This is a faithful adaptation into board-book form of the modern classic. It's all there, just smaller; and the only loss is of the sweeping effect of Oxenbury's evocative landscapes.

PreS-K-- From England comes this refreshing interpretation of an old camp hand-rhyme presented in large picture-book format. The setting is the beach and its environs. The cast: five hunters (a man and four children) and a dog, all of whom stalk the furry beast through coastal landscapes, oozy mud, an unlikely snowstorm, and finally, into the cave where they meet the object of their search. And, just as in the old tale, they reverse their steps and, in this version, end up in bed under the covers, vowing never to go on a bear hunt again. The beautiful pastel watercolor paintings that fill the huge pages alternate with soft-textured charcoal sketches. The most impressive of the black, white, and gray drawings is the full-spread storm as it approaches. The final reverse'' scenes are small blocks, three to a page in rapid succession, in sync with the rushed pace of the text. Even the endpapers lend themselves to the mood of the tale. In contrast to the sunny beach featured at the front, a lonely bear walks the beach in the moonlight at the back of the book. The characters' faces are round and filled with expression. The rhyme is printed in a large, almost calligraphic typeface that leaps off the page, alive in onomatopoeic expression (squelch squerch!'' and Hoooo woooo!'') and reassurance for young listeners (We're not scared''). This version adds vitality to Sivulich's more traditional I'm Going on a Bear Hunt (Dutton, 1973; o.p.). Readers and listeners will delight in this imaginative pursuit over and over again. --Marianne Pilla, Upper Dublin Pub . Lib . , Dresher, PA