Pullman is fast becoming a modern-day Charles Dickens for young adults. The setting (Victorian London) is the same; the strong eye for characters large and small is there, as are the sometimes brooding atmosphere, the social conscience, the ability to spin plot within plot against a large landscape, and the occasional editorial comment. These last are not intrusive; the author's voice is that of a friend, filling in details in a story he has witnessed, not wanting readers to miss a thing. Sally Lockhart, first met in Ruby in the Smoke (1987) and Shadow in the North (1988, both Knopf), is now a young woman, left alone with a toddler since the death of her lover, Frederick Garland. Nothing prepares her for the shock of receiving a summons from a man she has never even heard of, suing her for divorce and the custody of her beloved Harriet. Two other figures emerge: Daniel Goldberg, a Jewish slum radical with a violent past; and the ironically titled Tzaddik (saint), who preys on helpless European Jewish immigrants. The Tiger in the Well is the story of their converging paths, as Sally struggles against the net closing around her and seeks to find out who is persecuting her and why. The writing style is lively and direct, and there's lots of action. While Sally's story is for mature readers, it is never sordid or sensational. This is a suspense novel with a conscience, and a most enjoyable one. --Barbara Hutcheson, Greater Victoria Public Library, B.C., Canada

In this sequel to 'The Ruby in the Smoke' and 'The Shadow in the North' (both Knopf) Sally Lockhart has made a successful career and a comfortable life for herself and her two-year-old daughter in Victorian London. She uses all her intelligence and resources to combat the Tzaddik, the evil mastermind behind a plot to rob her of her child, career, and home. An exceedingly clever, complex plot and a stunning conclusion.

This comical adventure about a girl who longs to follow in her father's footsteps crackles with Pullman's (The Golden Compass; Clockwork) usual flair. Lila desperately wants to be a firework-maker like her widower father. Although he has raised her amid the dancing sparks, he wants her to have a husband rather than a vocation. With the help of her entrepreneurial friend Chulak, the personal servant to the king's talking white elephant, Lila tricks her father into revealing the secret to his profession, then bravely departs to retrieve the royal sulphur from Razvani the Fire-Fiend at the heart of a volcano. Pullman marries elements of fairy tale with slapstick humor as Lila outwits a vaudevillian band of pirates and scales jagged mountains on her quest. Gallagher's (Blue Willow, reviewed above) softly focused graphite drawings lend magical mystery as Lila fearfully contemplates the dancing fire imps at Mount Merapi and emphasize the absurdity as the elephant, his flanks emblazoned with advertisements, kneels before the Goddess of the Lake in order to save Lila from Razvani. If the tale, first published in Britain in 1995, isn't as polished as Pullman's other works, it's worth the trip just for the climactic fireworks scene in which Lila gets to show her stuff. Ages 8-12. (Oct.) FYI: As of September, Pullman's Sally Lockhart Trilogy is being reissued in paperback: The Ruby in the Smoke; The Shadow in the North; and The Tiger in the Well; as well as The Tin Princess, which features characters from the trilogy. (Knopf, $4.99 paper each ages 12-up ISBN 0-394-89589-4; -82599-3; ISBN 0-679-82671-8; -87615-4)