Revolution
Revolution
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Dell Yearling
Annotation: An angry, grieving seventeen-year-old musician facing expulsion from her prestigious Brooklyn private school travels to Paris to complete a school assignment and uncovers a diary written during the French Revolution.
 
Reviews: 9
Catalog Number: #5382757
Format: Paperback
Common Core/STEAM: Common Core Common Core
Publisher: Dell Yearling
Copyright Date: 2010
Edition Date: 2011 Release Date: 07/26/11
Pages: 471 pages
ISBN: 0-385-73764-5
ISBN 13: 978-0-385-73764-7
Dewey: Fic
LCCN: 2010008993
Dimensions: 21 cm.
Language: English
Reviews:
School Library Journal Starred Review

Gr 9 Up-Andi Alpers's younger brother died two years ago and his death has torn her family apart. She's on antidepressants and is about to flunk out of her prep school. Her mother spends all day painting portraits of her lost son and her father has all but disappeared, focusing on his Nobel Prize-winning genetics work. He reappears suddenly at the beginning of winter break to institutionalize his wife and whisk Andi off to Paris with him. There he will be conducting genetic tests on a heart rumored to belong to the last dauphin of France. He hopes that Andi will be able to put in some serious work on her senior thesis regarding mysterious 18 th -century guitarist Amad&3; Malherbeau. In Paris, Andi finds a lost diary of Alexandrine Paradis, companion to the dauphin, and meets Virgil, a hot Tunisian-French world-beat hip-hop artist. Donnelly's story of Andi's present life with her intriguing research and growing connection to Virgil overshadowed by depression is layered with Alexandrine's quest, first to advance herself and later to somehow save the prince from the terrors of the French Revolution. While teens may search in vain for the music of the apparently fictional Malherbeau, many will have their interest piqued by the connections Donnelly makes between classical musicians and modern artists from Led Zeppelin to Radiohead. Revolution is a sumptuous feast of a novel, rich in mood, character, and emotion. With multiple hooks, it should appeal to a wide range of readers.— Eric Norton, McMillan Memorial Library, Wisconsin Rapids, WI

ALA Booklist

Donnelly follows her Printz Honor Book, A Northern Light (2003), with another gripping, sophisticated story, but this time she pairs historical fiction with a wrenching contemporary plotline. After her little brother's murder and her mother's subsequent breakdown, high-school-senior Andi feels like a ghost. She is furious at her father, a Nobel Prize winning scientist with a 25-year-old pregnant girlfriend, when he arranges for Andi to join him in Paris: "Sure. My brother's dead. My mother's insane. Hey, let's have a crepe." In France though, Andi, a passionate musician, discovers a diary written during the French Revolution by a young woman with whom Andi develops an increasing fascination. Donnelly links past and present with distracting contrivances lminating in time travel at work against the novel's great strengths. But the ambitious story, narrated in Andi's grief-soaked, sardonic voice, will wholly capture patient readers with its sharply articulated, raw emotions and insights into science and art; ambition and love; history's ever-present influence; and music's immediate, astonishing power: "It gets inside of you . . . and changes the beat of your heart."

Horn Book

Wracked with grief over her younger brother's death, Brooklyn teen guitarist Andi accompanies her father, a world-renowned geneticist, to Paris. There she stumbles on the diary of an eighteenth-century girl caught up in the French Revolution. The parallel narratives intersect in an over-the-top time-travel sequence, which, though not totally convincing, adds to the novel's rich layers of political and cultural history.

Kirkus Reviews

Andi Alpers, a 17-year-old music lover, is about to be expelled from her elite private school. Despite her brilliance, she has not been able to focus on anything except music since the death of her younger brother, which pushed the difficulties in her family to the breaking point. She resists accompanying her work-obsessed father to Paris, especially after he places her mentally fragile mother in a hospital, but once there works in earnest on her senior thesis about an 18th-century French musician. But when she finds the 200-year-old diary of another teen, Alexandrine Paradis, she is plunged into the chaos of the French Revolution. Soon, Alex's life and struggles become as real and as painful for Andi as her own troubled life. Printz Honor winner Donnelly combines compelling historical fiction with a frank contemporary story. Andi is brilliantly realized, complete and complex. The novel is rich with detail, and both the Brooklyn and Paris settings provide important grounding for the haunting and beautifully told story. (Fiction. 14 & up)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Donnelly (A Northern Light) melds contemporary teen drama with well-researched historical fiction and a dollop of time travel for a hefty read that mostly succeeds. Andi Alpers is popping antidepressants and flunking out of her Brooklyn prep school, grieving over her younger brother's death. She finds solace only when playing guitar. When the school notifies her mostly absent scientist father that she's flirting with expulsion, he takes Andi to Paris for Christmas break, where he's testing DNA to see if a preserved heart really belonged to the doomed son of Louis XVI and Marie Antoinette. Andi is ordered to work on her senior thesis about a (fictional) French composer. Bunking at the home of a renowned historian, Andi finds a diary that relates the last days of Alexandrine, companion to (you guessed it) the doomed prince. The story then alternates between Andi's suicidal urges and Alexandrine's efforts to save the prince. Donnelly's story goes on too long, but packs in worthy stuff. Musicians, especially, will appreciate the thread about the debt rock owes to the classics. Ages 14%E2%80%93up. (Oct.)

Voice of Youth Advocates (Thu Apr 28 00:00:00 CDT 2022)

The book begins with Andi and some of her classmates at the weekly Friday morning breakfast party, where each gets high in her or his own way before heading to school. Oh, no! Not another teen-angst tale! While it is that, it is so much more. Andi Alpers is a senior at St. Anselm’s, a prestigious private school in Brooklyn, New York. Her seven-year-old brother, Truman, was killed in a traffic accident two years earlier, and Andi blames herself because she was supposed to be looking after him. She lives with her artist mother in an apartment, and her father, a Nobel-prize-winning geneticist who left after his son’s death, is now involved with a much younger woman. Andi’s grades have slipped in all her classes except music, which, along with antidepressants, is her escape. She has managed to keep her academic and emotional problems from her mother, who is suffering in her own way, continually painting portraits of Truman. Andi arrives home one evening to find her father waiting for her. He has his wife admitted to a psychiatric hospital and informs Andi that she will be accompanying him to Paris for her winter break and working on the outline for her senior thesis. In Paris, Andi is given an old guitar wich contains diary that belonged to Alexandrine Paradis, daughter of a family of entertainers. As Andi becomes engrossed in the diary, she becomes more and more interested not only in doing research for her thesis about an eighteenth-century French composer named Amadé Malherbeau but also in a young French musician she meets in a club. This relatively hefty volume might not work for the readers of Lurlene McDaniel, but give it to those who love Gregory Maguire or Libba Bray.—Marlyn Beebe.

Bibliography Index/Note: Includes bibliographical references (pages [479-482]).
Word Count: 123,080
Reading Level: 3.6
Interest Level: 9-12
Accelerated Reader: reading level: 3.6 / points: 17.0 / quiz: 140155 / grade: Upper Grades
Reading Counts!: reading level:4.2 / points:28.0 / quiz:Q51424
Lexile: HL560L
Guided Reading Level: R
Fountas & Pinnell: R
Those who can, do.

Those who can't, deejay.

Like Cooper van Epp. Standing in his room--the entire fifth floor of a Hicks Street brownstone--trying to beat-match John Lee Hooker with some piece of trip-hop horror. On twenty thousand dollars' worth of equipment he doesn't know how to use.

"This is the blues, man!" he crows. "It's Memphis mod." He pauses to pour himself his second scotch of the morning. "It's like then and now. Brooklyn and Beale Street all at once. It's like hanging at a house party with John Lee. Smoking Kents and drinking bourbon for breakfast. All that's missing, all we need--"

"--are hunger, disease, and a total lack of economic opportunity," I say.

Cooper pushes his porkpie back on his head and brays laughter. He's wearing a wifebeater and an old suit vest. He's seventeen, white as cream and twice as rich, trying to look like a bluesman from the Mississippi Delta. He doesn't. He looks like Norton from The Honeymooners.

"Poverty, Coop," I add. "That's what you need. That's where the blues come from. But that's going to be hard for you. I mean, son of a hedge fund god and all."

His idiot grin fades. "Man, Andi, why you always harshing me? Why you always so--"

Simone Canovas, a diplomat's daughter, cuts him off. "Oh, don't bother, Cooper. You know why."

"We all do. It's getting boring," says Arden Tode, a movie star's kid.

"And one last thing," I say, ignoring them, "talent. You need talent. Because John Lee Hooker had boatloads of it. Do you actually write any music, Coop? Do you play any? Or do you just stick other people's stuff together and call the resulting calamity your own?"

Cooper's eyes harden. His mouth twitches. "You're battery acid. You know that?"

"I do."

I am. No doubt about it. I like humiliating Cooper. I like causing him pain. It feels good. It feels better than his dad's whiskey, better than his mom's weed. Because for just a few seconds, someone else hurts, too. For just a few seconds, I'm not alone.

I pick up my guitar and play the first notes of Hooker's "Boom Boom." Badly, but it does the trick. Cooper swears at me and storms off.

Simone glares. "That was brutal, Andi. He's a fragile soul," she says; then she takes off after him. Arden takes off after her.

Simone doesn't give a rat's about Cooper or his soul. She's only worried he'll pull the plug on our Friday-morning breakfast party. She never faces school without a buzz. Nobody does. We need to have something, some kind of substance-fueled force field to fend off the heavy hand of expectation that threatens to crush us like beer cans the minute we set foot in the place.

I quit playing "Boom Boom" and ease into "Tupelo." No one pays any attention. Not Cooper's parents, who are in Cabo for the holidays. Not the maid, who's running around opening windows to let the smoke out. And not my classmates, who are busy trading iPods back and forth, listening to one song after another. No Billboard Hot 100 fare for us. We're better than that. Those tunes are for kids at P.S. Whatever-the-hell. We attend St. Anselm's, Brooklyn's most prestigious private school. We're special. Exceptional. We're supernovas, every single one of us. That's what our teachers say, and what our parents pay thirty thousand dollars a year to hear.

This year, senior year, it's all about the blues. And William Burroughs, Balkan soul, German countertenors, Japanese girl bands, and New Wave. It's calculated, the mix. Like everything else we do. The more obscure our tastes, the greater the proof of our genius.

As I sit here mangling "Tupelo," I catch broken-off bits of conversation going on around me.

"But really, you can't even approach Flock of Seagulls without getting caught up in the metafictive paradigm," somebody says.

And "Plastic Bertrand can, I think, best be understood as a postironic nihilist referentialist."

And "But, like, New Wave derived meaning from its own meaninglessness. Dude, the tautology was so intended."

And then, "Wasn't that a mighty time, wasn't that a mighty time . . ."

I look up. The kid singing lines from "Tupelo," a notorious horndog from Slater, another Heights school, is suddenly sitting on the far end of the sofa I'm sitting on. He smirks his way over until our knees are touching.

"You're good," he says.

"Thanks."

"You in a band?"

I keep playing, head down, so he takes a bolder tack.

"What's this?" he says, leaning over to tug on the red ribbon I wear around my neck. At the end of it is a silver key. "Key to your heart?"

I want to kill him for touching it. I want to say words that will slice him to bits, but I have none. They dry up in my throat. I can't speak, so I hold up my hand, the one covered in skull rings, and clench it into a fist.

He drops the key. "Hey, sorry."

"Don't do that," I tell him, tucking it back inside my shirt. "Ever."

"Okay, okay. Take it easy, psycho," he says, backing off.

I put the guitar into its case and head for an exit. Front door. Back door. Window. Anything. When I'm halfway across the living room, I feel a hand close on my arm.

"Come on. It's eight-fifteen."

It's Vijay Gupta. President of the Honor Society, the debate team, the Chess Club, and the Model United Nations. Volunteer at a soup kitchen, a literacy center, and the ASPCA. Davidson Fellow, Presidential Scholar candidate, winner of a Princeton University poetry prize, but, alas, not a cancer survivor.

Orla McBride is a cancer survivor, and she wrote about it for her college apps and got into Harvard early admission. Chemo and hair loss and throwing up pieces of your stomach beat the usual extracurriculars hands down. Vijay only got wait-listed, so he still has to go to class.

"I'm not going," I tell him.

"Why not?"

I shake my head.

"What is it?"

Vijay is my best friend. My only friend, at this stage. I have no idea why he's still around. I think he sees me as some kind of rehabilitation project, like the loser dogs he cares for at the shelter.

"Andi, come on," he says. "You've got to. You've got to get your outline in. Beezie'll throw you out if you don't. She threw two seniors out last year for not turning it in."

"I know. But I'm not."

Vijay gives me a worried look. "You take your meds today?" he asks.

"I did."

He sighs. "Catch you later."

"Yeah, V. Later."

I head out of the Castle van Epp, down to the Promenade. It's snowing. I take a seat high above the BQE, stare at Manhattan for a bit, and then I play. For hours. I play until my fingertips are raw. Until I rip a nail and bleed on the strings. Until my hands hurt so bad I forget my heart does.


From the Hardcover edition.

Excerpted from Revolution by Jennifer Donnelly
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Readers of If I Stay and Elizabeth George will love Revolution by Jennifer Donnelly, New York Times bestselling author of Stepsister, Poisoned, These Shallow Graves, and the award-winning novel A Northern Light.

    Andi Alpers is on the edge. She’s angry at her father for leaving, angry at her mother for not being able to cope, and heartbroken by the loss of her younger brother, Truman. Rage and grief are destroying her. And her father has determined that accompanying him to Paris for winter break is the solution for everything.
    But Paris is a city of ghosts for Andi. And when she finds a centuries-old diary, the ghosts begin to walk off the page. Alexandrine, the owner of the journal, lived during the French Revolution. She’s angry too. It’s the same fire that consumes Andi, and Andi finds comfort in it—until, on a midnight journey through the catacombs, words transcend paper and time, and the past becomes terrifyingly present.
    Revolution artfully weaves two girls’ stories into one unforgettable account of life, loss, and enduring love. Revolution spans centuries and vividly depicts the eternal struggles of the human heart.

Praise for Revolution:
An ABA Indies Choice Young Adult Book of the Year
An ALA-YALSA Top Ten Best Book for Young Adults
A Kirkus Reviews Best Book
A #1 Indiebound Selection
A School Library Journal Best Book of the Year
A Bulletin Blue Ribbon Book
A Chicago Public Library Best of the Best Book
An Amazon.com Best Book of the Year

★ “A sumptuous feast of a novel, rich in mood, character, and emotion.”—SLJ, Starred Review

★ “Every detail is meticulously inscribed into a multi-layered narrative that is as wise, honest, and moving as it is cunningly worked. Readers  . . . will find this brilliantly crafted work utterly absorbing.”—The Bulletin, Starred Review

★ “Brilliantly realized, complete, and complex. The novel is rich with detail, and both the Brooklyn and Paris settings provide important grounding for the haunting and beautifully told story.”—Kirkus Reviews, Starred Review


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