Paperback ©2007 | -- |
Seeds. Fiction.
Magic. Fiction.
Orchards. Fiction.
Death. Fiction.
Grief. Fiction.
Family life. New York (State). Fiction.
New York (State). Fiction.
After she and her dad move to upstate New York to reclaim an old, decaying orchard, Evie understands that her father is trying to escape her mother's recent death. She finds herself beginning to believe the legend that the barren orchard and its surrounding town are cursed after another girl named Eve disappeared many years earlier. Her sense of supernatural and real worlds colliding feels especially strong after she meets the sad ghost-child Alex, who had been buried in the small cemetery adjacent to their house just days before. An eleventh-birthday letter from her mother and a small stone box containing a single seed force Evie and her dad to come to grips with their new life and its possibilities. Symbolism abounds in this beautifully written book fe, death, the tree of life, Adam and Eve, and the Garden of Eden are all alluded to and explored. Although challenging for its intended audience, the story offers hope to those readers who will identify with Evie, Alex, and the adults who love them.
Kirkus ReviewsIt's been ten months since her mother died, and Evie feels the loss every single day. Having moved into an old house rumored to be cursed doesn't help matters any, but at least Evie is distracted from her father's withdrawal by the strange residents of their new town. There's Alex, a boy that lingers in the cemetery claiming to be a ghost, and Maggie, a shopkeeper who presents Evie with the gift of a single seed. Evie becomes convinced that the seed hails from the original Garden of Eden, and decides to use it to find her mother. Instead, she learns almost too late that unnatural life can be a far more terrible and destructive thing than natural grief. The book is most effective when it seeks to understand and clarify Evie's pain. Unfortunately, it loses ground when, instead of concentrating on a single fantastical element, Going creates an uncomfortable melange of ghosts, magic and the Book of Genesis. The emotions may be sound, but the story demands a tighter focus on the otherworldly. (Fantasy. 9-13)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)Feeling bereft 10 months after her mother's death, 11-year-old Evie Adler is even sadder when her father uproots the two of them from Michigan and buys a dead apple orchard in Beaumont, N.Y. The town is colorless and cold and “there didn't seem to be any life at all. Even the crows had stopped flying overhead.” Evie's only playmate is Alex, the ghost of a 10-year-old boy whose death the town still mourns and who frequents the cemetery next door to the orchard. Her dad, meanwhile, has no luck in the orchard, which people claim is cursed. The former owner, a stranger, has bequeathed Evie a small seed, which his sister says might have been from the Garden of Eden, and might have played a part in the disappearance of another sibling. Evie plants the seed and hopes it will transport her to a magical garden where her mother will be waiting. What works best in Going's (<EMPHASIS TYPE=""ITALIC"">Fat Kid Rules the World) novel is the skillful depiction of Evie's grief for her mother and the wonderful life they shared. What complicates the story and makes it confusing is the odd combination of magic and religious symbols (for example, the ghost Alex turns out to be a twin brother named Adam; the seed instantaneously sprouts into a fruit-bearing tree). The emotional ending, with a surprising twist, ties the story together, but seems contrived. Ages 8-12. <EMPHASIS TYPE=""ITALIC"">(Oct.)
School Library JournalGr 4-7-After losing her mother to cancer, Evie Adler, nearly 11, moves with her father from Michigan to a seemingly "cursed" apple orchard in bleak Beaumont, NY. Evie's belief in magic, the imaginative streak she once shared with her mom, has waned. Practical and rational Father throws himself into his work to bring the orchard back to life. Evie makes friends with ghostly pale "Alex," who loiters in the cemetery near her home and bears a strong resemblance to a recently deceased local boy. Elderly Maggie inserts herself into the Adlers' lives, offering warmth and a strange birthday present from her brother, the orchard's deceased former owner. It's a single seed with magic that only the children can sense. Planting the seed, Evie and Alex enter a lush, flip-side version of Beaumont where they can control life-but at what cost? This is a poignant tale with endearing characters (especially the resilient, likable Evie and stubborn but charming Alex), well-drawn settings, and surprising plot twists. While allusions to the Garden of Eden are present, the story is not overtly religious, presenting the powers of love and belief-whether in oneself, other people, or something that can't be rationalized. The theme of death is inescapable but the ending offers readers a sense of healing. In her fantastical setting, Going realistically portrays the different ways that people grieve and the emotions accompanying loss.-Danielle Serra, Cliffside Park Public Library, NJ Copyright 2007 Reed Business Information.
ALA Booklist
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal
Wilson's Children's Catalog
Wilson's Junior High Catalog
The Fork in the Road
The final bend on the last road would take them to Beaumont. Father wanted to go straight but there was a fork in the road, so he stopped their old truck, packed full of their belongings, and got out to stare down each darkened, narrow lane. Maybe they were lost and they’d have to turn around and go home to Michigan.
Evie hoped they were lost.
She rolled down the window despite the cold. “Let’s go back,” she called, but as she said it Father took several steps forward and disappeared into the thick fog. Evie waited, and when he didn’t answer she sat up straight in the front seat, her heart pounding in her chest. She pushed at the door, but just as it opened Father reappeared piece by piece, his solid figure emerging from the deep gray.
“Can’t tell which way to go,” he said, coming back to the truck and leaning on the edge of her open window. He was wearing his padded gardening jacket and thick leather gloves, but his cheeks were red and the skin around his beard was windburned already. Cold filled the truck. “Fog’s too thick, and I sure don’t remember there being a fork in the road.”
He scratched his chin and took the crumpled directions from his jacket pocket. He’d gotten them months ago, before he’d visited the property, scribbling them onto the back of a grocery list because it had been nearest to the telephone.Milk, eggs, peanut butter, whole wheat bread, take Route 71 east until you reach exit 7, then go 70 miles on Route 77. . . .
Evie brought her knees up to her chest and shivered in the late October air. Her pant legs rode up her ankles, letting the cold sting her bare skin. The pants were too short, but they were the last ones her mom would ever buy her—the last of her pretty clothes with no grass stains on the knees from rolling down hills or holes in the sides from catching on thorns. She wouldn’t get rid of them no matter how small they got. She’d tried to stop growing instead, but it hadn’t worked. Her legs were long and gangly, like a boy’s.
Evie pulled her socks up as high as they would go and tugged at her winter coat to bring it lower. She peered down each road, only they both looked the same. Nothing but trees on every side, stretching as far as the eye could see—a thick forest between two great mountain ridges. The day was bleak, and the trees stood like sentries standing guard.
The truck door opened and Evie’s father slid back into the driver’s seat.
“I wrote down ‘straight,’” he said, pointing toward the crumpled paper. “I’m certain it was straight until town. It’s the strangest thing.”
Evie twisted her hair into a curl, but it fell flat again as soon as she let go. Mom’s had never done that. She sighed, and a flock of crows lifted up at once, as if released by her breath. They spiraled into the fog and their calls filled the air like a thunderous warning.
Evie shivered.
“We should go home,” she said again. “We must have made a wrong turn.”
She thought over the drive from Michigan to New York, and each turn seemed like a wrong turn. How could they move so far from Mom?
Everyone thought Father was making a mistake.Everyone.She’d heard them whispering, and no one had come to help them pack or see them off because Father wouldn’t let them. Not even his own mother had been allowed over.
“I don’t intend to take help from the same people who are talking behind my back,” he’d told her, but it had felt awful to leave with only the neighbor next door waving from his front window. After that there’d been highway after highway and an overnight stay in a hotel that didn’t have a TV and smelled like stale crackers.
Father had tried to say it was an adventure they were on, which wasn’t like him at all, but Evie only scowled and stared out the window, occasionally kicking the dashboard. Adventures were things that Mom went on, not Father, and they didn’t begin at five thirty in the morning with a stalled truck that took half an hour to start and empty roads going nowhere.
“This is all wrong,” Evie muttered, but Father shook his head.
“Nah,” he said, “this is it.”
His dark eyes flashed the way they did when there was trouble to be figured out. They’d flashed that way the day he’d told her about buying the land. Only seven months after Mom died, he’d come to dinner all excited about a phone call from an old man.
“Fifty acres, Evie, and he’s practically giving them away because the orchard hasn’t been producing fruit. People around there think it’s a curse, but they’re just superstitious, that’s all.” Father had paced around the kitchen, waving his arms as he spoke.
“They talk themselves into believing in curses and bad luck, but that’s just foolishness. It was disease that made those trees sick and it’s hard work that will make them better.”
Evie didn’t care whether the stupid trees got better. Why should trees get better when people didn’t? Even the old man had died not long after that phone call. She’d crossed her fingers and toes that the deal would fall through, but it hadn’t. The old man’s sister had sold them the property instead, just as her brother had wished, and now three months later they were on their way.
Evie frowned and stared out the window.
“I hope we never get there,” she mumbled, but Father just glanced across the front seat of the truck and sighed. He reached over and smoothed the hair from Evie’s forehead. Her bangs hung in her eyes because Father never got around to cutting them—not even when Evie asked him to.“Tomorrow,”he always said.“I’ve got a sick tree that needs attention, but I promise to do it tomorrow.”
Except tomorrow never came and now the scissors were packed along with everything else. Evie pulled away and Father put his hand back on the steering wheel.
“We’re almost there,” he said, real soft. “I’d guess another five miles will get us to Beaumont, provided we pick the right road.” He paused, then looked over, catching Evie’s eye.
“You pick, Evie.”
Even now her stomach still turned somersaults.
“You pick, Tally.”
It was Mom’s job to pick. Always had been. Father said she had a perfect sense of direction, but Mom always said the wind told her which way to go.
Evie could picture her mother getting out of the truck to inspect the fork where the roads met. She would stand still and tall, her spiraled hair pulled back in a headband. She’d be wearing the cargo pants Evie loved, with all the pockets in them, and the thick leather sandals she wore all year long, even in the winter. Then she’d wait, breathing long and full until she knew which choice to make.
“The answers are always out there, Evie,”she used to say.“You just have to wait until they whisper in your ear.”
Evie wanted to get out and stand in the exact spot where she’d pictured her mom standing. The wind was blowing strong and seemed to have something to say, as ifthistime when Evie stood still, she might hear something other than deafening silence. She wanted it so badly her insides stung like scraped knees on pavement, but already she could feel her muscles tightening and her ears closing until even the sound of the crows faded into the distance.
“Go on,” Father nudged, but Evie shook her head.
Father’s hands gripped the steering wheel. Then at last he turned the key in the ignition and the old truck rumbled to life. He breathed out long and loud until it seemed that all the air had escaped his lungs.
“Left it is then,” he said at last. “One choice is as good as another.”
Copyright © 2007 by K. L. Going
All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.
Requests for permission to make copies of any part of the work should be submitted online at www.harcourt.com/contact or mailed to the following address: Permissions Department, Harcourt, Inc., 6277 Sea Harbor Drive, Orlando, Florida 32887-6777.
Excerpted from The Garden of Eve by K. L. Going
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
Evie reluctantly moves with her widowed father to Beaumont, New York, where he has bought an apple orchard, dismissing rumors that the town is cursed and the trees haven't borne fruit in decades. Evie doesn't believe in things like curses and fairy tales anymore--if fairy tales were real, her mom would still be alive. But odd things happen in Beaumont. Evie meets a boy who claims to be dead and receives a mysterious seed as an eleventh-birthday gift. Once planted, the seed grows into a tree overnight, but only Evie and the dead boy can see it--or go where it leads.