of their meeting is funny and intimate, all sham stripped away. Just as powerful is the sense of isolation: Joselle tries to call her mother, and the phone rings like "a dull bell in an empty house." When Henkes writes like that, the vividly felt moment needs no explanation.
Horn BookWhen brash and blustery Joselle Stark, hurt by her mother's temporary abandonment, hears the story of ten-year-old Blaze Urla's life--his mother died when he was five, and he was badly burned in a fire--she sets out to 'complicate' his life. But the children's subsequent friendship helps them make progress in their individual struggles. Motifs and concrete details add richness and depth to the story. A beautifully written, rich, and tender novel.
Kirkus ReviewsGentle, imaginative Blaze has literally buried, beneath stones he has set in a circle, the several imaginary friends who have failed to help him overcome fears dating back years, to his mother's death. He can't swim and is apprehensive of dogs; he's not ready to confide in his nice dad or to paint on the canvas Dad has provided. And he's never managed to get back on the Ferris wheel he rode with his mother just before she died. Meanwhile, Joselle ironically calls her self-centered mom ``The Beautiful Vicki.'' Off with yet another man, Vicki has dumped Joselle with her grandmother. A brash Gilly Hopkins of a child, Joselle nonetheless reaches out to her new neighbor, and the two form a tentative friendship that is helping both until Blaze catches Joselle in a lie—a self-protective habit his example has been inspiring her to overcome—and bitterly rejects her. Still, each has helped move the other toward healthy self-determination; and, in a remarkable conclusion that gathers the story's images and themes together in a few graceful paragraphs, their mutual betrayal is succeeded by a believable reconciliation. With its beautiful crafting and rich insight into a friendship between two troubled children, this tender, understated story recalls The Goats (1987). Like Brock Cole, Henkes is a master of the picture book, where he has learned marvels of economy; every sentence here is telling, but never obtrusively so. His characters live, lingering in the memory. An outstanding book, one of the year's best. (Fiction. 10+)"
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)"In this stirring contemporary novel, Henkes paints a poignant picture of two lonely children whose paths cross one summer," according to <EMPHASIS TYPE=""ITALIC"">PW's boxed review. Ages 8-up. <EMPHASIS TYPE=""ITALIC"">(Sept.)
School Library JournalGr 4-6-- Joselle sets out to complicate the life of Blaze Werla'' the summer she stays with her grandmother. She chooses him, a neighbor whom she hasn't met, because the details of his life intrigue her. Hard-eyed at ten, Joselle refers to her mother as
the Beautiful Vicki,'' lies compulsively, and is an irresponsible playmate. The boy, fearful and still suffering from the death of his mother several years before, is an easy target. What begins with malicious playfulness does complicate lives, as the two children, both needy, become fast friends. Emotional doors begin to open. Joselle's early hurtful words, written in stones on Blaze's hill, are also inscribed on her legs in ballpoint tattoos that eventually give her away, revealing the pivot on which the two will finally balance their friendship. Subplots provide texture. Joselle's mother, supposedly on an extended getaway with her boyfriend, turns out never to have left home; Blaze's father is courting a woman whom the boy grudgingly comes to welcome; and Blaze resolves many of his fears to begin painting a long-empty canvas. The main plot is simple and clear, giving an immediate sense that Henkes's craftsmanship is artless. Rich characterization, dramatic subplots, and striking visual images belie that impression. The author's respect for the complexity of young people's lives is apparent in this outstanding novel, which will find an enthusiastic readership among fans of Betsy Byars and Susan Shreve. --Carolyn Noah, Central Mass. Regional Lib . System, Worcester, MA
Starred Review for Publishers Weekly
ALA Booklist (Tue Sep 01 00:00:00 CDT 1992)
ALA Notable Book For Children
Horn Book
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal
Wilson's Children's Catalog
Chapter One
Blaze
Blaze Werla buried Ortman before breakfast. It was the fifth of July, and already the day was white hot. Blaze peeled off his T-shirt and tossed it on the hard ground. He shoveled quickly and furtively, making a small, neat hole the size of a basketball. When the digging was through, Blaze knelt, and using both arms and cupped hands, filled the hole back up, covering Ortman forever. There was something fierce about the manner in which Blaze worked -- the determined line of his mouth, the tension that rippled across his back. Dirt stuck to Blaze's sweaty body like bread crumbs; his damp red hair clung to his forehead in ringlets. Blaze slapped the ground flat with the palms of his hands,making a thudding sound and remembering all the other burials, glancing at the nearby stones that marked them.
Burials. There had been four others before Ortman. (Not counting his mother's.) The small graves formed a partial ring around the huge black locust tree on the hill near the highway behind Blaze's house. First there had been Benny. Then Ajax. Next Ken. Then Harold. And now Ortman. Blaze wondered what he would do once the circle was complete. Where would he bury then? He was ten years old. Would he still need to do this when he was twelve? Fifteen? He hoped not. He was tired of being afraid.
Blaze stood and stamped the dirt over Ortman one last time. He picked up the stone he had chosen earlier that morning and held it for a few seconds, as if it were a large egg containing precious life. He had chosen the stone, because of its markings: pale mossy blotches that looked like bull's-eyes. Blaze set the stone down firmly in place. "Goodbye, Ortman," he whispered. Blaze backed up, scratched the scars on his ankles with either foot, ran his dirty hand through his hair, and stared at the grave site until the crescent of stones blurred before him, becoming a broken pearl bracelet around the arm of a tree it bound.
On the way down the hill toward home, Blaze was already creating someone new in his mind to take Ortan's place. Someone who would be big. Someone who would be tall. Someone who would be fearless. Someone who would be everything Blaze was not.
Blaze was slight, with small feet and hands. He thought his fingers resembled birthday candles, especially compared to his father's ample, knuckly ones. At school, Blaze was the shortest student in his class. His identity with many kids from other grades hinged solely upon his size and his red hair. His hair was so distinctive, in fact, that passersby often turned their heads to take notice. His clear blue eyes had a similar effect on people. Freckles peppered Blaze's cheeks and the bridge of his nose. His eyelashes were full and as transparent as fishing line. And -- he was fearful.
Blaze swatted at the leafy, waist-high weeds that surrounded him and thought, I am a contradiction -- my name is Blaze and I'm afraid of fire. And fire was only the beginning of a long list of things that made Blaze's head prickle just thinking of them.
Fire. Large dogs. Wasps. The dark.
And then there were the other things. The more important things. The really frightening ones. Nightmares. The Ferris wheel at the fairgrounds. The Fourth of July.
Blaze fixed his attention on the drooping slate roof of his house in the near distance. "Come on...Simon, " he said over his shoulder into the warm breeze. "Let's go eat."
"Morning, Blaze," Nova called pleasantly when she heard the screen door open and gently close.
"Morning, Grandma," Blaze said, entering the kitchen. He walked to the sink and began washing his hands methodically with liquid dish soap, making a thick lather that worked its way up his arms. Ortman's dead, he said matter-of-factly in his head, watching a tiny pinkish blue bubble rise from his hands. Now I've got Simon.
Blaze didn't believe in imaginary friends the way he truly had when he was younger. He didn't set places for them at the table or make himself as small as possible in bed to leave room for them. He didn't talk to them out loud when anyone might hear. But every July he formed a new one. It was habit as much as anything else.
In a way, he compared it to Nova's practice of saying "Rabbit, rabbit, rabbit" for good luck on the first day of each month. It had to be her first words spoken or else it didn't work. Nova was far from superstitious, and yet, if she forgot to say it, she seemed annoyed with herself all morning.
Blaze also compared it to the relationship his father had with God. Although he had told Blaze many times that he didn't really know what he believed, Glenn said that he prayed every now and then. He talked to God when no one else was around.
Glenn had his version of God. Nova had "Rabbit, rabbit, rabbit." And Blaze had Simon.
"Well, what can I get you for breakfast?" Nova asked mildly.
Blaze had been looking out the window toward the hill. He turned and faced his grandmother. "Scrambled eggs, please," he said. And Nova hummed while she made them. At the stove, with her back to Blaze, Nova's wispy moth-colored hair looked just like a dandelion right before you make a wish and blow it. But nothing else about Nova was wispy. She was generous in both size and spirit.
Words of Stone. Copyright © by Kevin Henkes. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
Excerpted from Words of Stone by Kevin Henkes
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
"A beautifully written, rich, and tender novel.” —The Horn Book (starred review)
Blaze Werla is having a routine summer. He spends his days alone, wandering around the hill next door, and his nights awake, avoiding the dreams that haunt him.
Then a message appears on the side of the hill and Blaze's predictable summer suddenly takes a turn toward the mysterious. By the time he meets outgoing Joselle Stark, Blaze finds himself in entirely new territory, where the unexpected seems almost normal.
“An outstanding book, one of the year’s best.”—Kirkus
Multiple award-winning and New York Times bestselling author Kevin Henkes brings his insightful, gentle, real-world insight to middle grade novels, including:
- Billy Miller Makes a Wish
- Bird Lake Moon
- The Birthday Room
- Junonia
- Olive's Ocean
- Protecting Marie
- Sun & Spoon
- Sweeping Up the Heart
- Two Under Par
- Words of Stone
- The Year of Billy Miller
- The Zebra Wall