Perma-Bound Edition ©2004 | -- |
Though a hospital error left Fern to be raised by the tragically dull Drudgers, her biological parents were Anybodies--professional shapeshifters. When 12-year-old Fern reunites with her widowed father, she learns that his transforming abilities have mysteriously disappeared. Their quest to restore his powers occasions a visit to Fern's grandmother, whose vast library gives Fern a chance to discover a talent of her own: by shaking books, she can make elements of the stories tumble into the real world. Writing under a tongue-in-cheek pseudonym, Julianna Baggot, the author of three novels for adults, folds in numerous inside jokes for kid-lit fans (a tree bearing a giant peach makes an appearance, as do hobbits and Borrowers). The many-pronged plot doesn't always hang together (what Fern's book-related gifts have to do with her Anybody heritage is left frustratingly vague), but the plummy, discursive narrative style will appeal to fans of Dahl and Snicket, and the loony goings-on will entice young bibliophiles back for future installments. Rough but charming sketches by Peter Ferguson were included in the galley.
Horn Book (Sun Aug 01 00:00:00 CDT 2004)When Fern discovers her real father is an eccentric hypnotist, she goes to live with him. So begins her wild search for her origins and for a book about magical powers belonging to her mother, who died in childbirth. The funny story and illustrations are engaging, but there are numerous loose ends and extraneous authorial asides ÃÂ la Lemony Snicket.
Kirkus ReviewsA writer for adults and YAs takes a pen name for this witty, sometimes hilarious tale, punctuated with authorial asides and featuring switched babies, hidden identities, magical transformations, and allusions to literary classics. Frequently interrupting herself to slam her creative-writing teacher, apologize for putting in talking animals, etc., the chatty narrator follows Fern (12) as she is whisked away from her beige and orderly household to the book-stuffed boarding house where her real mother, who died in childbirth, had grown up possessing both a manual for shapechanging and the ability to shake characters or items right off any printed page. As she helps her still-grieving real father search for the manual before it can fall into the hands of a sinister magician known as The Miser, Fern discovers, to her delight, that she's inherited her mother's gift. Bode scatters the grounds with hobbits, fairies, clothed rabbits, teacups labeled "Drink Me," and other references for well-read children to catch, assembles a cast of fundamentally decent sorts led by a preteen with plenty on the ball, and concocts a tangled plot with a clever twist at the end, plus plenty of loose threads to connect a sequel. (Fiction. 10-13)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)"Anne of Green Gables never had to deal with such a mess. Neither did Heidi with her grandpa in Norway or wherever." Writing under a transparent pseudonym, the adult novelist Julianna Baggott (<EMPHASIS TYPE=""ITALIC"">Girl Talk) unfortunately tends to create some clutter herself, burying the potential of her story under familiar elements and delivering her plot in an overly precious narrative style. Fern Drudger copes with her oppressively boring parents (they give her toothpicks for her birthday, collect refrigerator magnets and cook only flavorless food), keeping to herself the seemingly magical things she witnesses. When she is 12, she learns she was switched at birth, and her real father, Bone, appears on the Drudger doorstep along with Mary Curtain, the nurse who made the mistake, plus the dull true Drudger son. As soon as Fern has left, "Mary" reveals herself to be Bone's friend Marty, both of them semi-talented "Anybodies," who can, with enough skill, become anyone they please. The hunt is then on for the comprehensive book, <EMPHASIS TYPE=""ITALIC"">The Art of Being Anybody, once owned by Fern's late mother; the ominous Miser, a mysterious man with similar powers, also wants the book perhaps in order to "learn how to hypnotize nations." Although engaging in places, this is a scattershot tale that tries too hard to duplicate the self-conscious delivery of the Lemony Snicket books ("Here you could possibly decide that this is an altogether bad book"), with echoes of a <EMPHASIS TYPE=""ITALIC"">Molly Moon–type plot development. Ages 10-13. <EMPHASIS TYPE=""ITALIC"">(June)
School Library JournalGr 5-8-This inventive novel has elements of Cornelia Funke's Inkheart (Scholastic, 2003) and Lemony Snicket's "A Series of Unfortunate Events" (HarperCollins). Fern Drudger, an imaginative misfit in her extraordinarily boring family, discovers that she and Howard Bone were switched at birth. The adults decide that the children will spend the summer with their birth parents and Fern meets her father, the Bone. He is an "Anybody"-he can change into someone or something else. However, he's not very good at it. He's convinced that Fern can help him find The Art of Being Anybody, a book once owned by his dead wife, which will allow him to improve his skills-but he must locate it before his enemy, the Miser, does and stop him from using it for evil purposes. Fern and the Bone end up in disguise at Fern's grandmother's boarding house, a magical, if dilapidated, palace of books, where anything can happen, especially if you happen to be an Anybody. Like Snicket, Bode is an amusing presence within this story about family, imagination, love of the written word, the dangers of hypnosis, and how to put an army of fairies to good use. The writing is fluid, the characters are multifaceted, and the situations range from poignant to gloriously silly. Eye-catching, black-and-white sketches echo the story's nuances and add to the atmosphere. There's laugh-out-loud humor, fantasy, mystery, real-life family drama, and the potential for a sequel. What more could a reader want?-Mara Alpert, Los Angeles Public Library Copyright 2004 Reed Business Information.
ALA Booklist (Thu Jul 01 00:00:00 CDT 2004)
Bulletin of the Center for Children's Books
Horn Book (Sun Aug 01 00:00:00 CDT 2004)
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal
Voice of Youth Advocates
Wilson's Children's Catalog
Wilson's Junior High Catalog
Chapter One
A Flustered Nurse
Fern drudger knew that her parents, Mr. and Mrs. Drudger, were dull.
Ridiculously dull.
Incredibly, tragically dull.
Mr. Drudger enjoyed discussing sod and lawn treatments. Mrs. Drudger collected advertising fliers that came in the mail, bargains on oil changes and mattress clearance sales. They gave Fern birthday gifts like a set of toothpicks or instruction manuals on how to build filing cabinets. They liked only dull things such as toasters (4), sponges (127), and refrigerator magnets (226) -- and not those cute bunny shapes and such, but informative freebies from the plumber, the electrician and many from the firm where they worked, Beige & Beige. The Drudgers were both accountants. They didn't like to take vacations from Beige & Beige, but didn't want to cause a stir by not taking them either. So they loaded up the station wagon each summer and went to a place called Lost Lake. There was no lake, only the murky impression of one from years past. In heavy rains, it became muddy enough to attract mosquitos. And here Fern would suffer, listening to her parents take turns reading their manuals while she sipped bland lemonade (not sweet or sour) and swatted her bitten ankles.
Fern was not dull. (Children usually aren't. They can be a lot of unpleasant things, including nose-picky and stinky, but they are not usually dull. Although there are exceptions -- Mr. and Mrs. Drudger, I'm sorry to say, were never interesting. They were the kind of exceptionally boring children who enjoyed putting their toys in rows and keeping their pencils sharp. When feeling wild, they might have hummed, but that was about it.) However, Fern was not only not dull, she was, in fact, quite unusual.
Here are some examples: as a toddler -- her earliest memory -- Fern had once looked at a picture book about crickets, and every time she opened the book, crickets hopped out. She filled her room with crickets. She thought this would make her mother happy, but when she showed her, the tidy woman had a frozen look of horror. Nothing ever popped out of another one of Fern's picture books.
And when Fern had just learned to read, she caught snow in her mittens and the snow turned into pieces of paper with a word on each piece. She took them to her bedroom and laid them out on her desk, arranging and rearranging them until they made a sentence: Things aren't always what they seem, are they?
When Fern woke up in the morning, the pieces of paper were gone. In their place, there was only a row of beaded water drops.
She'd once seen a perfectly good climbing tree that, on second glance, was really a very tall nun with thick ankles carrying a big, black, half-dented umbrella. Fern, alone, hid behind a big mail box and watched the nun walk to the curb, glancing up and down the street as if lost. A taxi cab rounded the corner and the nun, who seemed befuddled and a little nervous, turned into a lamppost. It was an ordinary lamppost with a loose dented umbrella kicking around it. Fern said, Hello? Hello? like you do when you pick up the phone but nobody's there. Hello? Fern waited. Nothing happened. So, she picked up the umbrella, a little dazed, and shuffled quickly to her house.
More recently, during the spring before the summer that I'm getting to -- if you're patient! -- Fern had arrived early for swimming lessons at the YWCA's indoor swimming pool and had watched her brand-new swim teacher, Mrs. Lilliopole, run after a small bat flitting madly over the bleachers. Mrs. Lilliopole jogged after it, chubby and awkward, wearing a skirted swimsuit, a plastic nose-pinch, and a flowered bathing cap. She waved a net used for cleaning the pool. The bat rose up to the glass skylight and then turned into a marble, dropping to the tiled floor before rolling quickly under the door to the men's locker room.
Now all of these oddities were fine. They were strange, of course, and made Fern feel a little off-kilter, as you can imagine, but none of them scared her until the cloud appeared the day after Fern's eleventh birthday that spring. It was a persistent ominous dark cloud, about the height of a tall man, that sometimes followed Fern. The cloud looked like a plume of exhaust, but it seemed to hover just above the ground, disappearing around corners when anyone else was around. Once she got close enough to feel its windy presence, and the cloud began to draw her in, pulling on her dress, whipping her hair -- like the strong undercurrent of a draft you feel when you stand on the edge of the curb as a fast bus passes by. Fern was certain something terrible would happen if she got any closer. She ran away.
Now, keeping this kind of thing to yourself isn't easy to do. But Fern had to. The Drudgers had made it clear to Fern that any of the unusual things she's seen -- crickets popping out of picture books and snow notes -- were a result of her overactive dysfunction, meaning her imagination. No, Fern, those crickets didn't pop out of the book! We had an infestation! We called an exterminator! Mrs. Drudger had told her time and again. And don't start with that business of getting torn-up notes from snow! Mr. Drudger would add, No, no, no! We won't hear of such AWFUL fibbing! In fact, they'd convinced Fern that she'd misremembered everything. No one else had seen the crickets, or the snow notes or the nun, or the awful dark cloud for that matter. So Fern stopped telling the Drudgers and started keeping a diary instead. She wrote about the nun, and about Mrs. Lilliopole chasing the bat with the swimming pool net. She kept notes on things that seemed a bit off to her about people who didn't seem to be who they claimed to be: a robin that watched her intently from a branch outside her bedroom window, the pizza delivery man and the guy who worked the Good Humor truck, even her swimming instructor, Mrs. Lilliopole -- after that incident with the bat, the woman had kept trying to get Fern's attention with suspiciously stupid discussions about her scissor kick. It all seemed to be leading somewhere, but she wasn't sure where.
The Anybodies. Copyright © by N. Bode. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
Excerpted from The Anybodies by N. E. Bode
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
"Potter–style magic meets Snicket–y irreverence." – People Magazine
Fern discovers that she was swapped at birth and leaves her tragically dull parents for an unforgettable adventure with her true father, the Bone. Just who are the Anybodies? You'll have to read to find out! Narrated by the hilariously intrusive N. E. Bode, The Anybodies is a magical adventure for readers of all ages.