Starred Review ALA Booklist

Starred Review Sometimes, the weroance (the village expert on hunting) proclaims, the people need someone to do the impossible. For the partially sighted Walnut, it is impossible to prove his right to a grown-up name by hitting a target with his bow and arrow. With his highly developed senses, however, he demonstrates that he can do something even better: he can see what cannot be seen, which earns him the name Sees Behind Trees. But he learns that there is more to becoming an adult than receiving a name when the elderly artist Gray Fire enlists his aid in finding the mysterious land of water. Only then does Sees Behind Trees learn how many trees there are and how much there is to see behind each one. Set in sixteenth-century America, this richly imagined and gorgeously written rite-of-passage story has the gravity of legend. Moreover, it has buoyant humor and the immediacy of a compelling story that is peopled with multidimensional characters who will live in readers' memories and imaginations. Dorris once again demonstrates that he is a brilliant and deeply humane writer whose words can show you something you have never seen. (Reviewed Sept. 15, 1996)

School Library Journal Starred Review

Gr 4-8--This compelling coming-of-age story set in pre-Columbian America is rich in imagery and chock-full of wisdom. The novel begins as Walnut, a bright and earnest, but seriously myopic boy realizes that, try as he might, he will never master the skills he needs to become a competent hunter. His mother, who is responsible for his training, takes a different tack and encourages him to "look with his ears." The boy hones his unusual talent so well that he earns the right to his grown-up name. Because of his ability to "to see what can't be seen," he is given special status within the tribe and is selected to accompany Gray Fire, a respected village elder, on a pilgrimage to find the land of water, a place that has eluded the old man since his youth. Much of the book deals with their journey, during which Sees Behind Trees learns a great deal from Gray Fire about the nature of dreams and gains some valuable self-knowledge in the process. The young man encounters "strangers" for the first time, is tested physically and spiritually, and ultimately proves himself a man by finding his way home. There's a timeless quality to this 15th-century adventure that will be meaningful and immediate for young people today. Dorris takes on some meaty existential issues here; he does so with grace, bighearted empathy, and always with crystal-clear vision.--Luann Toth, School Library Journal

Horn Book

Walnut is given a new name, Sees Behind Trees, because of his finely tuned hearing. He accompanies Gray Fire, the brother of the chief and hunting expert, on a journey where they meet strangers, experience beauty, and ultimately endure loss. While the plot is not entirely convincing, this short novel creates a strong sense of place and provides a glimpse of the Powhatan Indians of Virginia.

Kirkus Reviews

With characters who are wholly believable yet true to their era, Dorris (Guests, 1994, etc.) has created a coming-of-age novel from the myopic perspective of a sight-impaired Native American boy in 15th-century Virginia. Walnut, who is terribly near-sighted, learns to listen carefully and interpret nonvisual cues in such a way that he earns his adult name, Sees Behind Trees, and embarks on a great journey as companion to Grey Fire, an elder he much admires. It turns out to be his own adventure as he not only survives alone in snow, but rescues an infant. In recognizing how each individual has his or her own experiences, tests, and lessons, Sees Behind Trees comes to wisdom earlier than most. Dorris has captured the angst that is part of the invisible doorway between childhood and adulthood in this appealing, but not over-romanticized, view of what life may have been like for a pre-Columbian Powhatan youngster, how strangers were viewed by a small village group, and how differences were handled. The exquisitely crafted language remains so simple it can be enjoyed by middle-graders, while the brevity and adventure promise wide readership among less-skilled teenage readers. (Fiction. 8+)"