Great Expectations
Great Expectations
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Dover
Just the Series: Dover Thrift Editions   

Series and Publisher: Dover Thrift Editions   

Annotation: Classic tale follows Pip, a poor Victorian orphan who becomes unexpectedly rich, as he learns about life, love, and the true meaning of being a gentleman.
Genre: [Love stories] [Classics]
 
Reviews: 1
Catalog Number: #4774006
Format: Paperback
Publisher: Dover
Copyright Date: 2001
Edition Date: 2001 Release Date: 08/01/01
Pages: iv, 380 pages
ISBN: 0-486-41586-4
ISBN 13: 978-0-486-41586-4
Dewey: Fic
LCCN: 2001028306
Dimensions: 21 cm.
Language: English
Reviews:
Horn Book

Plot point follows plot point in these fast-paced adaptations. With scant space allotted for character development or setting, the tales seem to be little more than a collection of elaborate coincidences. Jane Eyre holds up best. Les Miserables is simply too large for such a brief treatment, and Martin's propensity for choppy sentences makes a hash of Oliver Twist.

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Horn Book
Word Count: 11,869
Reading Level: 3.5
Interest Level: 9+
Accelerated Reader: reading level: 3.5 / points: 2.0 / quiz: 83444 / grade: Lower Grades
Reading Counts!: reading level:9.0 / points:38.0 / quiz:Q04749
Lexile: 1430L
Guided Reading Level: S
Fountas & Pinnell: S
Chapter I.


My father's family name being Pirrip, and my christian name Philip, my
infant tongue could make of both names nothing longer or more explicit than
Pip. So, I called myself Pip, and came to be called Pip.


I give Pirrip as my father's family name, on the authority of his tombstone
and my sister – Mrs. Joe Gargery, who married the blacksmith. As I never saw
my father or my mother, and never saw any likeness of either of them (for
their days were long before the days of photographs), my first fancies
regarding what they were like, were unreasonably derived from their
tombstones. The shape of the letters on my father's, gave me an odd idea
that he was a square, stout, dark man, with curly black hair. From the
character and turn of the inscription, "Also Georgiana Wife of the Above,"
I drew a childish conclusion that my mother was freckled and sickly. To
five little stone lozenges, each about a foot and a half long, which were
arranged in a neat row beside their grave, and were sacred to the memory of
five little brothers of mine – who gave up trying to get a living exceedingly
early in that universal struggle – I am indebted for a belief I religiously
entertained that they had all been born on their backs with their hands in
their trousers-pockets, and had never taken them out in this state of
existence.


Ours was the marsh country, down by the river, within as the river wound,
twenty miles of the sea. My first most vivid and broad impression of the
identity of things, seems to me to have been gained on a memorable raw
afternoon towards evening. At such a time I found out for certain, that
this bleak place overgrown with nettles was the churchyard; and that Philip
Pirrip, late of this parish, and also Georgiana wife of the above, were
dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and
Roger, infant children of the aforesaid, were also dead and buried; and
that the dark flat wilderness beyond the churchyard, intersected with dykes
and mounds and gates, with scattered cattle feeding on it, was the marshes;
and that the low leaden line beyond was the river; and that the distant
savage lair from which the wind was rushing, was the sea; and that the
small bundle of shivers growing afraid of it all and beginning to cry, was
Pip.


"Hold your noise!" cried a terrible voice, as a man started up from among
the graves at the side of the church porch. "Keep still, you little devil,
or I'll cut your throat!"


A fearful man, all in coarse grey, with a great iron on his leg. A man with
no hat, and with broken shoes, and with an old rag tied round his head. A
man who had been soaked in water, and smothered in mud, and lamed by
stones, and cut by flints, and stung by nettles, and torn by briars; who
limped, and shivered, and glared and growled; and whose teeth chattered in
his head as he seized me by the chin.


"Oh! Don't cut my throat, sir," I pleaded in terror. "Pray don't do it,
sir."


"Tell us your name!" said the man. "Quick!"


"Pip, sir."


"Once more," said the man, staring at me. "Give it mouth!"


From the Trade Paperback edition.

Excerpted from Great Expectations by Charles Dickens
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

In this unflaggingly suspenseful story of aspirations and moral redemption, humble, orphaned Pip, a ward of his short-tempered older sister and her husband, Joe, is apprenticed to the dirty work of the forge but dares to dream of becoming a gentleman. And, indeed, it seems as though that dream is destined to come to pass -- because one day, under sudden and enigmatic circumstances, he finds himself in possession of "great expectations." In telling Pip's story, Dickens traces a boy's path from a hardscrabble rural life to the teeming streets of 19th-century London, unfolding a gripping tale of crime and guilt, revenge and reward, and love and loss. Its compelling characters include Magwitch, the fearful and fearsome convict; Estella, whose beauty is excelled only by her haughtiness; and the embittered Miss Havisham, an eccentric jilted bride. Written in the last decade of Dickens' life, Great Expectations was praised widely and universally admired. It was his last great novel, and many critics believe it to be his finest. Readers and critics alike praised it for its masterful plot, which rises above the melodrama of some of his earlier works, and for its three-dimensional, psychologically realistic characters -- characters much deeper and more interesting than the one-note caricatures of earlier novels. "In none of his other works," wrote the reviewer in the 1861 Atlantic , "does he evince a shrewder insight into real life, and a cheaper perception and knowledge of what is called the world ." To Swinburne, the novel was unparalleled in all of English fiction, with defects "as nearly imperceptible as spots on the sun or shadows on a sunlit sea." Shaw found it Dickens' "most completely perfect book." Now this inexpensive edition invites modern readers to savor this timeless masterpiece, teeming with colorful characters, unexpected plot twists, and Dickens' vivid rendering of the vast tapestry of mid-Victorian England.


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