Twelve-year-old Evangeline DeHart is an artist and poet; she most often expresses herself about her farm, an eastern Washington orchard that has been in her family for generations. Unfortunately, several calamities (including her grandmother's death, her mother's resulting debilitating grief, fruit blight, and her baby brother's serious illness) have brought the farm into foreclosure, and Eva (who longs to be the family heroine) feels powerless with only her words as weapons. The author of The Phoenix Dance (2005) offers a contemporary verse novel that includes several separate poems signed "Eva of the Farm." Thematically reminiscent of Karen Hesse's Out of the Dust (1997), Calhoun's poetry is not as strong, but the characters (especially Eva) ring true and her message about the importance of imagination will resonate with readers. As Eva notes at the end, "Even if there is not enough money, / even if we have to leave the Farm, / it will never be lost, / because I have captured it / in my poems and my heart."

When life on the family farm as twelve-year-old Eva knows it is threatened by a recession, fire blight, and sudden medical expenses, she turns to her great passion--poetry--for comfort, self-expression, and a possible means of making money. Eva's beautifully constructed, imagistic poems within this novel shine, allaying the minor lyrical inconsistencies of the main verse narration.

[W]hoever heard of a heroine-poet?" Named after Henry Wadsworth Longfellow's heroine from his epic poem Evangeline, 12-year-old Eva lives on her family's beloved Acadia Orchard in Eastern Washington. In this beautiful, tightly woven novel in verse, which follows the progression of the seasons, she may have to leave her idyllic home, just like her namesake. As Eva plucks words from the world around her--"They are warm, / as though sprinkled / with all the spices of the sky"--her "plant a forest, save a polar bear" father only sees the value of math, science and economics. Their rift grows wider when a blight starts the ripples of foreclosure. Eva begins to blame their mounting misfortunes on a blackened tree in the canyon known as the Demon Snag and the evil it must be emitting. Forming a fierce bond with the local Bead Woman, who's encountered her own tough times, the resilient girl not only discovers a kindred artist, but the power of imagination, hope and even poetry to save her farm--and spirit. Calhoun doesn't shy away from Eva's reality, offering snapshots of the cycle of life, including a baby deer ripped from its mother's womb. Although Eva's poetry far surpasses most experienced poets, the effect leaves readers with splendid images to savor. Fans of Karen Hesse will welcome this partner in poetry. (Verse novel. 10-13)

Twelve-year-old Eva adores her family-s farm-it-s the inspiration for her poems, which are interspersed throughout this novel-in-verse from Calhoun (Avielle of Rhia). But the bad economy brings financial stress to Eva-s family, and they are in danger of losing the farm. There are two levels to the story, the first being the world of mounting bills, the threat of foreclosure, and Eva-s decision to sell her poetry in the town market, where it is received lovingly by their smalltown community. The other layer is the spiritual battle Eva fights against the -Demon Snag,- a blackened tree stump at the edge of the farm that she imagines is responsible for her family-s problems. The local Bead Woman guides Eva in a mystical journey in which Eva must decide if hope can triumph despite the threats to her beloved farm. Although Eva-s poetry is a bit too lovely to be believable, her situation will evoke sympathy, and the details of the family-s financial distress are realistically drawn. Ages 10-12. Agent: Steven Chudney, the Chudney Agency. (July)

Gr 5-7 Circumstances created by the great recession coupled with unexpected medical bills and a crop-killing disease in the pear trees place Eva's family farm in foreclosure. It seems that these days, the 12-year-old is losing just about everything she loves: Grandma Helen, who supported her poetry writing, has died; her best friend moved to Seattle; and now she might have to say goodbye to the farm, her sanctuary with its apple trees, haunted outhouse, and sun daisies. Written in verse that is more cathartic expression than storytelling, Eva's own poems are scattered throughout and accented with italicized spurts that highlight her feelings, fears, and frustrations. In an effort to raise money to help her parents meet the bank's requirements, Eva sells her poetry at the local farmer's market. After a newspaper interviews her for a piece about the economy, Eva is profiled on TV and a Seattle talk show where she brings media attention to her family's plight. Despite her sincere efforts, she eventually must acquiesce to her family's financial misfortune and accept a new future even as she vows to always remain in spirit, "Eva of the farm." Like the protagonist in Katherine Hannigan's Ida B (Greenwillow, 2004), Eva presents a sense of urgency and pathos through the symbolism of an orchid's companionship. The beautifully composed language slowly relays Eva's journey through the realities of adult problems, and intuitive readers will appreciate the lyrical and metaphorical imagery. Collagelike illustrations introduce each section. This text offers much to prompt discussion and poetry writing. Rita Soltan, Youth Services Consultant, West Bloomfield, MI