ALA Booklist (Fri Mar 01 00:00:00 CST 2013)

After the wind blows seven variously shaped and colored scraps of paper onto a blank page, one at a time, a narrator asks, "Where do they come from? Whose are they?" Simple black line drawings turn the scraps into creatures who have an escalating argument, each claiming ownership of the scraps in a string of cumulative lines reminiscent of "There Was an Old Lady Who Swallowed a Fly." In the end, the wind returns, trumps the animals, and sends the paper flying once again. The mystery of the paper scraps' origins and the simple, familiar colored shapes will draw children in, while the clear, starkly designed drawings and a dialogue that builds on each previous phrase will thoroughly engage the young audience. An effective tale for young children, using deceptively, delightfully simple design work.

Horn Book (Thu Aug 01 00:00:00 CDT 2013)

This imaginative game introduces seven different colored shapes: "Whose are they?" A chicken says she found them; a fish insists they're his because he cut them into the pieces; a bird asserts he made the paper from leaves; etc. The wind blows the pieces into a pile, with the final text addressing the reader: "They're yours now too. What will you do?"

Kirkus Reviews

Where do the seven colored shapes come from, and whose are they? As the shapes come blowing across the clean, white pages, the chicken, the fish, the bird, the snail and the frog each in turn claim them using simple repetitive phrases. "They're mine!" says the chicken, created when the shapes arrange themselves in the form of its head. "I saw them lying around!" But it turns out only the wind has the power to transform the puzzlelike paper shapes into the bodies of each creature and to finally blow them high in the air so readers can "catch" them and make their own (imaginary) collages. The shapes arrange themselves differently on each page to challenge children to see them as different animals. French illustrator Manceau makes extravagant use of white space; the page opposite the text that reveals the wind's role in the drama is amusingly blank. The typeface looks light and insubstantial in relation to the strong graphic line of the illustrations. The text reads clumsily in places, possibly a poor translation from the French original, and is so sparse that some spreads are unsatisfying. A book that at first glance might seem minimalist to the point of vacuity bears closer scrutiny when one appreciates the function the paper shapes can have in allowing a child to identify them in different orientations and even to practice counting. (Picture book. 3-7)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

French author/illustrator Manceau makes his English-language debut with a cumulative story whose bare-bones simplicity and audience engagement call to mind Hervé Tullet-s Press Here. A small gray-blue circle appears against a field of white on the opening spread (-One tiny scrap of paper...-); it-s soon joined by larger blue and orange semi- and quarter-

School Library Journal (Mon Jul 01 00:00:00 CDT 2013)

PreS-Gr 2 Crisp white dominates each page of this design-heavy import. The wind magically blows, "One tiny scrap of paper./Look, there's another!" beckoning readers to observe these bits and pieces closely. Young children will love counting them; there are seven: two small black circles, two larger blue-gray circles, a large sky-blue semicircle, an orange quarter-circle, and a red Matisse-inspired curvilinear shape. "Where did they come from? Whose are they?" invites kids into the cumulative tale, recounting the origin of the windblown shapes. Who tells the story? A series of bickering animals, each claiming ownership. At every page turn, readers are greeted by a different animal squawking, "They are mine!" The speakers have been cleverly transformed into collages composed of the same seven shapes, with a thick black line adding extra details. On the fish, the red lip shape is a fin; on the bird, a wing; and, on the chicken, a crest. This title is meant to encourage hands-on activity, so have your scissors and flannel board ready. The shapes are available as a free download. Marie Hall Ets's classic Gilberto and the Wind (Viking, 1963) is a perfect pairing. Sara Lissa Paulson, The American Sign Language and English Lower School, New York City